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COMPOSERBEETHOVEN BRAHMS VON WEBER
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PERFORMERStaatskapelle Dresden, Haitink, Zimermann
Edition Staatskapelle Dresden, Vol. 40: Weber, Beethoven, Brahms / Haitink, Zimmerman
- Profil
- January 13, 2017
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RELEASE DATEJanuary 13, 2017
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UPC881488090369
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CATALOG NUMBERPH09036
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LABELProfil
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NUMBER OF DISCS2
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GENRE
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Oberon, J. 306: Overture
Composer: Carl Maria von Weber
Ensemble: Staatskapelle Dresden
Conductor: Bernard Haitink
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I. Allegro ma non troppo
Composer: Ludwig van Beethoven
Ensemble: Staatskapelle Dresden
Performer: Frank Peter Zimmermann
Conductor: Bernard Haitink
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II. Larghetto
Composer: Ludwig van Beethoven
Ensemble: Staatskapelle Dresden
Performer: Frank Peter Zimmermann
Conductor: Bernard Haitink
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III. Rondo: Allegro
Composer: Ludwig van Beethoven
Ensemble: Staatskapelle Dresden
Performer: Frank Peter Zimmermann
Conductor: Bernard Haitink
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I. Un poco sostenuto - Allegro
Composer: Johannes Brahms
Ensemble: Staatskapelle Dresden
Conductor: Bernard Haitink
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II. Andante sostenuto
Composer: Johannes Brahms
Ensemble: Staatskapelle Dresden
Conductor: Bernard Haitink
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III. Un poco allegretto e grazioso
Composer: Johannes Brahms
Ensemble: Staatskapelle Dresden
Conductor: Bernard Haitink
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IV. Adagio - Più andante - Allegro non troppo ma con brio
Composer: Johannes Brahms
Ensemble: Staatskapelle Dresden
Conductor: Bernard Haitink
Featuring ⌄
Product Details ⌄
Works ⌄
The works on this release were performed in the Dresden Staatskapelle’s second symphony concert of the 2002/2003 season on September 29 and 30 and October 2, 2002. It was Bernard Haitink’s first subscription concert as Principal Conductor of the orchestra, after he had spontaneously declared his willingness to take over this position and support the Staatskapelle in the difficult situation that had arisen following the sudden death of Giuseppe Sinopoli the previous year. It still seems a stroke of luck for Dresden, and in particular for its orchestra, that it could find a personality of such international standing who had a deep understanding both of the Staatskapelle’s great tradition and of its special character and thus was uniquely qualified to maintain and enhance its high artistic level, its individual sound and its worldwide reputation. Orchestra and conductor had known each other since 1989 from recordings and concerts at home and abroad. This then was the beginning of a sustained, if all too short, period of continuous work togheter, which wonderfully met the highest expectations “at home” and on tour in Europe and the Far East.
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