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COMPOSERBIZET MOZART PUCCINI ROSSIN
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PERFORMERVarious
Great Opera
- Naxos
- April 24, 2012
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RELEASE DATEApril 24, 2012
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UPC730099105446
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CATALOG NUMBER8501054
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LABELNaxos
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NUMBER OF DISCS10
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GENRE
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Overture
Composer: Wolfgang Amadeus Mozart
Ensemble: Nicolaus Esterházy Sinfonia
Conductor: Michael Halász
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Act I Scene 1: Introduzione: Notte e giorno faticar (Leporello, Donna Anna, Don Giovanni, Il Commendatore)
Composer: Wolfgang Amadeus Mozart
Ensemble: Nicolaus Esterházy Sinfonia
Performer: Renato Girolami, Adrianne Pieczonka, Bo Skovhus, Janusz Monarcha
Conductor: Michael Halász
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Act I Scene 3: Duetto: Fuggi, crudele, fuggi! (Donna Anna, Don Ottavio)
Composer: Wolfgang Amadeus Mozart
Ensemble: Nicolaus Esterházy Sinfonia
Performer: Adrianne Pieczonka, Torsten Kerl
Conductor: Michael Halász
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Act I Scene 5: Aria: Ah chi mi dice mai (Donna Elvira, Don Giovanni, Leporello)
Composer: Wolfgang Amadeus Mozart
Ensemble: Nicolaus Esterházy Sinfonia
Performer: Regina Schörg, Bo Skovhus, Renato Girolami
Conductor: Michael Halász
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Act I Scene 5: Aria: Madamina, il catalogo e questo (Leporello)
Composer: Wolfgang Amadeus Mozart
Ensemble: Nicolaus Esterházy Sinfonia
Performer: Renato Girolami
Conductor: Michael Halász
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Act I Scene 7: Coro: Giovinette che fate all'amore (Zerlina, Masetto, Chorus)
Composer: Wolfgang Amadeus Mozart
Ensemble: Hungarian Radio Choir, Nicolaus Esterházy Sinfonia
Performer: Ildikó Raimondi, Boaz Daniel
Conductor: Michael Halász
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Act I Scene 8: Aria: Ho capito, signor si (Masetto)
Composer: Wolfgang Amadeus Mozart
Ensemble: Nicolaus Esterházy Sinfonia
Performer: Boaz Daniel
Conductor: Michael Halász
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Act I Scene 9: Duettino: La ci darem la mano (Zerlina, Don Giovanni)
Composer: Wolfgang Amadeus Mozart
Ensemble: Nicolaus Esterházy Sinfonia
Performer: Ildikó Raimondi, Bo Skovhus
Conductor: Michael Halász
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Act I Scene 10: Aria: Ah fuggi il traditor (Donna Elvira)
Composer: Wolfgang Amadeus Mozart
Ensemble: Nicolaus Esterházy Sinfonia
Performer: Regina Schörg
Conductor: Michael Halász
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Act I Scene 12: Quartetto: Non ti fidar, o misera (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni)
Composer: Wolfgang Amadeus Mozart
Ensemble: Nicolaus Esterházy Sinfonia
Performer: Adrianne Pieczonka, Regina Schörg, Torsten Kerl, Bo Skovhus
Conductor: Michael Halász
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Act I Scene 13: Recitativo accompagnato ed Aria: Don Ottavio, son morta! - Aria: Or sai chi l'onore (Donna Anna, Don Ottavio)
Composer: Wolfgang Amadeus Mozart
Ensemble: Nicolaus Esterházy Sinfonia
Performer: Adrianne Pieczonka, Torsten Kerl
Conductor: Michael Halász
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Act I Scene 13 Appendix: Aria: Dalla sua pace (Don Ottavio)
Composer: Wolfgang Amadeus Mozart
Ensemble: Nicolaus Esterházy Sinfonia
Performer: Torsten Kerl
Conductor: Michael Halász
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Act I Scene 15: Aria: Fin ch'han dal vino (Don Giovanni)
Composer: Wolfgang Amadeus Mozart
Ensemble: Nicolaus Esterházy Sinfonia
Performer: Bo Skovhus
Conductor: Michael Halász
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Act I Scene 16: Aria: Batti, batti, o bel Masetto (Zerlina)
Composer: Wolfgang Amadeus Mozart
Ensemble: Nicolaus Esterházy Sinfonia
Performer: Ildikó Raimondi
Conductor: Michael Halász
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Act II Scene 3: Canzonetta: Deh, vieni alla finestra (Don Giovanni)
Composer: Wolfgang Amadeus Mozart
Ensemble: Nicolaus Esterházy Sinfonia
Performer: Bo Skovhus
Conductor: Michael Halász
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Act II Scene 6: Aria: Vedrai, carino (Zerlina)
Composer: Wolfgang Amadeus Mozart
Ensemble: Nicolaus Esterházy Sinfonia
