Fantasy for Viola & Piano

Regular price $8.49
Label
Musicaphon
Release Date
October 17, 2012
Format
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    Featuring
    • COMPOSER
      CLARKE, REBECCA HINDEMITH, PA
    • ORCHESTRA / ENSEMBLE
      Duo Sellheim
    • PERFORMER
      DUO SELLHEIM
    Product Details
    • RELEASE DATE
      October 17, 2012
    • UPC
      4012476569321
    • CATALOG NUMBER
      M56932
    • LABEL
      Musicaphon
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. I. Impetuoso: Poco agitato

      Composer: Rebecca Clarke

      Ensemble: Duo Sellheim

    2. II. Vivace

      Composer: Rebecca Clarke

      Ensemble: Duo Sellheim

    3. III. Adagio - Allegro

      Composer: Rebecca Clarke

      Ensemble: Duo Sellheim

    4. No. 1. Zart und mit Ausdruck

      Composer: Robert Schumann

      Ensemble: Duo Sellheim

    5. No. 2. Lebhaft, leicht

      Composer: Robert Schumann

      Ensemble: Duo Sellheim

    6. No. 3. Rasch und mit Feuer

      Composer: Robert Schumann

      Ensemble: Duo Sellheim

    7. I. Fantasie: Ruhig

      Composer: Paul Hindemith

      Ensemble: Duo Sellheim

    8. II. Theme and Variations 1-4

      Composer: Paul Hindemith

      Ensemble: Duo Sellheim

    9. III. Finale: Sehr lebhaft (Alla breve) in wechselnder Taktart - Variations 5-7 - Coda

      Composer: Paul Hindemith

      Ensemble: Duo Sellheim

    10. I. Nicht schnell

      Composer: Robert Schumann

      Ensemble: Duo Sellheim

    11. II. Lebhaft

      Composer: Robert Schumann

      Ensemble: Duo Sellheim

    12. III. Rasch

      Composer: Robert Schumann

      Ensemble: Duo Sellheim

    13. IV. Langsam, mit melancholischem Ausdruck

      Composer: Robert Schumann

      Ensemble: Duo Sellheim


When a CD bears the title 'Fantasia' for Viol and Piano, it is perhaps surprising that no less than two of the four recorded works correspond to the clearly defined form of the sonata. However, fantasia is not the designation of a musical genre, but rather expresses a basic intellectual attitude, a program. This does not mean that it is 'program music' in the proper sense - none of the four works display clear content-related links to a given program. Yet while listening one can easily get the impression that stories are being told. Not stories with a heroine or hero, or victors and losers, but atmospheric and emotional stories. The dark, soft sound of the viol is a wonderful transport medium for this.