I share my personal experiences with the ensemble using materials ranging from graphic scores and written melodies, to photos and stories. These materials function as unfinished compositions and as such challenge us to creatively connect our own ideas and sounds to the music, over and over again. To deal with this freedom in a musical way, we developed strategies for collective improvisation during a two-year artistic research process focussed on the Dutch tradition of free improvisation from the 1960s. This combination of recollection and improvisation has resulted in a record that is playful and personal, yet has an evocative, nostalgic, and impressionist character.