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COMPOSERAlexander Kukelka
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ORCHESTRA / ENSEMBLETrio Frizzante
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PERFORMERGunter Haumer, Andreea Chira, Moritz Weiss, Kaori Nishii, Wolfgang Kornberger, Koehn
Kukelka: Aufruf zur hochsten Schau (Selected vocal & chamber music works)
- Gramola Records
- May 31, 2024
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RELEASE DATEMay 31, 2024
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UPC9003643993259
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CATALOG NUMBERGRAM99325
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LABELGramola Records
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NUMBER OF DISCS2
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GENRE
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I. Arioso con Variazioni
Composer: Alexander Kukelka
Performer: Andreea Chira, Peter Uhler, Monika Uhler, Marta Potulska, Manuel Schager, Michael Pistelok
Conductor: Alexander Kukelka
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II. Burlesca
Composer: Alexander Kukelka
Performer: Andreea Chira, Peter Uhler, Monika Uhler, Marta Potulska, Manuel Schager, Michael Pistelok
Conductor: Alexander Kukelka
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III. Lamento
Composer: Alexander Kukelka
Performer: Andreea Chira, Peter Uhler, Monika Uhler, Marta Potulska, Manuel Schager, Michael Pistelok
Conductor: Alexander Kukelka
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IV. Epilogo
Composer: Alexander Kukelka
Performer: Andreea Chira, Peter Uhler, Monika Uhler, Marta Potulska, Manuel Schager, Michael Pistelok
Conductor: Alexander Kukelka
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No. 1. Worte zu einer inneren Musik
Composer: Alexander Kukelka
Performer: Günter Haumer, Wolfgang Kornberger, Kaori Nishii
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No. 2. Die Wolken
Composer: Alexander Kukelka
Performer: Günter Haumer, Wolfgang Kornberger, Kaori Nishii
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No. 3. Trau noch dem Frühling nich
Composer: Alexander Kukelka
Performer: Günter Haumer, Wolfgang Kornberger, Kaori Nishii
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No. 4. Ich gehe durch meine Tage
Composer: Alexander Kukelka
Performer: Günter Haumer, Wolfgang Kornberger, Kaori Nishii
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Meditation No. 1
Composer: Alexander Kukelka
Performer: Moritz Weiss, Sophie Stocker, Yu-Hsuan Lin
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Meditation No. 3
Composer: Alexander Kukelka
Performer: Moritz Weiss, Sophie Stocker, Yu-Hsuan Lin
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Meditation No. 6
Composer: Alexander Kukelka
Performer: Moritz Weiss, Sophie Stocker, Yu-Hsuan Lin
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Aufruf zur höchsten Schau
Composer: Alexander Kukelka
Performer: Günter Haumer, Wolfgang Kornberger, Anne Harvey-Nagl, Joanna Lewis, Melissa Coleman, Kaori Nishii, Piotr Motyka
Conductor: Alexander Kukelka
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String Quintet
Composer: Alexander Kukelka
Performer: Joanna Lewis, Anne Harvey-Nagl, Marta Potulska, Melissa Coleman, Asja Valcic
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Ständchen
Composer: Alexander Kukelka
Performer: Peter Uhler, Marta Potulska, Manuel Schager
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No. 1. Scherzino
Composer: Alexander Kukelka
Performer: Kaori Nishii
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No. 2. Bagatelle
Composer: Alexander Kukelka
Performer: Kaori Nishii
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No. 3. Nostalgia
Composer: Alexander Kukelka
Performer: Kaori Nishii
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No. 4. Epilog
Composer: Alexander Kukelka
Performer: Kaori Nishii
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Von einem Marsch, der auszog, das Tanzen zu lernen
Composer: Alexander Kukelka
Performer: Wolfgang Kornberger, Josef Bednarik, Marion Janda, Thomas Steinwender
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Toi-Toi-Toi!
Composer: Alexander Kukelka
Performer: Marlies Gaugl, Wolfgang Kornberger, Marion Janda
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If You Make a Noise, Make It Quietly!
Composer: Alexander Kukelka
Performer: Marlies Gaugl, Wolfgang Kornberger, Marion Janda
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I. Funeral March
Composer: Alexander Kukelka
Performer: Marlies Gaugl, Marta Kordykiewicz, Doris Kitzmantel
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II. Necrology
Composer: Alexander Kukelka
Performer: Marlies Gaugl, Marta Kordykiewicz, Doris Kitzmantel
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III. Resurrection
Composer: Alexander Kukelka
Performer: Marlies Gaugl, Marta Kordykiewicz, Doris Kitzmantel
Featuring ⌄
Product Details ⌄
Works ⌄
Since 2004, the lost world of the former “Buchenland” (Beech Country) with its Jewish-Christian culture, which was expelled and destroyed by Naziism, has played a special role in Alexander Kukelka’s oeuvre – his ancestors came from Czernowitz (Chernivtsi) and the former Bukovina. The album “Call to the Highest Vision” is a follow-up to the production “Czernowitzer Skizzen” released in 2008, and stands as a further attempt to pay compositional tribute to this historically unique “multi-ethnic mosaic” on the edge of the Carpathians with its capital Czernowitz, also known as “Little Vienna” or “Jerusalem on the Pruth”. The selected works combine most diverse styles of composing, with works ranging from the concerto for nai (pan flute) and string quintet, songs for bass baritone, bass clarinet and piano, Meditations for solo clarinet and Klezmore Orchestra, works with ironic titles such as “About a March That Set Out to Learn How to Dance – Humoresque for Wind Quartet” or “Requiem for a Dead End – Farce for Flute, Cello and Piano”. However, no “historical distance” or compositional employment can relativize or explain the irretrievable loss of this unique linguistic and cultural landscape, in which half a dozen ethnic groups dreamed of a better world in peaceful coexistence on the eve of the Shoah.
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