GOLDBERG VARIATIONS

Regular price $9.99
Label
Perfect Noise
Release Date
February 17, 2017
Format
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    Featuring
    • COMPOSER
      BACH, J.S.
    • PERFORMER
      Alexander Puliaev
    Product Details
    • RELEASE DATE
      February 17, 2017
    • UPC
      719279933505
    • CATALOG NUMBER
      PN 1601
    • LABEL
      Perfect Noise
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. Aria

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    2. Variatio 1. a 1 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    3. Variatio 2. a 1 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    4. Variatio 3. Canone all'Unisuono. a 1 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    5. Variatio 4. a 1 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    6. Variatio 5. a 1 ô vero 2 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    7. Variatio 6. Canone alla Seconda. a 1 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    8. Variatio 7. a 1 ô vero 2 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    9. Variatio 8. a 2 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    10. Variatio 9. Canone alla Terza. a 1 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    11. Variatio 10. Fughetta. a 1 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    12. Variatio 11. a 2 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    13. Variatio 12. Canone alla Quarta. a 1 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    14. Variatio 13. a 2 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    15. Variatio 14. a 2 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    16. Variatio 15. Canone alla Quinta. a 1 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    17. Variatio 16. Ouverture. a 1 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    18. Variatio 17. a 2 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    19. Variatio 18. Canone alla Sexta. a 1 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    20. Variatio 19. a 1 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    21. Variatio 20. a 2 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    22. Variatio 21. Canone alla Settima. a 1 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    23. Variatio 22. a 1 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    24. Variatio 23. a 2 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    25. Variatio 24. Canone all'Ottava. a 1 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    26. Variatio 25. a 2 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    27. Variatio 26. a 2 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    28. Variatio 27. Canone alla Nona. a 2 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    29. Variatio 28. a 2 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    30. Variatio 29. a 1 ô vero 2 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    31. Variatio 30. Quodlibet. a 1 Clav.

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev

    32. Aria da capo

      Composer: Johann Sebastian Bach

      Performer: Alexander Puliaev


The variation cycle is without a doubt one of the most important works of keyboard instrument literature, played time and again, both in the original version and in miscellaneous adaptations and instrumentations. Framed by the unforgettably beautiful aria in a form similar to a sarabande, the 30 variations are bound by the bass framework and divided in two larger parts. A French overture marks the beginning of the second part. Every third variation, composed as an interval canon and in which the parts begin in an ever-increasing interval, additionally subdivides the work into ten groups of three. This wonderful work with its plethora of possible structures and symbols concealed in numbers has kept generations of musicians and musicologists busy and will probably continue to do so for a long time to come. The best thing to do is to lean back, leave the task of hitting the right key at the right time to the musicians and let the music speak for itself! Or, as Albert Einstein once said, "What I have to say about Bach's life work: Listen, perform, love and adore it! And shut up!"