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COMPOSERFUCHS, ROBERT
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ORCHESTRA / ENSEMBLECologne Chamber Orchestra
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PERFORMERLudwig
Fuchs: Serenades No 3, 4 And 5 / Christian Ludwig, Cologne Chamber Orchestra
- Naxos
- April 24, 2012
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RELEASE DATEApril 24, 2012
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UPC747313260775
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CATALOG NUMBER8572607
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LABELNaxos
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NUMBER OF DISCS1
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GENRE
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I. Romanze: Andante sostenuto
Composer: Robert Fuchs
Ensemble: Kölner Kammerorchester
Conductor: Christian Ludwig
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II. Menuetto
Composer: Robert Fuchs
Ensemble: Kölner Kammerorchester
Conductor: Christian Ludwig
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III. Allegretto grazioso
Composer: Robert Fuchs
Ensemble: Kölner Kammerorchester
Conductor: Christian Ludwig
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IV. Finale alla Zingarese: Allegro con fuoco
Composer: Robert Fuchs
Ensemble: Kölner Kammerorchester
Conductor: Christian Ludwig
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I. Andante sostenuto
Composer: Robert Fuchs
Ensemble: Kölner Kammerorchester
Conductor: Christian Ludwig
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II. Allegretto grazioso
Composer: Robert Fuchs
Ensemble: Kölner Kammerorchester
Conductor: Christian Ludwig
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III. Menuett: Moderato amabile
Composer: Robert Fuchs
Ensemble: Kölner Kammerorchester
Conductor: Christian Ludwig
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IV. Adagio
Composer: Robert Fuchs
Ensemble: Kölner Kammerorchester
Conductor: Christian Ludwig
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V. Finale: Allegro con fuoco
Composer: Robert Fuchs
Ensemble: Kölner Kammerorchester
Conductor: Christian Ludwig
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I. Adagio con espressione
Composer: Robert Fuchs
Ensemble: Kölner Kammerorchester
Conductor: Christian Ludwig
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II. Allegro grazioso
Composer: Robert Fuchs
Ensemble: Kölner Kammerorchester
Conductor: Christian Ludwig
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III. Allegretto amabile
Composer: Robert Fuchs
Ensemble: Kölner Kammerorchester
Conductor: Christian Ludwig
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IV. Finale: Allegro vivace
Composer: Robert Fuchs
Ensemble: Kölner Kammerorchester
Conductor: Christian Ludwig
Featuring ⌄
Product Details ⌄
Works ⌄
‘A richly endowed composer, selfless teacher, and a rare human being’ proclaims Robert Fuchs’s memorial stone, and this esteem is reflected in his astonishing roster of pupils—Mahler, Sibelius, Wolf and Korngold among them. His own compositions, though, have been overlooked, unaccountably so on the evidence of these lovely Serenades. The Third is quite Brahmsian with a wonderfully bracing Hungarian finale. No 4 is a highly expressive and richly scored work, whilst No 5 casts its net yet wider—with anticipations of Mahler, and joyous references to the Vienna of the Strauss family.
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