César Franck considered Les Béatitudes, for soloists, choir and orchestra, to be his greatest work. It was perhaps Johann Sebastian Bach's St. Matthew Passion that prompted him to begin a work in 1869 that too would be dominated by the voice of Christ. Franck worked on Les Béatitudes for ten years and created an original and deeply personal renewal of the oratorio form in 19th-century France. This is no simple musical depiction of a subject taken from the Gospel: Franck, a firm believer in the precepts of the Beatitudes, was here inspired to write a bold and personal work, driven by the ideal of justice that its music unforgettable portrays.