Performer: Ildikó Raimondi
Conductor: Michael Halász
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Act II Scene 10: Aria: Il mio tesoro intanto (Don Ottavio)
Composer: Wolfgang Amadeus Mozart
Ensemble: Nicolaus Esterházy Sinfonia
Performer: Bo Skovhus
Conductor: Michael Halász
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Act II Scene 10 Appendix 2: Recitativo accompagnato ed Aria: In quali eccessi (Donna Elvira)
Composer: Wolfgang Amadeus Mozart
Ensemble: Nicolaus Esterházy Sinfonia
Performer: Regina Schörg
Conductor: Michael Halász
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Act II Scene 15: Don Giovanni, a cenar teco (Il Commendatore, Don Giovanni, Leporello, Chorus)
Composer: Wolfgang Amadeus Mozart
Ensemble: Hungarian Radio Choir, Nicolaus Esterházy Sinfonia
Performer: Bo Skovhus, Janusz Monarcha, Renato Girolami
Conductor: Michael Halász
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Act II Scene 16: Questo e il fin (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
Composer: Wolfgang Amadeus Mozart
Ensemble: Nicolaus Esterházy Sinfonia
Performer: Adrianne Pieczonka, Regina Schörg, Ildikó Raimondi, Torsten Kerl, Boaz Daniel, Renato Girolami
Conductor: Michael Halász
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Act I: Overture
Composer: Wolfgang Amadeus Mozart
Ensemble: Budapest Failoni Chamber Orchestra
Conductor: Michael Halász
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Act I: Zu hilfe! Zu hilfe! (Tamino, the Three Ladies)
Composer: Wolfgang Amadeus Mozart
Ensemble: Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra
Performer: Herbert Lippert
Conductor: Michael Halász
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Act I: Der Vogelfanger bin ich ja (Papageno)
Composer: Wolfgang Amadeus Mozart
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Georg Tichy
Conductor: Michael Halász
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Act I: Dies Bildnis ist bezaubernd schön (Tamino)
Composer: Wolfgang Amadeus Mozart
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Herbert Lippert
Conductor: Michael Halász
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Act I: O zitt're nicht, mein lieber Sohn! (Queen of the Night)
Composer: Wolfgang Amadeus Mozart
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Hellen Kwon
Conductor: Michael Halász
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Act I: Hm! Hm! Hm! Hm! (Papageno, Tamino, the Three Ladies)
Composer: Wolfgang Amadeus Mozart
Ensemble: Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra
Performer: Georg Tichy, Herbert Lippert
Conductor: Michael Halász
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Act I: Bei Mannern, welche Liebe fuhlen (Pamina, Papageno)
Composer: Wolfgang Amadeus Mozart
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Elisabeth Norberg-Schulz, Georg Tichy
Conductor: Michael Halász
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Act I: Wie stark ist nicht dein Zauberton! (Tamino)
Composer: Wolfgang Amadeus Mozart
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Herbert Lippert
Conductor: Michael Halász
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Act I: Schnelle Fusse, rascher Mut (Pamina, Papageno, Monostatos, Slaves)
Composer: Wolfgang Amadeus Mozart
Ensemble: Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra
Performer: Elisabeth Norberg-Schulz, Georg Tichy, Wilfried Gahmlich
Conductor: Michael Halász
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Act II: March of the Priests
Composer: Wolfgang Amadeus Mozart
Ensemble: Budapest Failoni Chamber Orchestra
Conductor: Michael Halász
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Act II: O Isis und Osiris (Sarastro, Chorus)
Composer: Wolfgang Amadeus Mozart
Ensemble: Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra
Performer: Kurt Rydl
Conductor: Michael Halász
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Act II: Alles fuhlt der liebe Freuden (Monostatos)
Composer: Wolfgang Amadeus Mozart
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Wilfried Gahmlich
Conductor: Michael Halász
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Act II: Der Holle Rache kocht in meinen Herzen (Queen of the Night)
Composer: Wolfgang Amadeus Mozart
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Hellen Kwon
Conductor: Michael Halász
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Act II: In diesen heil'gen Hallen (Sarastro)
Composer: Wolfgang Amadeus Mozart
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Kurt Rydl
Conductor: Michael Halász
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Act II: Ach, ich fuhl's (Pamina)
