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COMPOSERChristoph Graupner
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PERFORMERMichael Hix, Stephen Redfield, David Felberg, Jeffrey Smith, Katie Rietman, Sally Gunther, Katie Rie
Graupner: My Faith Stands Firm - Cantatas for Bass Voice / Hix
- Affetto Records
- January 27, 2023
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RELEASE DATEJanuary 27, 2023
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UPC195269205645
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CATALOG NUMBERAF2301
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LABELAffetto Records
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NUMBER OF DISCS1
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GENRE
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Aria: Du edles Kleinod jener Höhen
Composer: Christoph Graupner
Performer: Michael Hix, Stephen Redfield, David Felberg, Jeffrey Smith, Katie Rietman, Kristin Ditlow
Conductor: Stephen Redfield
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Recitative: Der Preis ist ausgestellt
Composer: Christoph Graupner
Performer: Michael Hix, Stephen Redfield, Kristin Ditlow
Conductor: Stephen Redfield
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Aria: Weicht, verdammte Erden-Lüste
Composer: Christoph Graupner
Performer: Michael Hix, Stephen Redfield, Katie Rietman, Kristin Ditlow
Conductor: Stephen Redfield
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Recitative: Das Irdishche ist meinem Geist zu schlecht
Composer: Christoph Graupner
Performer: Michael Hix, Katie Rietman, Kristin Ditlow
Conductor: Stephen Redfield
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Aria: Jesu, mein König
Composer: Christoph Graupner
Performer: Michael Hix, Stephen Redfield, David Felberg, Jeffrey Smith, Katie Rietman, Kristin Ditlow
Conductor: Stephen Redfield
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Aria: Gottlob, mein Glaube stehet feste
Composer: Christoph Graupner
Performer: Michael Hix, Stephen Redfield, Katie Rietman, Kristin Ditlow
Conductor: Stephen Redfield
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Recitative: Ich Weiss gar wohl an wen ich glaube
Composer: Christoph Graupner
Performer: Michael Hix, Katie Rietman, Kristin Ditlow
Conductor: Stephen Redfield
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Aria: Ist meine Sonne hingegangen
Composer: Christoph Graupner
Performer: Michael Hix, Stephen Redfield, Katie Rietman, Kristin Ditlow
Conductor: Stephen Redfield
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Recitative: Was Jesus tut und was ihm wieder färht
Composer: Christoph Graupner
Performer: Michael Hix, Katie Rietman, Kristin Ditlow
Conductor: Stephen Redfield
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Aria: Lass mein Geist die freche Rotten
Composer: Christoph Graupner
Performer: Michael Hix, Stephen Redfield, Katie Rietman, Kristin Ditlow
Conductor: Stephen Redfield
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Arioso: Halte an, am Glaubenstreit
Composer: Christoph Graupner
Performer: Michael Hix, Stephen Redfield, David Felberg, Jeffrey Smith, Sally Guenther, Kristin Ditlow
Conductor: Stephen Redfield
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Aria and recitative: Ach, will Dein Herz sich nicht erbarmen - So ächzet oft ein mattes Herz
Composer: Christoph Graupner
Performer: Michael Hix, Stephen Redfield, Jeffrey Smith, Sally Guenther, Kristin Ditlow
Conductor: Stephen Redfield
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Recitative: Wenn Teufel, Hölle, Sünd' und Welt
Composer: Christoph Graupner
Performer: Michael Hix, Sally Guenther, Kristin Ditlow
Conductor: Stephen Redfield
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Chorale: Sollt' es gleich bisweilen scheinen
Composer: Christoph Graupner
Performer: Michael Hix, Stephen Redfield, Jeffrey Smith, Sally Guenther, Kristin Ditlow
Conductor: Stephen Redfield
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Aria: Wanke nicht, bedrängte Seele
Composer: Christoph Graupner
Performer: Michael Hix, Stephen Redfield, Jeffrey Smith, Sally Guenther, Kristin Ditlow
Conductor: Stephen Redfield
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Chorale: Harr' nur auf Gott, weil dir bewusst
Composer: Christoph Graupner
Performer: Michael Hix, Stephen Redfield, Jeffrey Smith, Sally Guenther, Kristin Ditlow
Conductor: Stephen Redfield
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Recitative: Mein Herz soll nach des Höchsten Willen
Composer: Christoph Graupner
Performer: Michael Hix, Stephen Redfield, David Felberg, Jeffrey Smith, Katie Rietman, Kristin Ditlow
Conductor: Stephen Redfield
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Aria and Recitative: In Gott gelassen sein - Es tut mir in dem Herzen weh
Composer: Christoph Graupner
Performer: Michael Hix, Stephen Redfield, David Felberg, Jeffrey Smith, Sally Guenther, Kristin Ditlow
Conductor: Stephen Redfield
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Aria, Recitative and Arioso: Und doch gibt's tausend Seelen - Ja, mein Gott ich will Leiden
Composer: Christoph Graupner
Performer: Michael Hix, Stephen Redfield, David Felberg, Jeffrey Smith, Sally Guenther, Kristin Ditlow
Conductor: Stephen Redfield
Featuring ⌄
Product Details ⌄
Works ⌄
Very often discussions regarding the composer Christoph Graupner (1683-1760) places him in comparison with J.S. Bach. If one has heard of Graupner, it is usually the bit of trivia that he was offered the Leipzig Thomaskirche cantor position before Bach. Of particular interest, however, is the vastness of extant material Graupner composed. There are scores for over 1,400 of Graupner’s church cantatas. Forty-seven of these are for solo bass voice with a variety of instrumental pairings. One can assume that the majority of these works were written for the bass (and composer) Gottfried Grünewald (1665-1739), whom Graupner knew in Leipzig and with whom he worked at the opera in Hamburg. Grünewald served as the vice-capellmeister in Darmstadt under Graupner from 1713 until his death. In addition to the forty-seven solo bass cantatas, Graupner also wrote seventeen duet cantatas for soprano and bass. Alongside the staggering number of cantatas, Graupner composed a wealth of instrumental music including keyboard works, more than 100 sinfonias, and a canon with 5,626 inversions.
The sheer volume of this relatively unexplored repertoire is thrilling but also overwhelming, making categorization of Graupner’s overall musical style problematic. This recording, featuring cantatas and instrumental works composed between 1720 and 1745, offers the listener an introduction to Gaupner and an important, if small, piece in the larger puzzle that is Graupner’s life and work. It premieres Graupner to a wider music world largely ignorant of this talented and nearly unknown Baroque composer by baritone Michael Hix, Chair of the Department of Music at the University of New Mexico, praised by critics for his “expressive voice” and “commanding stage presence”, and whose research has brought Christoph Graupner to light through this album.
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