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Quartz Music

Elgar: The Apostles / Cooke, Philharmonia Orchestra, Et Al

$18.99

Details

Composer
ELGAR, EDWARD
Artist
Canterbury Choral Society, Philharmonia, Cooke
Format
CD
Label
Quartz Music
Released
Jan 01, 2005
Catalog #
QTZ2017
UPC
880040201724

About

The years 1898-1900 for Elgar saw the composition of The Dream of Gerontius which represented a new style of oratorio in which a continuous musical flow replaced the customary division into separate arias and choruses. He embarked seriously on The Apostles in 1902 and the first performance took place in October of the following year at the Birmingham Festival conducted by Hans Richter. Elgar himself conducted performances in 1914 and again in 1922 in Canterbury Cathedral where this performance was given. As with Handel's Messiah Elgar's work was to have been in three parts, though it soon became apparent that it was going to be far too long for one oratorio, and the third part became the starting point for The Kingdom. This piece grew in its turn and the project became one for three oratorios; the first The Apostles, concerned with the apostles' relationship with the earthly Jesus, the second, The Kingdom, with the period after the crucifixion and the coming of the Holy Ghost, and the third, which never came to be written, on Judgment and the Life Everlasting. Another influence is to be found in Wagner who built up his scores from a pattern of leit-motifs. In his analysis of The Apostles, Jaeger identified and named about sixty such themes, though he came under criticism from Ernest Newman (a leading Wagner authority) for being too obsessional in this respect, and even Elgar himself felt that Jaeger had taken this aspect of the work further than was really justified, since the themes, while being a strong structural element in the music, lacked the immediately identifiable symbolism of Wagner's motifs. The two composers' compositional methods were very different: Wagner completed his libretto first, allocating fragments of melody to particular ideas and incorporating them into the score at significant moments, for Elgar the musical development was pre-eminent he was by nature a symphonic, rather than an operatic composer.

Tracklist 18 tracks

  1. Disc 1
  2. 1 Part I: Prologue 07:09
    Track
    1
    Title
    Part I: Prologue
    Duration
    07:09
    Composer
    Edward Elgar
  3. 2 Part I: And it came to pass in those days (Tenor) 00:44
    Track
    2
    Title
    Part I: And it came to pass in those days (Tenor)
    Duration
    00:44
    Composer
    Edward Elgar
  4. 3 Part I: In the Mountain 06:28
    Track
    3
    Title
    Part I: In the Mountain
    Duration
    06:28
    Composer
    Edward Elgar
  5. 4 Part I: The Dawn 01:27
    Track
    4
    Title
    Part I: The Dawn
    Duration
    01:27
    Composer
    Edward Elgar
  6. 5 Part I: Morning Psalm (Tenor, Chorus) 11:12
    Track
    5
    Title
    Part I: Morning Psalm (Tenor, Chorus)
    Duration
    11:12
    Composer
    Edward Elgar
  7. 6 Part I: By the Wayside (Baritone, Soprano) 07:17
    Track
    6
    Title
    Part I: By the Wayside (Baritone, Soprano)
    Duration
    07:17
    Composer
    Edward Elgar
  8. 7 Part I: And straightway Jesus constrained his disciples (Tenor) 01:25
    Track
    7
    Title
    Part I: And straightway Jesus constrained his disciples (Tenor)
    Duration
    01:25
    Composer
    Edward Elgar
  9. 8 Part I: O Lord Almighty, God of Israel (Mezzo-soprano) 13:31
    Track
    8
    Title
    Part I: O Lord Almighty, God of Israel (Mezzo-soprano)
    Duration
    13:31
    Composer
    Edward Elgar
  10. 9 Part I: When Jesus came into the ports of Caesarea Philippi (Tenor) 15:13
    Track
    9
    Title
    Part I: When Jesus came into the ports of Caesarea Philippi (Tenor)
    Duration
    15:13
    Composer
    Edward Elgar
  11. Disc 2
  12. 1 Part II: Introduction 03:25
    Track
    1
    Title
    Part II: Introduction
    Duration
    03:25
    Composer
    Edward Elgar
  13. 2 Part II: And it came to pass in those days (Tenor) 04:53
    Track
    2
    Title
    Part II: And it came to pass in those days (Tenor)
    Duration
    04:53
    Composer
    Edward Elgar
  14. 3 Part II: In Gethsemane (Baritone) 04:41
    Track
    3
    Title
    Part II: In Gethsemane (Baritone)
    Duration
    04:41
    Composer
    Edward Elgar
  15. 4 Part II: The Temple (Baritone) 03:24
    Track
    4
    Title
    Part II: The Temple (Baritone)
    Duration
    03:24
    Composer
    Edward Elgar
  16. 5 Part II: Without the Temple (Baritone) 08:16
    Track
    5
    Title
    Part II: Without the Temple (Baritone)
    Duration
    08:16
    Composer
    Edward Elgar
  17. 6 Part II: Golgotha (Chorus, Soprano, Tenor) 03:35
    Track
    6
    Title
    Part II: Golgotha (Chorus, Soprano, Tenor)
    Duration
    03:35
    Composer
    Edward Elgar
  18. 7 Part II: At the Sepulchre 03:47
    Track
    7
    Title
    Part II: At the Sepulchre
    Duration
    03:47
    Composer
    Edward Elgar
  19. 8 Part II: We trusted that it had been He (Apostles) 04:14
    Track
    8
    Title
    Part II: We trusted that it had been He (Apostles)
    Duration
    04:14
    Composer
    Edward Elgar
  20. 9 Part II: In Heaven-On Earth 10:19
    Track
    9
    Title
    Part II: In Heaven-On Earth
    Duration
    10:19
    Composer
    Edward Elgar