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COMPOSERAgostino Agazzari, Orazio Bassani, Marco Betta, Antonio de Cabezon, Giovanni Paolo Cima, Costanzo Fe
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PERFORMERThe Italian Consort
Ex tempore / The Italian Consort
- Tactus
- February 16, 2024
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RELEASE DATEFebruary 16, 2024
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UPC8007194107999
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CATALOG NUMBERTC500008
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LABELTactus
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NUMBER OF DISCS1
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GENRE
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Officium defunctorum: Invitatorium: Antifona: Circumdederunt me
Composer: Cristóbal de Morales
Ensemble: The Italian Consort
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Pavane e Galliard
Composer: Luys Milán
Ensemble: The Italian Consort
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Madrigale
Composer: Marco Betta
Ensemble: The Italian Consort
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Contrappunto 63
Composer: Costanzo Festa
Ensemble: The Italian Consort
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Passamezzo moderno: Recercada secunda
Composer: Diego Ortiz
Ensemble: The Italian Consort
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Pie Jesu
Composer: Cristóbal de Morales
Ensemble: The Italian Consort
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Lo ballo dell' intorcia
Composer: Antonio Valente
Performer: Cinzia Guarino
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Igiul
Composer: Giovanni Sollima
Ensemble: The Italian Consort
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Beatus Vir
Composer: Agostino Agazzari
Ensemble: The Italian Consort
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Pavana e saltarello
Composer: Pietro Paolo Borrono
Performer: Giangiacomo Pinardi
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De profundis
Composer: Cristóbal de Morales
Ensemble: The Italian Consort
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Contrappunto 61
Composer: Costanzo Festa
Ensemble: The Italian Consort
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Vergine bella (arr. O. Bassani for chamber ensemble)
Composer: Cipriano de Rore
Ensemble: The Italian Consort
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Obras de Musica: Diferencias sobre el Canto del Caballero
Composer: Antonio de Cabezón
Performer: Cinzia Guarino
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Dignare me
Composer: Diego Ortiz
Ensemble: The Italian Consort
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Fantasia que contrahaze la harpa, en la manera de Ludovico
Composer: Alonso Mudarra
Performer: Giangiacomo Pinardi
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Capriccio
Composer: Giovanni Paolo Cima
Ensemble: The Italian Consort
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O Sacrum convivium
Composer: Tomás Luis de Victoria
Ensemble: The Italian Consort
Featuring ⌄
Product Details ⌄
Works ⌄
The singular record production “Ex tempore” is proposed to us by the instrumental ensemble “The Italian Consort”, with the collaboration of Andrea Inghisciano, an exceptional guest and international star of the Renaissance cornetto.
The ancestral sounds of the consort of dulciane, accompanied by the lute of Gian Giacomo Pinardi and the organ of Cinzia Guarino, guide us to listen to a repertoire of both early music - represented by composers of the fifteenth and sixteenth centuries - and contemporary, thanks to the compositional contribution of Marco Betta and Giovanni Sollima. The particular timbres of the ancient instruments are the expressive key to intricate labyrinths of contrapuntal alchemies, intense relationships with sacred or poetic texts and implied invitations to dance, in a continuous search for imitation of the human voice that in the Renaissance was considered as the absolute reference for any musical instrument.
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