CORO: inspired by Luciano Berio's 31-song composition of the same name, George de Decker painted a cycle of 31 canvases. The key sentence Berio took as his starting point comes from a poem by Pablo Neruda: 'Venid a ver la sangre por las calles' (Come and see the blood in the streets) - a caustic reference to General Pinochet's seizure of power in Chile in 1973. For the exhibition of this cycle of paintings, de Decker wrote a composition for female voices. On the soundtrack, he incorporated vocal recordings of Els Van Laethem, Anne Marie Honggokoesoemo and Herlinde Ghekiere. At the request of pianist Geert Callaert, he added a piano part, so that CORO ultimately became a composition for solo piano, with a soundtrack with female voices. CORO is preceded by two new scores in the same sound idiom.