Felix & Fanny Mendelssohn: Choral Works / Temple, London Mozart Players

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Label
Chandos
Release Date
January 1, 1900
Format
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    Featuring
    • COMPOSER
      Felix Mendelssohn
    • ORCHESTRA / ENSEMBLE
      Crouch End Festival Chorus
    • PERFORMER
      Julia Doyle, Jess Dandy, Mark Le Brocq, Ashley Riches, London Mozart Pla
    Product Details
    • RELEASE DATE
      January 01, 1900
    • UPC
      095115531822
    • CATALOG NUMBER
      CHSA 5318
    • LABEL
      Chandos
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. I. Chorus: Vom Himmel hoch

      Composer: Felix Mendelssohn

      Ensemble: Crouch End Festival Chorus, London Mozart Players

      Performer: Julia Doyle, Ashley Riches

      Conductor: David Temple

    2. II. Aria: Es ist der Her Christ, unser Gott

      Composer: Felix Mendelssohn

      Ensemble: Crouch End Festival Chorus, London Mozart Players

      Performer: Julia Doyle, Ashley Riches

      Conductor: David Temple

    3. III. Choral: Er bringt euch alle Seligkeit

      Composer: Felix Mendelssohn

      Ensemble: Crouch End Festival Chorus, London Mozart Players

      Performer: Julia Doyle, Ashley Riches

      Conductor: David Temple

    4. IV. Aria: Sei willekomm, du elder Gast

      Composer: Felix Mendelssohn

      Ensemble: Crouch End Festival Chorus, London Mozart Players

      Performer: Julia Doyle, Ashley Riches

      Conductor: David Temple

    5. V. Arioso: Das also hat gefallen dir

      Composer: Felix Mendelssohn

      Ensemble: Crouch End Festival Chorus, London Mozart Players

      Performer: Julia Doyle, Ashley Riches

      Conductor: David Temple

    6. VI. Schlußchor: Lob, Ehr sei Gott im höchsten Thron

      Composer: Felix Mendelssohn

      Ensemble: Crouch End Festival Chorus, London Mozart Players

      Performer: Julia Doyle, Ashley Riches

      Conductor: David Temple

    7. Was ist ein Mensch, dass du ihn gross achtest? (Choir)

      Composer: Fanny Mendelssohn-Hensel

      Ensemble: Crouch End Festival Chorus, London Mozart Players

      Conductor: David Temple

    8. Arioso: Warum vrbirgest du dein Antlitz?

      Composer: Fanny Mendelssohn-Hensel

      Ensemble: Crouch End Festival Chorus, London Mozart Players

      Conductor: David Temple

    9. Leben und Wohltat hast du mir getan (Choir)

      Composer: Fanny Mendelssohn-Hensel

      Ensemble: Crouch End Festival Chorus, London Mozart Players

      Conductor: David Temple

    10. No. 1. Hörst du nicht die Bäume rauchen,

      Composer: Fanny Mendelssohn-Hensel

      Ensemble: Crouch End Festival Chorus

      Conductor: David Temple

    11. No. 2. Schöne Fremde

      Composer: Fanny Mendelssohn-Hensel

      Ensemble: Crouch End Festival Chorus

      Conductor: David Temple

    12. No. 3. Im Herbste III

      Composer: Fanny Mendelssohn-Hensel

      Ensemble: Crouch End Festival Chorus

      Conductor: David Temple

    13. No. 4. Morgengruß

      Composer: Fanny Mendelssohn-Hensel

      Ensemble: Crouch End Festival Chorus

      Conductor: David Temple

    14. No. 5. Abendlich schon rauscht der Wald

      Composer: Fanny Mendelssohn-Hensel

      Ensemble: Crouch End Festival Chorus

      Conductor: David Temple

    15. No. 6. Im Wald

      Composer: Fanny Mendelssohn-Hensel

      Ensemble: Crouch End Festival Chorus

      Conductor: David Temple

    16. Ouverture

      Composer: Felix Mendelssohn

      Ensemble: Crouch End Festival Chorus, London Mozart Players

      Conductor: David Temple

    17. Der Ubergang zum Fruhling

      Composer: Felix Mendelssohn

      Ensemble: Crouch End Festival Chorus, London Mozart Players

      Conductor: David Temple

    18. Es lacht der Mai (Tenor, Chorus)

      Composer: Felix Mendelssohn

      Ensemble: Crouch End Festival Chorus, London Mozart Players

      Performer: Mark Le Brocq

      Conductor: David Temple

    19. Konnt ihr so verwegen handeln (Alto, Female Chorus)

      Composer: Felix Mendelssohn

      Ensemble: Crouch End Festival Chorus, London Mozart Players

      Performer: Jess Dandy

      Conductor: David Temple

    20. Wer Opfer heut' zu bringen scheut (Baritone, Chorus)

      Composer: Felix Mendelssohn

      Ensemble: Crouch End Festival Chorus, London Mozart Players

      Performer: Ashley Riches

      Conductor: David Temple

    21. Verteit euch, wack're Manner, hier (Male Chorus)

      Composer: Felix Mendelssohn

      Ensemble: Crouch End Festival Chorus, London Mozart Players

      Conductor: David Temple

    22. Recitative: Diese dumpfen Pfaffenchristen (Bass, Male Chorus)

      Composer: Felix Mendelssohn

      Ensemble: Crouch End Festival Chorus, London Mozart Players

      Performer: Ashley Riches

      Conductor: David Temple

    23. Kommt mit Zacken und mit Gabeln (Chorus)

      Composer: Felix Mendelssohn

      Ensemble: Crouch End Festival Chorus, London Mozart Players

      Conductor: David Temple

    24. So weit gebracht, dass wir bei Nacht (Baritone, Chorus)

      Composer: Felix Mendelssohn

      Ensemble: Crouch End Festival Chorus, London Mozart Players

      Performer: Ashley Riches

      Conductor: David Temple

    25. Hilf, ach hilf mir, Kriegsgeselle (Tenor, Male Chorus)

      Composer: Felix Mendelssohn

      Ensemble: Crouch End Festival Chorus, London Mozart Players

      Conductor: David Temple

    26. Die Flamme reinigt sich vom Rauch (Baritone, Chorus)

      Composer: Felix Mendelssohn

      Ensemble: Crouch End Festival Chorus, London Mozart Players

      Performer: Ashley Riches

      Conductor: David Temple


David Temple conducts the Crouch End Festival Chorus and London Mozart Players with a formidable group of soloists on this album celebrating the works of the siblings Felix Mendelssohn and Fanny Hensel (nee Mendelssohn). Fanny’s cantata Hiob, based on the Book of Job, is the second of three cantatas composed between February and November 1831, although it remained unpublished until 1992. Later in her short career, encouraged by her brother and her friend Robert von Keudell, Fanny did begin to publish her works. The Gartenlieder, Op. 3 for unaccompanied choir were composed in 1846, and inspired by the gardens and summerhouse at the family’s Leipzigerstraße residence, in Berlin, where she held her choir rehearsals. Mendelssohn’s Die erste Walpurgisnacht is a secular cantata, a setting of the poem by Goethe, originally performed in 1831. Mendelssohn revised the work extensively in 1843, and it is this later version that is performed here. His Christmas cantata Vom Himmel hoch, based on a Lutheran chorale, was completed in 1831.