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COMPOSERHAYDN SCHUMANN RAVEL LIEBER
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PERFORMERGeza Anda
Géza Anda plays Solo Recitals, 1950-1955
- SWR
- April 27, 2010
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RELEASE DATEApril 27, 2010
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UPC4010276023265
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CATALOG NUMBER94211
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LABELSWR
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NUMBER OF DISCS2
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GENRE
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I. Allegro Moderato
Composer: Franz Joseph Haydn
Performer: Géza Anda
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II. Adagio
Composer: Franz Joseph Haydn
Performer: Géza Anda
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III. Finale: Presto
Composer: Franz Joseph Haydn
Performer: Géza Anda
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Thema: Andante
Composer: Robert Schumann
Performer: Géza Anda
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Etude 1: Un poco più vivo
Composer: Robert Schumann
Performer: Géza Anda
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Etude 2: Espressivo
Composer: Robert Schumann
Performer: Géza Anda
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Etude 3: Vivace
Composer: Robert Schumann
Performer: Géza Anda
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Etude 4: Attacca
Composer: Robert Schumann
Performer: Géza Anda
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Etude 5: Scherzando
Composer: Robert Schumann
Performer: Géza Anda
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Etude 6: Agitato
Composer: Robert Schumann
Performer: Géza Anda
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Anhang Variation 4
Composer: Robert Schumann
Performer: Géza Anda
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Etude 7: Allegro molto
Composer: Robert Schumann
Performer: Géza Anda
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Etude 8: Sempre marcatissimo
Composer: Robert Schumann
Performer: Géza Anda
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Anhang Variation 5
Composer: Robert Schumann
Performer: Géza Anda
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Etude 9: Presto possibile
Composer: Robert Schumann
Performer: Géza Anda
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Etude 10: Sempre con energia
Composer: Robert Schumann
Performer: Géza Anda
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Etude 11: Con espressione
Composer: Robert Schumann
Performer: Géza Anda
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Etude 12: Finale: Allegro brillante
Composer: Robert Schumann
Performer: Géza Anda
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I. Modéré, tres franc
Composer: Maurice Ravel
Performer: Géza Anda
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II. Assez lent, avec une expression intense
Composer: Maurice Ravel
Performer: Géza Anda
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III. Modéré
Composer: Maurice Ravel
Performer: Géza Anda
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IV. Assez anime
Composer: Maurice Ravel
Performer: Géza Anda
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V. Presque lent, dans un sentiment intime
Composer: Maurice Ravel
Performer: Géza Anda
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VI. Vif
Composer: Maurice Ravel
Performer: Géza Anda
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VII. Moins vif
Composer: Maurice Ravel
Performer: Géza Anda
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VIII. Epilogue: Lent
Composer: Maurice Ravel
Performer: Géza Anda
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I. Vivace
Composer: Rolf Liebermann
Performer: Géza Anda
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II. Andante espressivo
Composer: Rolf Liebermann
Performer: Géza Anda
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III. Allegro vivace
Composer: Rolf Liebermann
Performer: Géza Anda
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IV. Allegro
Composer: Rolf Liebermann
Performer: Géza Anda
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Ballade No. 1 in G Minor, Op. 23
Composer: Frédéric Chopin
Performer: Géza Anda
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No. 1. Preambule
Composer: Robert Schumann
Performer: Géza Anda
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No. 2. Pierrot
Composer: Robert Schumann
Performer: Géza Anda
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No. 3. Arlequin
Composer: Robert Schumann
Performer: Géza Anda
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No. 4. Valse noble
Composer: Robert Schumann
Performer: Géza Anda
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No. 5. Eusebius
Composer: Robert Schumann
Performer: Géza Anda
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No. 6. Florestan
Composer: Robert Schumann
Performer: Géza Anda
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No. 7. Coquette
Composer: Robert Schumann
Performer: Géza Anda
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No. 8. Replique
Composer: Robert Schumann
Performer: Géza Anda
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No. 9. Papillons
Composer: Robert Schumann
Performer: Géza Anda
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No. 10. ASCH - SCHA (Lettres dansantes)
Composer: Robert Schumann
Performer: Géza Anda
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No. 11. Chiarina
Composer: Robert Schumann
Performer: Géza Anda
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No. 12. Chopin
Composer: Robert Schumann
Performer: Géza Anda
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No. 13. Estrella
Composer: Robert Schumann
Performer: Géza Anda
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No. 14. Reconnaissance
Composer: Robert Schumann
Performer: Géza Anda
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No. 15. Pantalon et Colombine