Composer: Wolfgang Amadeus Mozart
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Elisabeth Norberg-Schulz
Conductor: Michael Halász
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Act II: Ein Madchen oder Weibchen (Papageno)
Composer: Wolfgang Amadeus Mozart
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Georg Tichy
Conductor: Michael Halász
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Act II: Pa-Pa-Pa-Pa-Pa-Pa-Papageno (Papageno, Papagena)
Composer: Wolfgang Amadeus Mozart
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Lotte Leitner, Georg Tichy
Conductor: Michael Halász
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Act II: Nur stille, stille, stille, stille (Monostatos, Queen of the Night, the Three Ladies)
Composer: Wolfgang Amadeus Mozart
Ensemble: Budapest Failoni Chamber Orchestra, Hungarian Festival Chorus
Performer: Wilfried Gahmlich, Hellen Kwon
Conductor: Michael Halász
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Act II: Die Strahlen der Sonne vertreiben die Nacht (Sarastro, Chorus)
Composer: Wolfgang Amadeus Mozart
Ensemble: Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra
Performer: Kurt Rydl
Conductor: Michael Halász
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Overture
Composer: Gioachino Rossini
Ensemble: Budapest Failoni Chamber Orchestra
Conductor: Will Humburg
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Act I Cavatina: Ecco, ridente in cielo (Conte)
Composer: Gioachino Rossini
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Ramón Vargas
Conductor: Will Humburg
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Act I Cavatina: Largo al factotum della citta (Figaro)
Composer: Gioachino Rossini
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Roberto Servile
Conductor: Will Humburg
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Act I Duetto: All'idea di quel metallo (Figaro, Conte)
Composer: Gioachino Rossini
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Roberto Servile, Ramón Vargas
Conductor: Will Humburg
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Act I Cavatina: Una voce poco fa (Rosina)
Composer: Gioachino Rossini
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Sonia Ganassi
Conductor: Will Humburg
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Act I Aria: La calunnia e un venticello (Basilio)
Composer: Gioachino Rossini
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Franco de Grandis
Conductor: Will Humburg
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Act I Duetto: Dunque io son... tu non m'inganni? (Rosina, Figaro)
Composer: Gioachino Rossini
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Sonia Ganassi, Roberto Servile
Conductor: Will Humburg
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Act I Aria A un dottor della mia sorte (Bartolo)
Composer: Gioachino Rossini
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Angelo Romero
Conductor: Will Humburg
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Act I Finale: Fredda ed immobile
Composer: Gioachino Rossini
Ensemble: Hungarian Radio Choir, Budapest Failoni Chamber Orchestra
Performer: Sonia Ganassi, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Ramón Vargas, Roberto Servile
Conductor: Will Humburg
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Act II Duetto: Pace e gioia sia con voi (Conte, Bartolo)
Composer: Gioachino Rossini
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Ramón Vargas, Angelo Romero
Conductor: Will Humburg
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Act II Aria: Contro un cor che accende amore (Rosina, Conte)
Composer: Gioachino Rossini
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Sonia Ganassi, Ramón Vargas
Conductor: Will Humburg
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Act II Sequito del Quintetto: Buona sera, mio signore
Composer: Gioachino Rossini
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Franco de Grandis, Sonia Ganassi, Ramón Vargas, Roberto Servile, Angelo Romero
Conductor: Will Humburg
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Act II Aria: Il vecchiotto cerca moglie (Berta)
Composer: Gioachino Rossini
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Ingrid Kertesi
Conductor: Will Humburg
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Act II Terzetto: Ah! qual colpo inaspettato! (Rosina, Figaro, Conte)
Composer: Gioachino Rossini
Ensemble: Budapest Failoni Chamber Orchestra
Performer: Sonia Ganassi, Roberto Servile, Ramón Vargas
Conductor: Will Humburg
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Act II Finaletto: Di si felice innesto serbiam memoria eterna?
