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COMPOSERDURANTE, FRANCESCO
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PERFORMERAstrarium Consort, Centemeri
Durante: Requiem in G Minor / Centemeri, Astrarium Consort
- Brilliant Classics
- April 3, 2020
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RELEASE DATEApril 03, 2020
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UPC5028421960272
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CATALOG NUMBERBRI96027
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LABELBrilliant Classics
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NUMBER OF DISCS1
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GENRE
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Requiem
Composer: Francesco Durante
Ensemble: Astrarium Consort
Performer: Francesca Cassinari, Elena Carzaniga, Roberto Rilievi, Matteo Bellotto, Carlo Centemeri
Conductor: Carlo Centemeri
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Kyrie
Composer: Francesco Durante
Ensemble: Astrarium Consort
Performer: Francesca Cassinari, Elena Carzaniga, Roberto Rilievi, Matteo Bellotto, Carlo Centemeri
Conductor: Carlo Centemeri
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Requiem eternam - In memoriam
Composer: Francesco Durante
Ensemble: Astrarium Consort
Performer: Francesca Cassinari, Elena Carzaniga, Roberto Rilievi, Matteo Bellotto, Carlo Centemeri
Conductor: Carlo Centemeri
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Sonata No. 3 per cembalo divisi in studii e divertimenti in C Minor: I. Studio: Fuga
Composer: Francesco Durante
Performer: Carlo Centemeri
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Dies Irae
Composer: Francesco Durante
Ensemble: Astrarium Consort
Performer: Francesca Cassinari, Elena Carzaniga, Roberto Rilievi, Matteo Bellotto, Carlo Centemeri
Conductor: Carlo Centemeri
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Recordare
Composer: Francesco Durante
Ensemble: Astrarium Consort
Performer: Francesca Cassinari, Elena Carzaniga, Roberto Rilievi, Matteo Bellotto, Carlo Centemeri
Conductor: Carlo Centemeri
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Ingemisco tamquam reus
Composer: Francesco Durante
Ensemble: Astrarium Consort
Performer: Francesca Cassinari, Elena Carzaniga, Roberto Rilievi, Matteo Bellotto, Carlo Centemeri
Conductor: Carlo Centemeri
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Confutatis
Composer: Francesco Durante
Ensemble: Astrarium Consort
Performer: Francesca Cassinari, Elena Carzaniga, Roberto Rilievi, Matteo Bellotto, Carlo Centemeri
Conductor: Carlo Centemeri
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Lacrymosa dies illa
Composer: Francesco Durante
Ensemble: Astrarium Consort
Performer: Francesca Cassinari, Elena Carzaniga, Roberto Rilievi, Matteo Bellotto, Carlo Centemeri
Conductor: Carlo Centemeri
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Domine Jesu
Composer: Francesco Durante
Ensemble: Astrarium Consort
Performer: Francesca Cassinari, Elena Carzaniga, Roberto Rilievi, Matteo Bellotto, Carlo Centemeri
Conductor: Carlo Centemeri
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Hostias
Composer: Francesco Durante
Ensemble: Astrarium Consort
Performer: Francesca Cassinari, Elena Carzaniga, Roberto Rilievi, Matteo Bellotto, Carlo Centemeri
Conductor: Carlo Centemeri
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Sanctus
Composer: Francesco Durante
Ensemble: Astrarium Consort
Performer: Francesca Cassinari, Elena Carzaniga, Roberto Rilievi, Matteo Bellotto, Carlo Centemeri
Conductor: Carlo Centemeri
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Benedictus
Composer: Francesco Durante
Ensemble: Astrarium Consort
Performer: Francesca Cassinari, Elena Carzaniga, Roberto Rilievi, Matteo Bellotto, Carlo Centemeri
Conductor: Carlo Centemeri
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Toccata [Naples, 17th century]
Composer: Anonymous
Performer: Carlo Centemeri
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Agnus Dei
Composer: Francesco Durante
Ensemble: Astrarium Consort
Performer: Francesca Cassinari, Elena Carzaniga, Roberto Rilievi, Matteo Bellotto, Carlo Centemeri
Conductor: Carlo Centemeri
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Lux Eterna
Composer: Francesco Durante
Ensemble: Astrarium Consort
Performer: Francesca Cassinari, Elena Carzaniga, Roberto Rilievi, Matteo Bellotto, Carlo Centemeri
Conductor: Carlo Centemeri
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Libera me Domine
Composer: Francesco Durante
Ensemble: Astrarium Consort
Performer: Francesca Cassinari, Elena Carzaniga, Roberto Rilievi, Matteo Bellotto, Carlo Centemeri
Conductor: Carlo Centemeri
Featuring ⌄
Product Details ⌄
Works ⌄
The second of three settings that can firmly be attributed to Durante, the G minor Requiem is dated 27 November 1738, by which time the composer was established as a senior figure in the vibrant and fast-moving culture of 18th-century Naples. Durante was a contemporary of Nicolo Porpora and Leonardo Leo, whose Salve Regina settings have been newly recorded on another recent Brilliant Classics album (96092) but they were better known as operatic composers; Durante’s fame and reputation rested then and now on his music for the church, which is noble without ponderousness, moving without sentimentality, elegant without triviality. Compared with other Neapolitans, Durante was not prolific; he strove instead, within the conventions of his age, to strike a popular tone with intimations of the sublime, and he did so by using startling dissonances, expressive use of dynamics, diminished chords and chromaticism. The G minor Requiem demonstrates all these features. It is scored for two four-part choirs, strings and two hunting horns used exclusively in the ‘Tuba mirum’. Even a casual glance at the score shows why Durante was greatly sought after as a counterpoint teacher and also why composers as different in as Pergolesi and Paisiello can be numbered among his pupils. Previous recordings have used large choirs, but performing the Requiem with small forces highlights the madrigalian qualities of Durante’s style, with an emphasis on solo rather than choral lines, as well as achieving much tighter ensemble and more precise intonation. Several of the soloists on this album also featured on the previous Brilliant Classics recording by the Astrarium Consort with their founder/director Carlo Centemeri, of motets by Giovanni Paolo Colonna (94647). ‘Soprano Francesca Cassinari has a particularly appealing sound (for me). Her clear, pure voice serves the music well… The Astrarium Consort has a good ensemble sound.’ (wtju.fm)
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