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COMPOSERVarious
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ORCHESTRA / ENSEMBLEVenice Baroque Orchestra
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PERFORMERChouchane Siranossian, Andrea Marcon
Duello d’archi a Venezia / Siranossian, Marcon, Venice Baroque
- Alpha
- May 26, 2023
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RELEASE DATEMay 26, 2023
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UPC3760014199356
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CATALOG NUMBERALPHA935
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LABELAlpha
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NUMBER OF DISCS1
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GENRE
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I. Allegro moderato
Composer: Francesco Maria Veracini
Ensemble: Venice Baroque Orchestra
Performer: Chouchane Siranossian
Conductor: Andrea Marcon
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II. Largo
Composer: Francesco Maria Veracini
Ensemble: Venice Baroque Orchestra
Performer: Chouchane Siranossian
Conductor: Andrea Marcon
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III. Allegro moderato
Composer: Francesco Maria Veracini
Ensemble: Venice Baroque Orchestra
Performer: Chouchane Siranossian
Conductor: Andrea Marcon
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I. Andante
Composer: Pietro Antonio Locatelli
Ensemble: Venice Baroque Orchestra
Performer: Chouchane Siranossian
Conductor: Andrea Marcon
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II. Largo
Composer: Pietro Antonio Locatelli
Ensemble: Venice Baroque Orchestra
Performer: Chouchane Siranossian
Conductor: Andrea Marcon
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III. Capriccio
Composer: Pietro Antonio Locatelli
Ensemble: Venice Baroque Orchestra
Performer: Chouchane Siranossian
Conductor: Andrea Marcon
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I. Allegro
Composer: Giuseppe Tartini
Ensemble: Venice Baroque Orchestra
Performer: Chouchane Siranossian
Conductor: Andrea Marcon
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II. Grave
Composer: Giuseppe Tartini
Ensemble: Venice Baroque Orchestra
Performer: Chouchane Siranossian
Conductor: Andrea Marcon
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III. Allegro
Composer: Giuseppe Tartini
Ensemble: Venice Baroque Orchestra
Performer: Chouchane Siranossian
Conductor: Andrea Marcon
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I. Allegro
Composer: Antonio Vivaldi
Ensemble: Venice Baroque Orchestra
Performer: Chouchane Siranossian
Conductor: Andrea Marcon
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II. Grave recitativo
Composer: Antonio Vivaldi
Ensemble: Venice Baroque Orchestra
Performer: Chouchane Siranossian
Conductor: Andrea Marcon
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III. Allegro
Composer: Antonio Vivaldi
Ensemble: Venice Baroque Orchestra
Performer: Chouchane Siranossian
Conductor: Andrea Marcon
Featuring ⌄
Product Details ⌄
Works ⌄
“For this recording we have created an imaginary ‘battle of the bows’ between Vivaldi, Veracini, Tartini and Locatelli, the ‘four musketeers’ of the violin in Venice during the first half of the 18th century”, said Chouchane Siranossian and Andrea Marcon. “Corelli died in 1713 and passed the torch on to his heirs… Venice then became the setting for merciless rivalries. The violin became an instrument of confrontation, an ideal weapon for demonstrating virtuosity and technical prowess. The player’s ultimate goal was to astonish the listener and to demonstrate his own bravura, to the point that certain narcissistic tendencies of the player were often exaggerated.” Chouchane Siranossian, whose virtuosity was described as "diabolical" by the Sunday Times and who “hit the nail on the head” according to Classica on her Tartini recording (Alpha596, Choc), is the ideal interpreter of these high-risk concertos, with the fresh and knowledgeable support of Andrea Marcon and his Venetian ensemble.
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