Composer: Robert Schumann
Performer: Géza Anda
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No. 16. Valse allemande
Composer: Robert Schumann
Performer: Géza Anda
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No. 17. Intermezzo: Paganini
Composer: Robert Schumann
Performer: Géza Anda
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No. 18. Aveu
Composer: Robert Schumann
Performer: Géza Anda
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No. 19. Promenade
Composer: Robert Schumann
Performer: Géza Anda
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No. 20. Pause
Composer: Robert Schumann
Performer: Géza Anda
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No. 21. Marche des Davidsbundler contre les Philistins
Composer: Robert Schumann
Performer: Géza Anda
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Etude No. 13 in A-Flat Major, Op. 25, No. 1, "Harp Study"
Composer: Frédéric Chopin
Performer: Géza Anda
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Etude No. 14 in F Minor, Op. 25, No. 2
Composer: Frédéric Chopin
Performer: Géza Anda
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Etude No. 15 in F Major, Op. 25, No. 3
Composer: Frédéric Chopin
Performer: Géza Anda
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Etude No. 16 in A Minor, Op. 25, No. 4
Composer: Frédéric Chopin
Performer: Géza Anda
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Etude No. 17 in E Minor, Op. 25, No. 5
Composer: Frédéric Chopin
Performer: Géza Anda
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Etude No. 18 in G-Sharp Minor, Op. 25, No. 6
Composer: Frédéric Chopin
Performer: Géza Anda
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Etude No. 19 in C-Sharp Minor, Op. 25, No. 7
Composer: Frédéric Chopin
Performer: Géza Anda
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Etude No. 20 in D-Flat Major, Op. 25, No. 8
Composer: Frédéric Chopin
Performer: Géza Anda
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Etude No. 21 in G-Flat Major, Op. 25, No. 9, "Butterfly's Wings"
Composer: Frédéric Chopin
Performer: Géza Anda
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Etude No. 22 in B Minor, Op. 25, No. 10
Composer: Frédéric Chopin
Performer: Géza Anda
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Etude No. 23 in A Minor, Op. 25, No. 11, "Winter Wind"
Composer: Frédéric Chopin
Performer: Géza Anda
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Etude No. 24 in C Minor, Op. 25, No. 12
Composer: Frédéric Chopin
Performer: Géza Anda
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3 Intermezzos, Op. 117: No. 1 in E-Flat Major
Composer: Johannes Brahms
Performer: Géza Anda
Featuring ⌄
Product Details ⌄
Works ⌄
REVIEW:
Hungarian virtuoso Géza Anda (1921-1976) opens a recital derived from radio broadcasts from SWR Stuttgart with Haydn’s perky F Major Sonata (17 April 1950), given a sparkling bravura rendition. Anda’s pearly play and deft touch make themselves felt in every concerted bar, and the runaway Presto finale might be a minor meteor. Schumann ever maintained Anda’s devotion, and he often programmed Symphonic Etudes, including the free interpolation of the five posthumous variations. The rendition included here (2 October 1951) includes two of the posthumous etudes, nos. 4 and 5, inserted after the sixth and eighth of the traditional studies. The first exploits sweeping arpeggios and glissandi techniques; the latter opens a jeweled music-box filled with nectar crystals. The serenity yields to the following Etude, a staccato study in syncopations that becomes quite frantic. Etude X, for want of a better term, has always struck me as “Brahmsian” for its double octaves. The agitato mysteries of Etude XI have rarely been so rarified in their mist contours, except perhaps from Cherkassky. The Etude XII finale, besides its obvious, heroic bravura, exudes the Innigkeit requisite...
The Ravel waltzes, in their sturdy percussion, date from 19 May 1951. Anda does not spare the fortissimos nor the pedal, moving to extremes in the first two waltzes, from aggression to erotic insinuation. The dance marked “Presque lent--dans un sentiment intime” has its perfect executor in Anda, which rivals the classically-chiseled entry by Robert Casadesus. Lithe and sensuously nimble, the last two waltzes--Moins vif et Epilogue--combine Vienna glitter and Schubert’s intimate suggestiveness in Ravel’s idiosyncratic kaleidoscopic panoply. Rolf Liebermann’s 1951 Sonata (2 October 1951) marks one of the few pieces Anda programmed that post-date World War II. His “modern” repertory ceased, for the most part, with the 1945 Third Concerto of Bartok. Liebermann (1910-1999) begins his nine-minute work with a toccata-style Vivace with periodic moments of pointillist staccati. The heart of the piece is the Andante espessivo, rather angular and reminiscent of Ravel, Gershwin, and modal Poulenc.
The second disc is devoted to the 1955 (May 21) recital at Ludwigsburg, a venue frequented by Anda’s esteemed colleague, Clara Haskil. Anda opens with the First Ballade of Chopin, a reading of balanced intensities, gothic and introspective at once. The music’s fierce Neapolitan harmonies and inner tumult manage to find a noble repose in the course of its poetic declamation mid-way, only to yield to the Dionysiac dramaturgy of its late pages with a passionate abandon that belies Anda’s repute for “objectivity.”
Anda recorded the Op. 25 set of Chopin Etudes for EMI, and he often featured the complete ensemble as a concert staple. He plays the A-flat Major for its serene beauty, and thus sets the tone for the remainder, to be played in the classic style of Backhaus, for poetry and strength of form.
The Brahms E-flat Major intermezzo, a simple, nostalgic folk song evocation, makes the perfect commentary to all of the “learned” counterpoint of this evening’s colossal recital at Ludwigsburg, where the spirit of colleague Clara Haskil must have lingered nigh.
-- Audiophile Edition
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