Composer: Gioachino Rossini
Ensemble: Hungarian Radio Choir, Budapest Failoni Chamber Orchestra
Performer: Roberto Servile, Ingrid Kertesi, Angelo Romero, Franco de Grandis, Sonia Ganassi, Ramón Vargas
Conductor: Will Humburg
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Act I: Prelude
Composer: Giuseppe Verdi
Ensemble: Slovak Radio Symphony Orchestra
Conductor: Ali Rahbari
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Act I: Libiamo, ne' lieti calci, "Brindisi" (Drinking Song) (Alfredo, Chorus, Violetta)
Composer: Giuseppe Verdi
Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra
Performer: Yordy Ramiro, Monika Krause
Conductor: Ali Rahbari
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Act I: Un di, felice, eterea (Alfredo, Violetta)
Composer: Giuseppe Verdi
Ensemble: Slovak Radio Symphony Orchestra
Performer: Yordy Ramiro, Monika Krause
Conductor: Ali Rahbari
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Act I: E' strano! e strano! (Violetta)
Composer: Giuseppe Verdi
Ensemble: Slovak Radio Symphony Orchestra
Performer: Monika Krause
Conductor: Ali Rahbari
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Act I: Follie! … Sempre libera degg'io (Violetta)
Composer: Giuseppe Verdi
Ensemble: Slovak Radio Symphony Orchestra
Performer: Monika Krause
Conductor: Ali Rahbari
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Act II Scene 1: Lunge da lei per me (Alfredo)
Composer: Giuseppe Verdi
Ensemble: Slovak Radio Symphony Orchestra
Performer: Yordy Ramiro
Conductor: Ali Rahbari
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Act II Scene 1: O mio rimorso! (Alfredo)
Composer: Giuseppe Verdi
Ensemble: Slovak Radio Symphony Orchestra
Performer: Yordy Ramiro
Conductor: Ali Rahbari
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Act II Scene 1: Pura si come un angelo - Dite alla giovine (Germont, Violetta)
Composer: Giuseppe Verdi
Ensemble: Slovak Radio Symphony Orchestra
Performer: Georg Tichy, Monika Krause
Conductor: Ali Rahbari
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Act II Scene 1: Dammi tu forza, o cielo! (Violetta, Annina, Alfredo)
Composer: Giuseppe Verdi
Ensemble: Slovak Radio Symphony Orchestra
Performer: Monika Krause, Ivica Neshybová, Yordy Ramiro
Conductor: Ali Rahbari
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Act II Scene 1: Di Provenza il mar, il suol (Germont)
Composer: Giuseppe Verdi
Ensemble: Slovak Radio Symphony Orchestra
Performer: Georg Tichy
Conductor: Ali Rahbari
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Act II Scene 2: Noi siamo zingarelle (Chorus, Flora, Marchese)
Composer: Giuseppe Verdi
Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra
Performer: Rannveig Braga, Jozef Špaček
Conductor: Ali Rahbari
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Act III: Prelude
Composer: Giuseppe Verdi
Ensemble: Slovak Radio Symphony Orchestra
Conductor: Ali Rahbari
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Act III: Teneste la promessa (Violetta)
Composer: Giuseppe Verdi
Ensemble: Slovak Radio Symphony Orchestra
Performer: Monika Krause
Conductor: Ali Rahbari
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Act III: Signora! … Che t'accade? - Parigi, o cara (Annina, Violetta, Alfredo)
Composer: Giuseppe Verdi
Ensemble: Slovak Radio Symphony Orchestra
Performer: Ivica Neshybová, Monika Krause, Yordy Ramiro
Conductor: Ali Rahbari
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Act III: Ah, Violetta! … Voi, Signor! - E strano! … Che! (Germont, Violetta, Alfredo, Dottore, Annina, chorus)
Composer: Giuseppe Verdi
Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra
Performer: Georg Tichy, Monika Krause, Yordy Ramiro, Jozef Špaček, Ivica Neshybová
Conductor: Ali Rahbari
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Prelude
Composer: Giuseppe Verdi
Ensemble: National Symphony Orchestra of Ireland
Conductor: Ricco Saccani
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Act I: Se quel guerrier io fossi! ... Celeste Aida
Composer: Giuseppe Verdi
Ensemble: National Symphony Orchestra of Ireland
Performer: Kristjan Johannsson
Conductor: Ricco Saccani
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Act I: Ritorna vincitor! ... I sacri nomi di padre, d'amante
Composer: Giuseppe Verdi
Ensemble: National Symphony Orchestra of Ireland
Performer: Maria Dragoni
Conductor: Ricco Saccani
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Act I: Dance of the Priestesses
Composer: Giuseppe Verdi
Ensemble: RTÉ Philharmonic Choir, RTÉ Chamber Choir, National Symphony Orchestra of Ireland
Conductor: Ricco Saccani
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Act II: Dance of the Moorish Slaves
Composer: Giuseppe Verdi
Ensemble: National Symphony Orchestra of Ireland
Conductor: Ricco Saccani
