Fauré: Piano Quartet No. 1 in C Minor, Op. 15 & Piano Quarte

$10.99
Label
Tactus
Release Date
November 16, 2018
Format
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    Featuring ⌄
    • COMPOSER
      FRANZ LISZT, BONIFACIO MARIA K
    • PERFORMER
      Silvia Vaglica
    Product Details ⌄
    • RELEASE DATE
      November 16, 2018
    • UPC
      8007194106909
    • CATALOG NUMBER
      TC810002
    • LABEL
      Tactus
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. Arcadelt - Alleluja, S183/R68

      Composer: Franz Liszt

      Performer: Silvia Vaglica

    2. V. Pater noster

      Composer: Franz Liszt

      Performer: Silvia Vaglica

    3. II. Ave Maria

      Composer: Franz Liszt

      Performer: Silvia Vaglica

    4. No. 1. Nazareth: L'angelo che reca il saluto di Dio alla Vergine

      Composer: Bonifacio Maria Krug

      Performer: Silvia Vaglica

    5. No. 2. Bethlem: L'angelica melode al Presepe

      Composer: Bonifacio Maria Krug

      Performer: Silvia Vaglica

    6. No. 3. Genesareth: La tempesta contenuta dal Figlio di Dio

      Composer: Bonifacio Maria Krug

      Performer: Silvia Vaglica

    7. No. 4. Gethsemani: L'agonia del Figlio dell'Uomo

      Composer: Bonifacio Maria Krug

      Performer: Silvia Vaglica

    8. No. 5. Golgotha: Il pianto delle Marie

      Composer: Bonifacio Maria Krug

      Performer: Silvia Vaglica

    9. No. 6. Alleluia: La Giubilazione dell'Uomo-Dio Risorto

      Composer: Bonifacio Maria Krug

      Performer: Silvia Vaglica


This singular discographic project unites the sacred pianistic work by Franz Liszt to those by Bonifacio Maria Krug, both composers and abbots. If Franz Liszt is already known to the public, Krug (abbot in the abbey of Montecassino in 1864) is an important discovery proposed by the young and talented pianist Silvia Vaglica assisted by the Benedictine father Fabrizio Messina Cicchetti. Both Liszt and Krug joined with fervor the directions that will later be outlined by the Cecilian movement regarding the issues related to music in the liturgy, and the music proposed in this recording testifies their commitment to bringing the sacred themes out of their customary borders, contrarily to what happened in the middle of the nineteenth century in Italy, when the theatrical style also spread in liturgical compositions.