George London Sings Offenbach, Tchaikovsky, Borodin, Verdi & Wagner

Regular price $16.99
Label
Orfeo
Release Date
August 5, 2022
Format
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    Featuring
    • COMPOSER
      Alexander Borodin, Jacques Offenbach, Pyotr Ilyich Tchaikovsky, Giuseppe Verdi, Richard Wagner
    • PERFORMER
      George London, Teresa Stich-Randall, Maria Von Ilosvay, Valerie Bak, Astrid Varnay, Symphonieorchest
    Product Details
    • RELEASE DATE
      August 05, 2022
    • UPC
      4011790502014
    • CATALOG NUMBER
      ORF-C220051
    • LABEL
      Orfeo
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. The Tales of Hoffmann: Aria - Scintille diamant; Trio - Leise tönt meiner Stimme Klang

      Composer: Jacques Offenbach

      Ensemble: Bavarian Radio Symphony Orchestra

      Performer: George London (Bass-baritone), Teresa Stich-Randall (Soprano), Maria von Ilosvay (Contralto)

      Conductor: Rudolf Moralt

    2. Eugene Onegin, Act I: Onegin's Scene & Aria; Act 4: Finale

      Composer: Pyotr Ilyich Tchaikovsky

      Ensemble: Bavarian Radio Symphony Orchestra

      Performer: George London (Bass-baritone), Valérie Bak (Soprano)

      Conductor: Richard Kraus

    3. Prince Igor, Act II: Igor's Aria

      Composer: Alexander Borodin

      Ensemble: Bavarian Radio Symphony Orchestra

      Performer: George London (Bass-baritone)

      Conductor: Hermann Weigert

    4. Aida, Act III: Aria - Ciel, mio Padre; Duet

      Composer: Giuseppe Verdi

      Ensemble: Bavarian Radio Symphony Orchestra

      Performer: George London (Bass-baritone), Astrid Varnay (Soprano)

      Conductor: Hermann Weigert

    5. Die Walküre: War es so schmählich [Scene 3]; Wotan's Farewell & "Magic Fire“

      Composer: Richard Wagner

      Ensemble: Bavarian Radio Symphony Orchestra

      Performer: George London (Bass-baritone), Astrid Varnay (Soprano)

      Conductor: Hermann Weigert


The present album is a re-release of Bavarian broadcast recordings of 1953-56 featuring legendary bass-baritone George London at the height of his career. Upon its initial release, the album received glowing reviews from critics and fans, and this now can be enjoyed by a new generation of listeners. “(The) collection is vintage London all the way“ (American Record Guide) “The extracts from Aida and Die Walküre with Astrid Varnay are electrifying“ (BBC Music Magazine) “This is a worthy representation of a singer whose career was ended too soon.“ (International Record Review)

REVIEWS:

The excerpts on the present disc are uniformly excellent, and the recorded sound is surprisingly good. … London is a sensitive and expressive Dr. Miracle, and with excellent assistance from Teresa Stich-Randall and Maria von Ilosvay. With Russian speaking parentage, London had a special leaning towards Russian operas…

That London was a great Wotan is very obvious, even more so in the concluding farewell, where his sensitiveness and beauty of tone is striking. One rarely hears such legato singing in Wagner.

London sings Prince Igor’s aria with great dignity and feeling but it is the three final items with Varnay that form the high point of this album, in that they contain both the greatest music and the finest partner.

The playing of the BRSO is fine throughout and all three conductors ensure idiomatic execution.

-- MusicWeb International

London’s voice was massive, focused and dark, with an exciting and secure top. In these recordings he never blusters, and he sings with verbal acuity, noble tone and dramatic verve…The remastered sound is excellent.

-- Opera Now

It’s good to see a dedicated London CD appear on Orfeo, which concludes with the closing sections of Die Walküre, where the great American bass-baritone is heard in duet with Varnay under the direction of Varnay’s husband, Hermann Weigert, who is especially sensitive with accompanying lower string lines near the start of Wotan’s Farewell. London’s deep rolling voice…makes a strong impression.

-- Gramophone