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COMPOSERGADE, NIELS W.
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ORCHESTRA / ENSEMBLEEnsemble Midtvest
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PERFORMERENSEMBLE MIDTVEST
Gade: Chamber Works, Vol. 4 / Ensemble MidtVest
- CPO
- October 5, 2018
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RELEASE DATEOctober 05, 2018
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UPC761203519828
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CATALOG NUMBER555198-2
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LABELCPO
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NUMBER OF DISCS1
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GENRE
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I. Allegro scherzando
Composer: Niels Wilhelm Gade
Ensemble: Ensemble MidtVest
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II. Andantino con moto
Composer: Niels Wilhelm Gade
Ensemble: Ensemble MidtVest
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III. Moderato
Composer: Niels Wilhelm Gade
Ensemble: Ensemble MidtVest
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IV. Larghetto con moto
Composer: Niels Wilhelm Gade
Ensemble: Ensemble MidtVest
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V. Finale: Allegro
Composer: Niels Wilhelm Gade
Ensemble: Ensemble MidtVest
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Novelettes in A Minor, Op. 29: IV. Finale: Allegro con fuoco (1853 original version)
Composer: Niels Wilhelm Gade
Ensemble: Ensemble MidtVest
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I. Andante con moto - Allegro molto
Composer: Niels Wilhelm Gade
Ensemble: Ensemble MidtVest
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II. Allegretto
Composer: Niels Wilhelm Gade
Ensemble: Ensemble MidtVest
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III. Allegro di molto
Composer: Niels Wilhelm Gade
Ensemble: Ensemble MidtVest
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IV. Andantino quasi allegretto - Allegro vivace
Composer: Niels Wilhelm Gade
Ensemble: Ensemble MidtVest
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String Quintet in F Minor
Composer: Niels Wilhelm Gade
Ensemble: Ensemble MidtVest
Featuring ⌄
Product Details ⌄
Works ⌄
"Gade’s chamber music is marvelously written and does not deserve to disappear into the footnotes of musical historiography. The Ensemble MidVest is completely committed to Gade’s cause and performs these works recorded in perfect balance with an open naturalness showing his music in the most favorable light." This is how FonoForum reviewed Vol. 2 of our Gade recordings based on the new historical-critical complete edition of his works. The compositional history of many of these works is long and complicated because he often submitted his earlier works to later revisions. One exception is his String Quartet of 1851, the first complete quartet of his authorship. It is not known why he later distanced himself from this composition inasmuch as it is distinguished by a expressivity stronger than that encountered in his later works. With his one-movement Quintet in F minor he created a work comparable in expression and form to the one-movement dramatic concert overtures with which he had occupied himself ever since his earliest youth.
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