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COMPOSERFEIGIN, JOEL
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ORCHESTRA / ENSEMBLESlovak National Symphony Orchestra, Chamber Orchestra Kremlin
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PERFORMERTrevor, Rachlevsky
Feigin: Music for Chamber Orchestra / Rachlevsky, Trevor, Savournin, Weiss, Kremlin Chamber Orchestra, Slovak National Symphony Orchestra
- Toccata
- July 2, 2021
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RELEASE DATEJuly 02, 2021
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UPC5060113446121
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CATALOG NUMBERTOCC0612
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LABELToccata
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NUMBER OF DISCS1
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GENRE
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I. Allegro vivace -
Composer: Joel Feigin
Ensemble: Slovak National Symphony Orchestra
Performer: Yael Weiss
Conductor: Kirk Trevor
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II. Adagio -
Composer: Joel Feigin
Ensemble: Slovak National Symphony Orchestra
Performer: Yael Weiss
Conductor: Kirk Trevor
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III. Allegro scherzando
Composer: Joel Feigin
Ensemble: Slovak National Symphony Orchestra
Performer: Yael Weiss
Conductor: Kirk Trevor
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I. Allegro maestoso -
Composer: Joel Feigin
Ensemble: Slovak National Symphony Orchestra
Conductor: Kirk Trevor
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II. Largo -
Composer: Joel Feigin
Ensemble: Slovak National Symphony Orchestra
Conductor: Kirk Trevor
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III. Allegro
Composer: Joel Feigin
Ensemble: Slovak National Symphony Orchestra
Conductor: Kirk Trevor
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No. 1. Allegretto grazioso: O Mistress Mine
Composer: Joel Feigin
Ensemble: Slovak National Symphony Orchestra
Performer: John Savournin
Conductor: Kirk Trevor
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No. 2. Adagio: Come Away, Death
Composer: Joel Feigin
Ensemble: Slovak National Symphony Orchestra
Performer: John Savournin
Conductor: Kirk Trevor
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I. Adagio - Allegro grazioso e scherzando - Adagio
Composer: Joel Feigin
Ensemble: Kremlin Chamber Orchestra
Conductor: Misha Rachlevsky
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II. Adagio - Allegro vivace
Composer: Joel Feigin
Ensemble: Kremlin Chamber Orchestra
Conductor: Misha Rachlevsky
Featuring ⌄
Product Details ⌄
Works ⌄
| It might seem that modern classical music rarely expresses happiness – but Aviv, a piano concerto by Joel Feigin (born in New York in 1951), suggests the warmth and optimism of the coming of spring. The angular, even anguished, essay for strings Surging Seas, by contrast, was inspired by the devastation wrought by the tsunamis of 2004 and 2011. The Two Songs from Twelfth Night have their origins in the tradition of American orchestral song established by Samuel Barber. And in the diptych Mosaic, also for strings, a first ‘panel’ of heartfelt lyricism is succeeded by an outburst of buoyant energy. |
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