Friml, Stothart: Rose-Marie / Raines, Catholic University of America A Cappella Choir

$19.99
Label
Harbinger Records
Release Date
January 7, 2022
Format
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    Featuring ⌄
    • COMPOSER
      Rudolf Friml, Herbert Stothart
    • PERFORMER
      Various
    Product Details ⌄
    • RELEASE DATE
      January 07, 2022
    • UPC
      632433380123
    • CATALOG NUMBER
      HCD3801
    • LABEL
      Harbinger Records
    • NUMBER OF DISCS
      2
    • GENRE
      Classical
    Works ⌄

    1. Act I: Overture

      Composer: Rudolf Friml, Herbert Stothart

      Conductor: James R. Morris

    2. Act I: Prelude - Vive la canadienne (Chorus)

      Composer: Rudolf Friml, Herbert Stothart

      Ensemble: Catholic University of America A Cappella Choir

      Conductor: James R. Morris

    3. Act I: Hard-Boiled Herman: When I get my gat (Herman, Chorus)

      Composer: Rudolf Friml, Herbert Stothart

      Ensemble: Catholic University of America A Cappella Choir

      Performer: Mark Basile

      Conductor: James R. Morris

    4. Act I: Rose Marie: Oh, sweet Rose Marie (Jim, Chorus)

      Composer: Rudolf Friml, Herbert Stothart

      Ensemble: Catholic University of America A Cappella Choir

      Performer: Ron Raines

      Conductor: James R. Morris

    5. Act I: The Mounties: On through the hail (Mounties, Chorus)

      Composer: Rudolf Friml, Herbert Stothart

      Ensemble: Catholic University of America A Cappella Choir

      Conductor: James R. Morris

    6. Act I: Lak Jeem: I know dat no udder man I see (Rose-Marie, Chorus)

      Composer: Rudolf Friml, Herbert Stothart

      Ensemble: Catholic University of America A Cappella Choir

      Performer: Debra Vanderlinde

      Conductor: James R. Morris

    7. Act I: Rose Marie: Oh, sweet Rose Marie (Jim, Chorus) (reprise)

      Composer: Rudolf Friml, Herbert Stothart

      Ensemble: Catholic University of America A Cappella Choir

      Performer: Ron Raines

      Conductor: James R. Morris

    8. Act I: Indian Love Call: So echoes of sweet love notes gently fall (Rose-Marie, Jim)

      Composer: Rudolf Friml, Herbert Stothart

      Performer: Debra Vanderlinde, Ron Raines

      Conductor: James R. Morris

    9. Act I: Campfire Impression (Chorus)

      Composer: Rudolf Friml, Herbert Stothart

      Ensemble: Catholic University of America A Cappella Choir

      Conductor: James R. Morris

    10. Act I: Introduction - Rose-Marie (Chorus) (reprise)

      Composer: Rudolf Friml, Herbert Stothart

      Ensemble: Catholic University of America A Cappella Choir

      Conductor: James R. Morris

    11. Act I: Pretty Things: If a man should ask (Chorus, Rose-Marie)

      Composer: Rudolf Friml, Herbert Stothart

      Ensemble: Catholic University of America A Cappella Choir

      Performer: Debra Vanderlinde

      Conductor: James R. Morris

    12. Act I: Why Shouldn't We?: Sweetheart, sweetheart (Herman, Jane)

      Composer: Rudolf Friml, Herbert Stothart

      Performer: Mark Basile, Laura Waterbury

      Conductor: James R. Morris

    13. Act I: Totem Tom-Tom: Long ago there used to be (Wanda, Chorus)

      Composer: Rudolf Friml, Herbert Stothart

      Ensemble: Catholic University of America A Cappella Choir

      Performer: Dona D. Vaughn

      Conductor: James R. Morris

    14. Act I Scene 4: Rose-Marie (Jim) (reprise)

      Composer: Rudolf Friml, Herbert Stothart

      Performer: Ron Raines

      Conductor: James R. Morris

    15. Act I Scene 4: Finale (All)

      Composer: Rudolf Friml, Herbert Stothart

      Ensemble: Catholic University of America A Cappella Choir

      Performer: Joseph diGenova, Debra Vanderlinde, Mark Basile, William McClary, Gary Holcombe, Laura Waterbury, Adriana Amelias