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Act II: Sul del Nilo al sacro lido ... Numi, pieta del mio martir
Composer: Giuseppe Verdi
Ensemble: RTÉ Philharmonic Choir, RTÉ Chamber Choir, National Symphony Orchestra of Ireland
Performer: Maria Dragoni, Barbara Dever
Conductor: Ricco Saccani
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Act II: Gloria all' Egitto
Composer: Giuseppe Verdi
Ensemble: RTÉ Philharmonic Choir, RTÉ Chamber Choir, National Symphony Orchestra of Ireland
Conductor: Ricco Saccani
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Act II. Grand March
Composer: Giuseppe Verdi
Ensemble: National Symphony Orchestra of Ireland
Conductor: Ricco Saccani
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Act II: Ballet Music
Composer: Giuseppe Verdi
Ensemble: National Symphony Orchestra of Ireland
Conductor: Ricco Saccani
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Act II: Vieni, o guerrero vindice
Composer: Giuseppe Verdi
Ensemble: RTÉ Philharmonic Choir, RTÉ Chamber Choir, National Symphony Orchestra of Ireland
Conductor: Ricco Saccani
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Act III: Qui Radames verra! ... O patria mia
Composer: Giuseppe Verdi
Ensemble: National Symphony Orchestra of Ireland
Performer: Maria Dragoni
Conductor: Ricco Saccani
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Act III: Ciel mio padre! ... Su dunque!
Composer: Giuseppe Verdi
Ensemble: National Symphony Orchestra of Ireland
Performer: Maria Dragoni, Mark Rucker
Conductor: Ricco Saccani
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Act IV: L'Aborrita rivale a me sfuggia ... Gia i Sacerdoti
Composer: Giuseppe Verdi
Ensemble: National Symphony Orchestra of Ireland
Performer: Barbara Dever
Conductor: Ricco Saccani
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Act IV: Die mie discolpe
Composer: Giuseppe Verdi
Ensemble: National Symphony Orchestra of Ireland
Performer: Barbara Dever, Kristjan Johannsson
Conductor: Ricco Saccani
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Act IV: Morire! Ah, tu dei vivere
Composer: Giuseppe Verdi
Ensemble: National Symphony Orchestra of Ireland
Performer: Barbara Dever, Kristjan Johannsson
Conductor: Ricco Saccani
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Act IV: Chi ti salva, sciagurato
Composer: Giuseppe Verdi
Ensemble: National Symphony Orchestra of Ireland
Performer: Barbara Dever
Conductor: Ricco Saccani
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Act IV: E la morte un ben supremo
Composer: Giuseppe Verdi
Ensemble: National Symphony Orchestra of Ireland
Performer: Kristjan Johannsson
Conductor: Ricco Saccani
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Act IV: La fatal pietra ... Morir! si pura e bella
Composer: Giuseppe Verdi
Ensemble: National Symphony Orchestra of Ireland
Performer: Kristjan Johannsson, Maria Dragoni
Conductor: Ricco Saccani
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Act IV: O terra, addio; addio di vale di pianto
Composer: Giuseppe Verdi
Ensemble: RTÉ Philharmonic Choir, RTÉ Chamber Choir, National Symphony Orchestra of Ireland
Performer: Maria Dragoni, Kristjan Johannsson, Barbara Dever
Conductor: Ricco Saccani
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Prelude
Composer: Georges Bizet
Ensemble: Slovak Radio Symphony Orchestra
Conductor: Ali Rahbari
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Act I: La cloche a sonnee (Cigarette Factory Girls)
Composer: Georges Bizet
Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra
Conductor: Ali Rahbari
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Act I: L'amour est un oiseau rebelle, "Habanera" (Carmen)
Composer: Georges Bizet
Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra
Performer: Graciela Alperyn
Conductor: Ali Rahbari
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Act I: Seguidilla and Duet: Pres des remparts de Seville (Carmen, Don Jose)
Composer: Georges Bizet
Ensemble: Slovak Radio Symphony Orchestra
Performer: Graciela Alperyn, Giorgio Lamberti
Conductor: Ali Rahbari
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Entr'acte
Composer: Georges Bizet
Ensemble: Slovak Radio Symphony Orchestra
Conductor: Ali Rahbari
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Act II: Couplets: Votre toast, je peux vous le rendre (Escamillo, Chorus, Carmen)
Composer: Georges Bizet
Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra
Performer: Alan Titus, Graciela Alperyn
Conductor: Ali Rahbari
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Act II: La fleur que tu m'avais jetee (Don Jose, Carmen)
Composer: Georges Bizet
Ensemble: Slovak Radio Symphony Orchestra
Performer: Giorgio Lamberti, Graciela Alperyn
Conductor: Ali Rahbari
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Entr'acte
Composer: Georges Bizet
