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COMPOSERGirolamo Frescobaldi
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PERFORMERFrancesco Corti
Frescobaldi & the South - Intendami chi puo, che m’intend’io / Corti
- Arcana
- July 7, 2023
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RELEASE DATEJuly 07, 2023
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UPC3760195735473
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CATALOG NUMBERA547
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LABELArcana
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NUMBER OF DISCS1
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GENRE
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Toccate e partite d'intavolatura di cimbalo et organo, Book 1: Toccata prima
Composer: Girolamo Alessandro Frescobaldi
Performer: Francesco Corti
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Capriccio sopra un soggetto
Composer: Giovanni de Macque
Performer: Francesco Corti
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Consonanze stravaganti
Composer: Giovanni de Macque
Performer: Francesco Corti
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Prima gagliarda
Composer: Giovanni de Macque, Giovanni Maria Trabaci
Performer: Francesco Corti
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Libro di ricercate a quattro voci: Ricercata terza
Composer: Rocco Rodio
Performer: Francesco Corti
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Toccate e partite d'intavolatura di cimbalo et organo, Book 1: Toccata decima
Composer: Girolamo Alessandro Frescobaldi
Performer: Francesco Corti
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Partite sopra la Romanesca
Composer: Scipione Stella
Performer: Francesco Corti
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Toccata
Composer: Francesco Lambardo
Performer: Francesco Corti
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Gagliarda
Composer: Francesco Lambardo
Performer: Francesco Corti
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Partite sopra ruggiero
Composer: Girolamo Alessandro Frescobaldi
Performer: Francesco Corti
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Capriccio sopra la Battaglia
Composer: Girolamo Alessandro Frescobaldi
Performer: Francesco Corti
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Balletto e ciaccona
Composer: Girolamo Alessandro Frescobaldi
Performer: Francesco Corti
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Toccate e correnti: Toccata No. 1
Composer: Michelangelo Rossi
Performer: Francesco Corti
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Toccate, canzone, versi d'hinni, Magnificat, gagliarde, correnti, Book 2: Gagliarda seconda
Composer: Girolamo Alessandro Frescobaldi
Performer: Francesco Corti
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Selva di varie compositioni d'intavolatura: Ciaccona
Composer: Bernardo Storace
Performer: Francesco Corti
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Toccate e correnti: Toccata No. 3
Composer: Michelangelo Rossi
Performer: Francesco Corti
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Toccate, canzone, versi d'hinni, Magnificat, gagliarde, correnti, Book 2: Toccata nona, "Non senza fatiga si giunge al fine"
Composer: Girolamo Alessandro Frescobaldi
Performer: Francesco Corti
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Il primo libro di 12 capricci fatti sopra diversi soggetti et arie in partitura: Capriccio IX di durezze
Composer: Girolamo Alessandro Frescobaldi
Performer: Francesco Corti
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Toccate, canzone, versi d'hinni, Magnificat, gagliarde, correnti, Book 2: Toccata settima
Composer: Girolamo Alessandro Frescobaldi
Performer: Francesco Corti
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Fiori musicali: Recercar, con obligo di cantare la quinta parte senza tocarla
Composer: Girolamo Alessandro Frescobaldi
Performer: Andrés Locatelli, Francesco Corti
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Toccate, canzone, versi d'hinni, Magnificat, gagliarde, correnti, Book 2: Gagliarda quinta
Composer: Girolamo Alessandro Frescobaldi
Performer: Francesco Corti
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Canzona francese seconda, del nono tuono naturale
Composer: Giovanni Salvatore
Performer: Francesco Corti
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Toccate e partite d'intavolatura di cimbalo et organo, Book 1: Cento partite sopra la passacagli
Composer: Girolamo Alessandro Frescobaldi
Performer: Francesco Corti
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Passacaille del Seigneur Luigi
Composer: Luigi Rossi
Performer: Francesco Corti
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Prima gagliarda (4th version)
Composer: Giovanni de Macque, Giovanni Maria Trabaci
Performer: Francesco Corti
Featuring ⌄
Product Details ⌄
Works ⌄
In 1594 Carlo Gesualdo, Prince of Venosa, arrived in Ferrara for his marriage to Donna Eleonora d’Este. His meeting with the musical circles of Ferrara, and in particular with Luzzasco Luzzaschi, was to make an important impact on the musical development of the young Girolamo Frescobaldi. In his maturity Frescobaldi arrived at a deeply personal fusion between the musical forms of North Italian (and more specifically Venetian) derivation and the musical experimentation of the southern school. The aim of this recording project is to explore the reciprocal influences between great keyboard master from Ferrara and his colleagues from the Kingdom of Naples.
Represented here in a dialogue with Frescobaldi’s works are not only the great experimental figures from the years bridging the 16th and 17th centuries (J. De Macque, Rodio, Stella), but also the composers from the following generation who absorbed and built on Frescobaldi’s example (Storace, Salvatore, L. Rossi), as well as contemporaries who adopted a parallel course (M. Rossi). This fertile musical exchange, which culminated in the profoundly distinctive innovations of Frescobaldi himself, fully exemplifies the spirit of experimentation and musical innovation typical of the early 17th century, a period that, like few others, sought out and celebrated aesthetic renewal.
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