      Conductor: James R. Morris

    16. Act II: Entr'acte

      Composer: Rudolf Friml, Herbert Stothart

      Conductor: James R. Morris

    17. Act II Scene 1: Pretty Things (Ethel, Chorus) (reprise)

      Composer: Rudolf Friml, Herbert Stothart

      Ensemble: Catholic University of America A Cappella Choir

      Performer: Adriana Amelias

      Conductor: James R. Morris

    18. Act II Scene 1: Only a Kiss (Herman, Jane, Malone, Chorus)

      Composer: Rudolf Friml, Herbert Stothart

      Ensemble: Catholic University of America A Cappella Choir

      Performer: Mark Basile, Laura Waterbury, Gary Holcombe

      Conductor: James R. Morris

    19. Act II Scene 2: Finale (Rose-Marie, Jim, Hawley, Ethel, Wanda, Emile)

      Composer: Rudolf Friml, Herbert Stothart

      Performer: Debra Vanderlinde, Ron Raines, William McClary, Adriana Amelias, Dona D. Vaughn, Joseph diGenova

      Conductor: James R. Morris

    20. Act II Scene 2: Introduction to The Minuet of the Minute

      Composer: Rudolf Friml, Herbert Stothart

      Conductor: James R. Morris

    21. Act II Scene 2: The Minuet of the Minute: Sedate and stately minuet (Rose-Marie, Herman, Chorus)

      Composer: Rudolf Friml, Herbert Stothart

      Ensemble: Catholic University of America A Cappella Choir

      Performer: Debra Vanderlinde, Mark Basile

      Conductor: James R. Morris

    22. Act II Scene 2: The Door of My Dreams: Now at last the door of my dreams (Rose-Marie, Chorus)

      Composer: Rudolf Friml, Herbert Stothart

      Ensemble: Catholic University of America A Cappella Choir

      Performer: Debra Vanderlinde

      Conductor: James R. Morris

    23. Act II Scene 2: Bridal Finale (Emile, Wanda, Malone, Rose-Marie, Chorus)

      Composer: Rudolf Friml, Herbert Stothart

      Ensemble: Catholic University of America A Cappella Choir

      Performer: Joseph diGenova, Dona D. Vaughn, Gary Holcombe, Debra Vanderlinde

      Conductor: James R. Morris

    24. Act II Scene 2: Finale (Jim, Rose-Marie)

      Composer: Rudolf Friml, Herbert Stothart

      Performer: Ron Raines, Debra Vanderlinde

      Conductor: James R. Morris


Harbinger Records is proud to present its second partnership with the Smithsonian: the first release in any format of their 1981 production of the classic operetta Rose-Marie (1924), starring Broadway’s Ron Raines. It is the only complete recording of the score, which includes lyrics by the 29-year-old Oscar Hammerstein, more than 20 years before he began his collaboration with Richard Rodgers. Rose-Marie was the first American musical with a Canadian locale—the Canadian Rockies, to be precise—and includes such evergreens at “Indian Love Call” (“When I’m calling you, ooo, ooo, ooo, ooo, ooo, ooo”), “Pretty Things,” “Only a Kiss” and the stirring title song. Broadway audiences flocked to Rose-Marie for 557 performances, making it the fourth longest-running musical of the 1920s. A must for collectors and all fans of both the American musical and classical music, Rose-Marie has been packaged in a deluxe set with historic production photos and notes by two longtime Harbinger colleagues: co-producer Dwight Blocker Bowers, curator emeritus of the Smithsonian, and Ted Chapin, recently retired president of the Rodgers and Hammerstein Organization. Says Bowers: “It’s not an overstatement to claim that Rose-Marie was the first American musical theater work to achieve wide international success. In his review of the original production, Arthur Hornblow in Theatre magazine praised it for being ‘head, shoulders and waist above the customary dribble.’ When the Smithsonian’s recordings program was suspended, the unreleased Rose-Marie was a casualty, and I was given the chance to rescue the master tapes. Hence the collaboration with Harbinger, whose slogan is apt: Albums for the discerning collector.”