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COMPOSERPierre-Claude Foucquet
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PERFORMERFernando De Luca
Foucquet: Pieces de clavecin / Fernando De Luca
- Brilliant Classics
- March 15, 2024
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RELEASE DATEMarch 15, 2024
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UPC5028421967721
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CATALOG NUMBERBRI96772
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LABELBrilliant Classics
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NUMBER OF DISCS2
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GENRE
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I. La renommée – Marche en Rondeau – Double de La Marche
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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II. Fanfare
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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III. Le feu
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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IV. Les grâces – Musette I-II
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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V. Les ris – Tambourins I-II - Rondeau
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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VI. Les Jeux - Rondeau
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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I. Marche des Pèlerins de Cythère, Rondeau
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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II. Le passe tems - Pantomyme, Rondeau
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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III. La destrade, Rondeau
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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IV. Le carillon de cythère
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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V. La brillante
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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VI. La sœur Agnès ou la novice, Rondeau - Double
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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VII. La laborieuse, Rondeau
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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VIII. Allemande, La pruscienne francisée
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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IX. La dolescente
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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X. L'angélique, Rondeau
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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XI. La mimi, Rondeau - Double
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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XII. La cémonville, Rondeau
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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XIII. La landella, Rondeau
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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I. Les forgerons, Rondeau
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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II. Le concert des faunes, Rondeau
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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III. Allemande, L'augustine
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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IV. La douce et piquante, Rondeau
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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V. La nanette, Rondeaux I-II
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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VI. Les coqs gris et noirs, Rondeau - Double des coqs gris et noirs
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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VII. Tambourin ou musette provençale
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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VIII. Allemande, L'absence ou le solitaire
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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IX. La fleury, Rondeau
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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X. La hortense
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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XI. Le dépit
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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XII. La miranda
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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XIII. La capricieuse, Rondeau
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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XIV. L'aimable Thérèse, Rondeau
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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XV. L'étinçelante
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
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XVI. Menuets I-II-III, Rondeau
Composer: Pierre-Claude Foucquet
Performer: Fernando de Luca
Featuring ⌄
Product Details ⌄
Works ⌄
First recordings of the complete surviving keyboard works by a forgotten figure of the French Baroque.
Brilliant Classics has revived the names of many composers from obscure corners of history. Few of them have been as buried by the past as Pierre-Claude Foucquet, who was active in Paris in the first half of the 18th century. Yet anyone listening to this first complete recording of his music for harpsichord will surely wonder why. Three volumes survive: two books of Pièces de Clavecin, and a third entitled Caractères de la Paix. This was the first to be published in 1749. By then Foucquet had been organist at the magnificent Church of Saint-Eustache for some years, and he would go on to take up the post of titulaire at Notre Dame. He was following in a distinguished family line, his father and grandfather both having been organists at Saint-Eustache.
Foucquet must have been a richly talented organist and improviser in the French tradition, and this latter quality is abundantly and delightfully preserved by the character pieces which make up these harpsichord suites. They belong to the same tradition as the Pièces de Clavecin of Couperin, d’Anglebert and Rameau, but they have a palette of colour and a dramatic imagination of their own. The third movement of Caractères de la Paix is titled ‘Le Feu’, and it fairly sets the instrument alight with pounding explosions and ribbons of flame, demanding all the resources of both an instrument and interpreter at full stretch.
From 1751 and 1758 respectively, the second and third books are hardly less full of vividly pictorial representations – of chickens and champagne, of figures lamenting and working and praying in a gallery of probably real people whose names are now lost to us but whose personality lives on in the keyboard music of French composers from the time.
This album of Foucquet is a notable addition to the Brilliant Classics discography of Fernando De Luca, which already includes complete surveys of other unfamiliar names from the time such as Jollage, Moyreau and most recently Pierre-Thomas Dufour (96771).
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