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COMPOSERGOMBERT, NICOLAS
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PERFORMERBeauty Farm
Gombert: Motets, Vol. 2 / Beauty Farm
- Fra Bernardo
- January 20, 2017
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RELEASE DATEJanuary 20, 2017
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UPC4260307434571
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CATALOG NUMBERFB1612457
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LABELFra Bernardo
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NUMBER OF DISCS2
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GENRE
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Beatus vir qui non abiit
Composer: Nicolas Gombert
Ensemble: Beauty Farm
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Ave Maria
Composer: Nicolas Gombert
Ensemble: Beauty Farm
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Pater noster
Composer: Nicolas Gombert
Ensemble: Beauty Farm
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Media vita in morte sumus
Composer: Nicolas Gombert
Ensemble: Beauty Farm
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Ego flos campi
Composer: Nicolas Gombert
Ensemble: Beauty Farm
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Respice Domine
Composer: Nicolas Gombert
Ensemble: Beauty Farm
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Hodie nata est virgo Maria
Composer: Nicolas Gombert
Ensemble: Beauty Farm
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O Domine Jesu Christe
Composer: Nicolas Gombert
Ensemble: Beauty Farm
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Suscipe verbum virgo Maria
Composer: Nicolas Gombert
Ensemble: Beauty Farm
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In te Domine speravi … Educes me
Composer: Nicolas Gombert
Ensemble: Beauty Farm
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Patefactae sunt januae caeli
Composer: Nicolas Gombert
Ensemble: Beauty Farm
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Hortus conclusus es Dei genitrix
Composer: Nicolas Gombert
Ensemble: Beauty Farm
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Ego sum qui sum
Composer: Nicolas Gombert
Ensemble: Beauty Farm
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O rex gloriae
Composer: Nicolas Gombert
Ensemble: Beauty Farm
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Ne reminiscaris Domine
Composer: Nicolas Gombert
Ensemble: Beauty Farm
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Da pacem Domine
Composer: Nicolas Gombert
Ensemble: Beauty Farm
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Conceptio tua Dei genitrix
Composer: Nicolas Gombert
Ensemble: Beauty Farm
Featuring ⌄
Product Details ⌄
Works ⌄
The vocal ensemble Beauty Farm was founded in 2014 and is made up of members of top international ensembles such as the Huelgas Ensemble, Vox Luminis, Collegium Vocale Gent or Graindelavoix. The singers do not intend a homogeneous beautiful sound in their interpretations, but a colorful sound rather through characteristic drawing of the individual voices. Their second album is also dedicated to motets by Nicolas Gombert, a grand master of the Franco-Flemish polyphony. They have selected seventeen of his masterpieces, some of which are receiving their first recording here. Hermann Finck described this music perfectly in 1556 when he said “He avoids pauses, and his work is rich with full harmonies and imitative counterpoint.”
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