Ensemble: Slovak Radio Symphony Orchestra
Conductor: Ali Rahbari
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Act III: Sextet and Chorus: Ecoute, ecoute, compagnon (Carmen, Don Jose, le Dancaire, Le Remendado, Frasquita, Mercedes, Smugglers)
Composer: Georges Bizet
Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra
Performer: Graciela Alperyn, Giorgio Lamberti, Ann Liebeck
Conductor: Ali Rahbari
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Act III: Ensemble and Chorus: Quant au douanier, c'est notre affaire! (Carmen, Mercedes, Frasquita, Tous, Toutes Les Femmes, Micaela)
Composer: Georges Bizet
Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra
Performer: Graciela Alperyn, Ann Liebeck
Conductor: Ali Rahbari
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Act III: Je dis que rien m'epouvante (Micaela)
Composer: Georges Bizet
Ensemble: Slovak Radio Symphony Orchestra
Performer: Doina Palade
Conductor: Ali Rahbari
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Act III: Entr'acte
Composer: Georges Bizet
Ensemble: Slovak Radio Symphony Orchestra
Conductor: Ali Rahbari
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Act IV: March and Chorus: Les voici! les voici! (Children, Sellers)
Composer: Georges Bizet
Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra
Conductor: Ali Rahbari
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Prelude: O Lola ch'ai di latti fior di spino, "Siciliana" (Turiddu)
Composer: Pietro Mascagni
Ensemble: Slovak Radio Symphony Orchestra
Performer: Giacomo Aragall
Conductor: Ali Rahbari
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Chorus: Gli aranci olezzano (Villagers)
Composer: Pietro Mascagni
Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra
Conductor: Ali Rahbari
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Regina Coeli: Scene and Prayer - Beato voi, compar Alfio (Lucia, Alfio, Santuzza and Villagers)
Composer: Pietro Mascagni
Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra
Performer: Alžbeta Michálková, Eduard Tumagian, Stefka Evstatieva
Conductor: Ali Rahbari
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Intermezzo
Composer: Pietro Mascagni
Ensemble: Slovak Radio Symphony Orchestra
Conductor: Ali Rahbari
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Brindisi: Viva il vino spumeggiante (Turiddu, Lola and Villagers)
Composer: Pietro Mascagni
Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra
Performer: Giacomo Aragall, Anna di Mauro
Conductor: Ali Rahbari
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Mamma, quel vino e generoso (Turiddu, Lucia and Santuzza)
Composer: Pietro Mascagni
Ensemble: Slovak Radio Symphony Orchestra
Performer: Giacomo Aragall, Alžbeta Michálková, Stefka Evstatieva
Conductor: Ali Rahbari
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Prologue
Composer: Ruggero Leoncavallo
Ensemble: Slovak Radio Symphony Orchestra
Conductor: Ali Rahbari
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Prologue: Si puo? Si puo? (Tonio)
Composer: Ruggero Leoncavallo
Ensemble: Slovak Radio Symphony Orchestra
Performer: Eduard Tumagian
Conductor: Ali Rahbari
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Act I Scene 1: Via di li! (Canio)
Composer: Ruggero Leoncavallo
Ensemble: Slovak Radio Symphony Orchestra
Performer: Nicola Martinucci
Conductor: Ali Rahbari
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Act I Scene 1: Scene and Chorus of the Bells: I zampognari! (Villagers)
Composer: Ruggero Leoncavallo
Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra
Conductor: Ali Rahbari
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Act I Scene 2: Ballatella: Hui! Hui!… Stridono lassu (Nedda)
Composer: Ruggero Leoncavallo
Ensemble: Slovak Radio Symphony Orchestra
Performer: Miriam Gauci
Conductor: Ali Rahbari
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Act I Scene 3: Vesti la giubba (Canio)
Composer: Ruggero Leoncavallo
Ensemble: Slovak Radio Symphony Orchestra
Performer: Nicola Martinucci
Conductor: Ali Rahbari
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Act II Scene 1: Ohe! Ohe! (Villagers)
Composer: Ruggero Leoncavallo
Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra
Conductor: Ali Rahbari
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Act II Scene 2: No! Pagglioccio non son (Canio)
Composer: Ruggero Leoncavallo
Ensemble: Slovak Radio Symphony Orchestra
Performer: Nicola Martinucci
Conductor: Ali Rahbari
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Act II Scene 2: Ah! No, per mia madre! (Nedda, Silvio, Beppe, Tonio, Canio and Villagers)
Composer: Ruggero Leoncavallo
Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra
Performer: Miriam Gauci, Bo Skovhus, Miroslav Dvorský, Eduard Tumagian, Nicola Martinucci
Conductor: Ali Rahbari
