Gothic: New Piano Music from Ireland

$19.99
Label
Metier
Release Date
February 10, 2015
Format
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    Featuring ⌄
    • COMPOSER
      BENNETT FENNESSY NANGLE
    • PERFORMER
      Mary Dullea
    Product Details ⌄
    • RELEASE DATE
      February 10, 2015
    • UPC
      809730854927
    • CATALOG NUMBER
      MSV28549
    • LABEL
      Metier
    • NUMBER OF DISCS
      1
    • GENRE
      Chamber Music & Recitals
    Works ⌄

    1. Gothic

      Composer: Ed Bennett

      Performer: Mary Dullea

    2. The first thing, the last thing and everything in between

      Composer: David Fennessy

      Performer: Mary Dullea

    3. grow quiet gradually

      Composer: Jonathan Nangle

      Performer: Mary Dullea

    4. Tease

      Composer: Frank Lyons

      Performer: Mary Dullea

    5. I. Arpa

      Composer: John McLachlan

      Performer: Mary Dullea

    6. II. Scala

      Composer: John McLachlan

      Performer: Mary Dullea

    7. III. Ananda

      Composer: John McLachlan

      Performer: Mary Dullea

    8. IV. Kimata

      Composer: John McLachlan

      Performer: Mary Dullea

    9. V. Nebula

      Composer: John McLachlan

      Performer: Mary Dullea

    10. VI. Aurea

      Composer: John McLachlan

      Performer: Mary Dullea

    11. VII. Maya

      Composer: John McLachlan

      Performer: Mary Dullea

    12. VIII. Hikka

      Composer: John McLachlan

      Performer: Mary Dullea

    13. IX. Fretta

      Composer: John McLachlan

      Performer: Mary Dullea

    14. Etude No. 1

      Composer: Gráinne Mulvey

      Performer: Mary Dullea

    15. I. —

      Composer: Benjamin Dwyer

      Performer: Mary Dullea

    16. II. —

      Composer: Benjamin Dwyer

      Performer: Mary Dullea


Mary Dullea is one of the most amazingly skillful pianists of today and presents a truly distinctive and groundbreaking recital. The pianist writes: These piano pieces demonstrate a fertile wide range of voices, sonorities, inspirations and exploration of the performer's role. They all call on the virtuosity of the pianist, not only at the keyboard but, in some cases, extending that even further, incorporating voice and other extended techniques. Each work marks a point in the composer's path, whether a relatively early work, a response to a significant event or a commission request.