Premiering in Munich in 1903, Le donne curiose numbered among the greatest and earliest successes of the German-Italian composer Ermanno Wolf-Ferrari. No Wagnerian pathos or turn-of-the-century bombast here: Wolf-Ferrari’s merry work is based on a Carlo Goldoni comedy in the spirit of a newly discovered rococo. Le donne curiose formed the basis of his world renown as a composer whose dramatic talent was always overshadowed by the subtle humor of his buffo operas. Ulf Schirmer again presents a convincing case on his behalf (previous release: Wolf-Ferrari, Orchestral Works: cpo 777 567-2).