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Act I: Sante ampolle! - Recondita armonia (Il Sagrestano, Cavaradossi)
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Jozef Špaček, Giorgio Lamberti
Conductor: Ali Rahbari
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Act I: Mario! Mario! Mario! (Tosca, Cavaradossi, Angelotti)
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Nelly Miricioiu, Giorgio Lamberti, Andrea Piccinni
Conductor: Ali Rahbari
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Act I: Non la sospiri la nostra casetta (Tosca, Cavaradossi)
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Nelly Miricioiu, Giorgio Lamberti
Conductor: Ali Rahbari
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Act I: Ah, quegli occhi! … (Tosca, Cavaradossi)
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Nelly Miricioiu, Giorgio Lamberti
Conductor: Ali Rahbari
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Act I: Tre sbirri, una carrozza (Scarpia, Spoletta, Chorus)
Composer: Giacomo Puccini
Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra
Performer: Silvano Carroli, Miroslav Dvorský
Conductor: Ali Rahbari
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Act II: Tosca e un buon falco! (Scarpia, Sciarrone)
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Silvano Carroli, Jan Durco
Conductor: Ali Rahbari
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Act II: Orsu, Tosca, parlate - Nel pozzo … nel giardino … (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone)
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Silvano Carroli, Nelly Miricioiu, Giorgio Lamberti, Miroslav Dvorský, Jan Durco
Conductor: Ali Rahbari
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Act II: Floria! … Amore … - Vittoria! Vittoria! (Cavaradossi, Tosca, Scarpia, Sciarrone)
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Giorgio Lamberti, Nelly Miricioiu, Silvano Carroli, Jan Durco
Conductor: Ali Rahbari
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Act II: Quanto? … Quanto? Il prezzo! … - Odi? E' il tamburo (Tosca, Scarpia)
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Nelly Miricioiu, Silvano Carroli
Conductor: Ali Rahbari
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Act II: Vissi d'arte, vissi d'amore (Tosca, Scarpia)
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Nelly Miricioiu, Silvano Carroli
Conductor: Ali Rahbari
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Act II: Io tenni la promessa … - E qual via scegliete? - Tosca, finalmente mia! (Scarpia, Tosca)
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Silvano Carroli, Nelly Miricioiu
Conductor: Ali Rahbari
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Act III: Introduction
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Conductor: Ali Rahbari
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Act III: Io de'sospiri (Un Pastore)
Composer: Giacomo Puccini
Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra
Conductor: Ali Rahbari
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Act III: Mario Cavaradossi? A voi (Un Carceriere, Cavaradossi)
Composer: Giacomo Puccini
Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra
Performer: Giorgio Lamberti
Conductor: Ali Rahbari
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Act III: E lucevan le stelle … (Cavaradossi)
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Giorgio Lamberti
Conductor: Ali Rahbari
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Act III: Ah! Franchigia a Floria Tosca … - Il tuo sangue o il mio amore volea … (Cavaradossi, Tosca)
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Nelly Miricioiu, Giorgio Lamberti
Conductor: Ali Rahbari
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Act III: O dolci mani - Senti … l'ora e vicina - maro sol per te m'era morire (Cavaradossi, Tosca, Un Carceriere)
Composer: Giacomo Puccini
Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra
Performer: Giorgio Lamberti, Nelly Miricioiu
Conductor: Ali Rahbari
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Act III: Come e lunga l'attesa! (Tosca)
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Nelly Miricioiu
Conductor: Ali Rahbari
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Act III: Presto, su! Mario! Mario! (Tosca, Male Chorus, Sciarrone, Spoletta)
Composer: Giacomo Puccini
Ensemble: Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra
Performer: Nelly Miricioiu, Jan Durco, Miroslav Dvorský
Conductor: Ali Rahbari
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Act I - Dovunque al mondo
Composer: Giacomo Puccini
Ensemble: Bratislava CSR Symphony Orchestra
Performer: Yordy Ramiro, Georg Tichy, Jozef Abel
Conductor: Ali Rahbari
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Act I - Ed e bella la sposa?
