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COMPOSERFAIROUZ, MOHAMMED
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ORCHESTRA / ENSEMBLEIndianapolis Children'S Choir, Indianapolis Symphonic Choir, Indianapolis Symphony
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PERFORMERCoakwell, Kelly
Fairouz: Zabur / Coakwell, Kelly, Stark, Indianapolis Symphony
- Naxos
- October 14, 2016
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RELEASE DATEOctober 14, 2016
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UPC636943980323
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CATALOG NUMBER8559803
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LABELNaxos
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NUMBER OF DISCS1
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GENRE
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Part I: Prophecy (Chorus, Children, Dawoūd)
Composer: Mohammed Fairouz
Ensemble: Indianapolis Children's Choir, Indianapolis Symphonic Choir, Indianapolis Symphony Orchestra
Performer: Michael Kelly
Conductor: Eric Stark
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Part I: There is no power here (Dawoūd)
Composer: Mohammed Fairouz
Ensemble: Indianapolis Symphony Orchestra
Performer: Michael Kelly
Conductor: Eric Stark
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Part I: There is an occasional crackle far away (Dawoūd)
Composer: Mohammed Fairouz
Ensemble: Indianapolis Symphony Orchestra
Performer: Michael Kelly
Conductor: Eric Stark
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Part I: And so now what seemed so urgent before (Dawoūd)
Composer: Mohammed Fairouz
Ensemble: Indianapolis Symphony Orchestra
Performer: Michael Kelly
Conductor: Eric Stark
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Part I: The Lord scoffs at them (Dawoūd, Chorus)
Composer: Mohammed Fairouz
Ensemble: Indianapolis Symphonic Choir, Indianapolis Symphony Orchestra
Performer: Michael Kelly
Conductor: Eric Stark
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Part I: Serve the Lord with fear (Dawoūd, Chorus)
Composer: Mohammed Fairouz
Ensemble: Indianapolis Symphonic Choir, Indianapolis Symphony Orchestra
Performer: Michael Kelly
Conductor: Eric Stark
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Part II: Your candle is almost out (Jibreel, Dawoūd)
Composer: Mohammed Fairouz
Ensemble: Indianapolis Symphony Orchestra
Performer: Dann Coakwell, Michael Kelly
Conductor: Eric Stark
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Part II: I tried to get the children to play, but they won't (Jibreel, Dawoūd)
Composer: Mohammed Fairouz
Ensemble: Indianapolis Symphony Orchestra
Performer: Dann Coakwell, Michael Kelly
Conductor: Eric Stark
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Part II: We should all - especially the children here (Jibreel, Dawoūd)
Composer: Mohammed Fairouz
Ensemble: Indianapolis Symphony Orchestra
Performer: Dann Coakwell, Michael Kelly
Conductor: Eric Stark
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Part II: Can we tell them we are hungry? (Children)
Composer: Mohammed Fairouz
Ensemble: Indianapolis Children's Choir, Indianapolis Symphony Orchestra
Conductor: Eric Stark
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Part II: Yes, children, this is the power of art (Jibreel, Chorus)
Composer: Mohammed Fairouz
Ensemble: Indianapolis Symphonic Choir, Indianapolis Symphony Orchestra
Performer: Dann Coakwell
Conductor: Eric Stark
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Part II: This is inspiring! (Dawoūd)
Composer: Mohammed Fairouz
Ensemble: Indianapolis Symphony Orchestra
Performer: Michael Kelly
Conductor: Eric Stark
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Part II: Destruction of the Shelter (Chorus, Children, Dawoūd)
Composer: Mohammed Fairouz
Ensemble: Indianapolis Children's Choir, Indianapolis Symphonic Choir, Indianapolis Symphony Orchestra
Performer: Michael Kelly
Conductor: Eric Stark
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Part II: Hear my prayer, O Lord (Chorus)
Composer: Mohammed Fairouz
Ensemble: Indianapolis Symphonic Choir, Indianapolis Symphony Orchestra
Conductor: Eric Stark
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Part II: The Lord looked down (Chorus, Dawoūd)
Composer: Mohammed Fairouz
Ensemble: Indianapolis Symphonic Choir, Indianapolis Symphony Orchestra
Performer: Michael Kelly
Conductor: Eric Stark
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Part II: In the beginning you laid the foundations (Dawoūd, Chorus)
Composer: Mohammed Fairouz
Ensemble: Indianapolis Symphonic Choir, Indianapolis Symphony Orchestra
Performer: Michael Kelly
Conductor: Eric Stark
Featuring ⌄
Product Details ⌄
Works ⌄
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REVIEWS:
The words are very telling in their directness. The music matches that and confirms Fairouz’s ability to create works of considerable power, leaving the listener deeply impressed. There is an epic scale about the work and the music is appropriately grand. The overarching message that hope springs eternal and can and must gain the upper hand for the sake of Man’s survival resonates throughout. It is what the listener is left with as the work comes to a close. Zabur is a profoundly affecting oratorio for the modern era; it demands to be heard.
– MusicWeb International
Most of the music Fairouz has poured into Zabur is lyrical and warm, with occasional blocks of dissonance—as in the opening choral outburst—to underline the tragic circumstances. The New York-based composer brings soaring emotional involvement to the solo and choral lines, suggesting he would be a natural in the operatic sphere. The orchestral writing is colourful, assured and vivid.
– Gramophone
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