Goethe-Lieder / Antonelou, Gandilyan

$17.99
Label
Coviello
Release Date
February 16, 2024
Format
Added to Cart! View cart or continue shopping.


    Featuring ⌄
    • COMPOSER
      Ludwig van Beethoven, Wolfgang Amadeus Mozart, Johann Friedrich Reichhardt, Maria Szymanowska, Carl
    • PERFORMER
      Fanie Antonelou, Sofya Gandilyan
    Product Details ⌄
    • RELEASE DATE
      February 16, 2024
    • UPC
      4039956923138
    • CATALOG NUMBER
      COV92313
    • LABEL
      Coviello
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. 8 Songs, Op. 52: No. 4. Maigesang

      Composer: Ludwig van Beethoven

      Performer: Fanie Antonelou, Sofya Gandilyan

    2. No. 1. Wonne der Wehmut

      Composer: Ludwig van Beethoven

      Performer: Fanie Antonelou, Sofya Gandilyan

    3. No. 2. Sehnsucht

      Composer: Ludwig van Beethoven

      Performer: Fanie Antonelou, Sofya Gandilyan

    4. No. 3. Mit einem gemalten Band

      Composer: Ludwig van Beethoven

      Performer: Fanie Antonelou, Sofya Gandilyan

    5. Mailied

      Composer: Carl Friedrich Zelter

      Performer: Fanie Antonelou, Sofya Gandilyan

    6. Geheimnis

      Composer: Carl Friedrich Zelter

      Performer: Fanie Antonelou, Sofya Gandilyan

    7. Wonne der Wehmut

      Composer: Carl Friedrich Zelter

      Performer: Fanie Antonelou, Sofya Gandilyan

    8. Rastlose Liebe

      Composer: Carl Friedrich Zelter

      Performer: Fanie Antonelou, Sofya Gandilyan

    9. Rhapsodie

      Composer: Johann Friedrich Reichardt

      Performer: Fanie Antonelou, Sofya Gandilyan

    10. Goethe's Lieder, Oden, Balladen und Romanzen: Mut

      Composer: Johann Friedrich Reichardt

      Performer: Fanie Antonelou, Sofya Gandilyan

    11. Erlkönig

      Composer: Johann Friedrich Reichardt

      Performer: Fanie Antonelou, Sofya Gandilyan

    12. 6 Songs, Op. 75: No. 1. Mignon

      Composer: Ludwig van Beethoven

      Performer: Fanie Antonelou, Sofya Gandilyan

    13. Sehnsucht, WoO 134, "Nur wer die Sehnsucht kennt" (4th setting)

      Composer: Ludwig van Beethoven

      Performer: Fanie Antonelou, Sofya Gandilyan

    14. 6 Songs, Op. 75: No. 2. Neue Liebe, neues Leben

      Composer: Ludwig van Beethoven

      Performer: Fanie Antonelou, Sofya Gandilyan

    15. A chaque instant je sens pour toi, "Romance de Monsieur le Prince Alexandre Galitzin" (arr. M. Szymanowska for voice and piano)

      Composer: A. Golitsyn

      Performer: Fanie Antonelou, Sofya Gandilyan

    16. Das Veilchen, K. 476

      Composer: Wolfgang Amadeus Mozart

      Performer: Fanie Antonelou, Sofya Gandilyan

    17. Aus Alexis und Dora

      Composer: Johann Friedrich Reichardt

      Performer: Fanie Antonelou, Sofya Gandilyan

    18. Rastlose Liebe

      Composer: Johann Friedrich Reichardt

      Performer: Fanie Antonelou, Sofya Gandilyan

    19. Suleika

      Composer: Carl Friedrich Zelter

      Performer: Fanie Antonelou, Sofya Gandilyan

    20. Wand'rers Nachtlied

      Composer: Carl Friedrich Zelter

      Performer: Fanie Antonelou, Sofya Gandilyan

    21. Sämtliche Lieder, Balladen und Romanzen, Z. 124, Book 4: No. 3. Neue Liebe, neues Leben

      Composer: Carl Friedrich Zelter

      Performer: Fanie Antonelou, Sofya Gandilyan

    22. Gleich und gleich

      Composer: Carl Friedrich Zelter

      Performer: Fanie Antonelou, Sofya Gandilyan


He is probably the most famous German "prince of poets" - but music also accompanied Goethe throughout his life: His parents played music and he himself learnt to play several instruments. Naturally, he was interested in having his poems set to music - although he was strict in his requirements. Carl Friedrich Zelter set the poetry to music very "carefully"; in his songs, the rhythm of speech takes centre stage. This obviously corresponded to Goethe's ideas, as he wrote to him in a letter: "I immediately feel that your compositions are identical to my songs, the music only takes the balloon up with it, like an inflowing gas. With other composers, I first have to realise how they took the song, what they made of it." Fortunately, not all of them adhered to Goethe's ideas and thought more independently in terms of composition. This creates a fascinating field of tension between the very different approaches of contemporaries.