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COMPOSERPurcell, Henry
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PERFORMERChelys Consort Of Viols
Purcell: Fantazias / Chelys Consort of Viols
- BIS
- December 3, 2021
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RELEASE DATEDecember 03, 2021
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UPC7318599925837
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CATALOG NUMBERBIS-2583
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LABELBIS
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NUMBER OF DISCS1
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GENRE
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In Nomine a 6 in G Minor, Z. 746
Composer: Henry Purcell
Ensemble: Chelys Consort of Viols
Performer: Emily Ashton
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Fantasia a 4 No. 4 in G Minor, Z. 735
Composer: Henry Purcell
Ensemble: Chelys Consort of Viols
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Fantasia a 4 No. 5 in B-Flat Major, Z. 736
Composer: Henry Purcell
Ensemble: Chelys Consort of Viols
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The Fairy Queen, Z. 629: Second Music: Rondeau
Composer: Henry Purcell
Ensemble: Chelys Consort of Viols
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Fantasia a 4 No. 6 in F Major, Z. 737
Composer: Henry Purcell
Ensemble: Chelys Consort of Viols
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Fantasia a 4 No. 7 in C Minor, Z. 738
Composer: Henry Purcell
Ensemble: Chelys Consort of Viols
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The Fairy Queen, Z. 629, Act V: Chaconne: Dance for a Chinese Man and Woman
Composer: Henry Purcell
Ensemble: Chelys Consort of Viols
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Fantasia a 4 No. 8 in D Minor, Z. 739
Composer: Henry Purcell
Ensemble: Chelys Consort of Viols
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Fantasia a 4 No. 9 in A Minor, Z. 740
Composer: Henry Purcell
Ensemble: Chelys Consort of Viols
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The Prophetess, Z. 627, "The History of Dioclesian", Act III: Two in one upon a Ground
Composer: Henry Purcell
Ensemble: Chelys Consort of Viols
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Fantasia a 4 No. 10 in E Minor, Z. 741
Composer: Henry Purcell
Ensemble: Chelys Consort of Viols
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Fantasia a 4 No. 11 in G Major, Z. 742
Composer: Henry Purcell
Ensemble: Chelys Consort of Viols
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Fantasia a 4 No. 12 in D Minor, Z. 743
Composer: Henry Purcell
Ensemble: Chelys Consort of Viols
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Fantasia a 4 in A Minor, Z. 744
Composer: Henry Purcell
Ensemble: Chelys Consort of Viols
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Fantasia a 5 in F, Z. 745, "Upon 1 Note"
Composer: Henry Purcell
Ensemble: Chelys Consort of Viols
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Fantasia a 3 No. 1 in D Minor, Z. 732
Composer: Henry Purcell
Ensemble: Chelys Consort of Viols
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Fantasia a 3 No. 2 in F Major, Z. 733
Composer: Henry Purcell
Ensemble: Chelys Consort of Viols
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Fantasia a 3 No. 3 in G Minor, Z. 734
Composer: Henry Purcell
Ensemble: Chelys Consort of Viols
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Chacony in G Minor, Z. 730
Composer: Henry Purcell
Ensemble: Chelys Consort of Viols
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In Nomine a 7 in G Minor, Z. 747, "Dorian"
Composer: Henry Purcell
Ensemble: Chelys Consort of Viols
Performer: Emily Ashton, Harry Buckoke
Featuring ⌄
Product Details ⌄
Works ⌄
At the age of 20, Henry Purcell entered his 14 Fantasias and two In Nomines into an autograph bearing the title ‘The Works of Hen; Purcell, A.D. 1680’. Despite his youth Purcell was already making his mark as a composer, writing music for the London theatres and holding posts at Westminster Abbey and at court. But unlike his works for the theatre and the church, which were intended for specific occasions, very little is known about the impulse behind fantasias. Composed for between three and seven parts they are a consciously anachronistic distillation of an old style at a time when the reigning taste was for more modern sounds – for dance-based music with lively rhythms and hummable tunes. It isn’t even clear what kind of ensemble they were intended for: given the association with older music, one might assume that Purcell had viols in mind, but the distribution of the parts is not always in keeping with the standard sizes of the viol consort – nor for that matter those of the violin consort.
Were the fantasias in fact ever performed? None of these questions has a satisfactory answer, and in this respect the Purcell Fantasias resemble Bach’s The Art of the Fugue, because of their quality and inventiveness but also owing to the mysteries that surround them. The collection is here performed by Chelys Consort of Viols, following up on three previous and acclaimed releases on BIS featuring the music of Michael East, John Dowland, and Christopher Simpson.
REVIEW:
The Chelys readings, clean and rather circumspect, merit strong consideration for those interested in these youthful and intellectual Purcell works. Nicely recorded by BIS at Girton College Chapel, Cambridge, they don't overdo the mystery: the sound is clean and the polyphony clear. The pungent dissonances scattered through these works, which were a feature of the tradition (not just of Purcell's pieces), emerge with the proper emphasis, but the Consort does not lean into them unnecessarily.
-- AllMusic.com (James Manheim)
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