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COMPOSERTraditional, Johann Sebastian Bach, Cheryl Frances-Hoad, Deborah Pritchard, Henry Purcell, Errollyn
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PERFORMERRuby Hughes, Huw Watkins
Echo / Ruby Hughes, Huw Watkins
- BIS
- November 4, 2022
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RELEASE DATENovember 04, 2022
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UPC7318599925684
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CATALOG NUMBERBIS-2568
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LABELBIS
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NUMBER OF DISCS1
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GENRE
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Partita No. 4 in D Major, BWV 828: V. Sarabande
Composer: Johann Sebastian Bach
Performer: Huw Watkins
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5 Spiritual Songs: No. 1. Gedenke doch, mein Geist, zurücke (after J.S. Bach's BWV 509)
Composer: Benjamin Britten
Performer: Ruby Hughes, Huw Watkins
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French Suite No. 3 in B Minor, BWV 814: III. Sarabande
Composer: Johann Sebastian Bach
Performer: Huw Watkins
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5 Spiritual Songs: No. 4. Komm, süsser Tod (after J.S. Bach's BWV 478)
Composer: Benjamin Britten
Performer: Ruby Hughes, Huw Watkins
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Partita No. 6 in E Minor, BWV 830: III. Corrente
Composer: Johann Sebastian Bach
Performer: Huw Watkins
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5 Spiritual Songs: No. 3. Liebster Herr Jesu (after J.S. Bach's BWV 484)
Composer: Benjamin Britten
Performer: Ruby Hughes, Huw Watkins
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No. 1. Echo
Composer: Huw Watkins
Performer: Ruby Hughes, Huw Watkins
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No. 2. For Each Ecstatic Instant
Composer: Huw Watkins
Performer: Ruby Hughes, Huw Watkins
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No. 3. If Grief Could Burn Out
Composer: Huw Watkins
Performer: Ruby Hughes, Huw Watkins
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No. 4. When You Are Old
Composer: Huw Watkins
Performer: Ruby Hughes, Huw Watkins
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No. 5. Baby Blue
Composer: Huw Watkins
Performer: Ruby Hughes, Huw Watkins
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4 Songs: No. 1. By Beauteous Softness (After H. Purcell)
Composer: Thomas Adès
Performer: Ruby Hughes, Huw Watkins
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7 Songs, Vol. 1: No. 5. Music for a While (After H. Purcell)
Composer: Michael Tippett, Walter Bergmann
Performer: Ruby Hughes, Huw Watkins
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Tom Bowling and Other Song Arrangements: No. 6. I Wonder as I Wander
Composer: Benjamin Britten
Performer: Ruby Hughes, Huw Watkins
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8 Folk Song Arrangements: No. 6. Dafydd y Garreg Wen (David of the White Rock) (arr. C. Matthews for voice and piano)
Composer: Benjamin Britten
Performer: Ruby Hughes, Huw Watkins
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Folk Song Arrangements, Vol. 4, "Moore's Irish Melodies": No. 3. How Sweet the Answer (The Wren)
Composer: Benjamin Britten
Performer: Ruby Hughes, Huw Watkins
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The World
Composer: Deborah Pritchard
Performer: Ruby Hughes, Huw Watkins
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Lament
Composer: Cheryl Frances-Hoad
Performer: Ruby Hughes, Huw Watkins
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The Errollyn Wallen Songbook: No. 12. Peace on Earth
Composer: Errollyn Wallen
Performer: Ruby Hughes, Huw Watkins
Featuring ⌄
Product Details ⌄
Works ⌄
Huw Watkins’ song cycle Echo, composed for soprano Ruby Hughes and premiered in 2017 at Carnegie Hall, is at the center of this artfully crafted recital. Setting texts by five different poets, the cycle is a work centered on melancholy – on transience, remembrance, and in the final song a numbed cry of inconceivable loss. As such it permeates the entire program, adding a new and unexpected depth to that which precedes as well as follows. Another strand of the recital is the idea of how composers across the ages have addressed and echoed one another lovingly in their music – often in the most nuanced and unconscious way. Bach’s solo keyboard works capture something of a sense of timelessness, or more accurately, inspire an emotional connection that transcends time. A similar affinity seems to inform Britten’s folksong arrangements and his realizations of Bach’s Geistliche Lieder as well as the Purcell realizations by Thomas Adès and Tippett. A different kind of echo is created by the inclusion of Britten’s version of Dafydd y Garreg Wen(David of the White Rock) – a nod to the performers’ shared Welsh heritage. Closing the disc, three songs by contemporary British composers admired by both Watkins and Hughes also resonate with the previous works, bringing the program full circle.
REVIEW:
Here, in a recital that includes two world premieres, Hughes and longtime collaborator Huw Watkins combine contemporary works with works from centuries past. Somber themes connect them: the transience of life. Loss. Grief.
Watkins’s five Echo songs are exceptionally beautiful. Listen to the falling cascades in his setting of Emily Dickinson’s “For Each Ecstatic Instant.” Admire how vocally responsive Hughes is in the Purcell, how fragile and precious she sounds in Errollyn Wallen’s “Peace on Earth,” and how much she can communicate with barely a whisper of sound. Marvelous.
-- Stereophile
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