Composer: Giacomo Puccini
Ensemble: Bratislava CSR Symphony Orchestra
Performer: Georg Tichy, Jozef Abel, Yordy Ramiro
Conductor: Ali Rahbari
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Act I - Amore o grillo
Composer: Giacomo Puccini
Ensemble: Bratislava CSR Symphony Orchestra
Performer: Yordy Ramiro
Conductor: Ali Rahbari
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Act I - Ecco! Son giunte al sommo del pendio
Composer: Giacomo Puccini
Ensemble: Slovak Philharmonic Chorus, Bratislava CSR Symphony Orchestra
Performer: Jozef Abel, Miriam Gauci
Conductor: Ali Rahbari
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Act I - Bimba, bimba, non piangere
Composer: Giacomo Puccini
Ensemble: Bratislava CSR Symphony Orchestra
Performer: Yordy Ramiro, Miriam Gauci, Nelly Boschkowa
Conductor: Ali Rahbari
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Act I - Viene la sers
Composer: Giacomo Puccini
Ensemble: Bratislava CSR Symphony Orchestra
Performer: Yordy Ramiro, Miriam Gauci, Nelly Boschkowa
Conductor: Ali Rahbari
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Act I - Bimba dagli occhi pieni di malia
Composer: Giacomo Puccini
Ensemble: Bratislava CSR Symphony Orchestra
Performer: Yordy Ramiro, Miriam Gauci
Conductor: Ali Rahbari
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Act II - Un bel di, vedremo
Composer: Giacomo Puccini
Ensemble: Bratislava CSR Symphony Orchestra
Performer: Miriam Gauci
Conductor: Ali Rahbari
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Act II - Vedrai, piccolo amor
Composer: Giacomo Puccini
Ensemble: Bratislava CSR Symphony Orchestra
Performer: Miriam Gauci
Conductor: Ali Rahbari
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Act II - Tutto, tutto, sia pien di fior
Composer: Giacomo Puccini
Ensemble: Bratislava CSR Symphony Orchestra
Performer: Miriam Gauci, Nelly Boschkowa
Conductor: Ali Rahbari
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Act II - Humming Chorus
Composer: Giacomo Puccini
Ensemble: Slovak Philharmonic Chorus, Bratislava CSR Symphony Orchestra
Conductor: Ali Rahbari
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Act III - Introduction... Oh eh! Oh eh!
Composer: Giacomo Puccini
Ensemble: Bratislava CSR Symphony Orchestra
Conductor: Ali Rahbari
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Act III - Con onor muore
Composer: Giacomo Puccini
Ensemble: Bratislava CSR Symphony Orchestra
Performer: Miriam Gauci, Yordy Ramiro
Conductor: Ali Rahbari
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ACT I: Questo Mar Rosso - mi ammollisce e assidera
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Fabio Previati, Jonathan Welch
Conductor: Will Humburg
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Oh! sventata, sventata!
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Luba Orgonášová, Jonathan Welch
Conductor: Will Humburg
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Che gelida manina
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Jonathan Welch
Conductor: Will Humburg
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Si, mi chiamo Mimi
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Luba Orgonášová, Jonathan Welch
Conductor: Will Humburg
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O soave fanciulla
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Jonathan Welch, Luba Orgonášová
Conductor: Will Humburg
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ACT II: Viva Parpignol
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Luba Orgonášová, Fabio Previati, Boaz Senator, Ivan Urbas
Conductor: Will Humburg
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Oh! - Essa! - Musetta!
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Jonathan Welch, Boaz Senator, Ivan Urbas, Fabio Previati, Jiří Sulženko
Conductor: Will Humburg
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Quando me'n vo'
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Carmen Gonzales, Fabio Previati, Jiří Sulženko, Jonathan Welch, Boaz Senator, Ivan Urbas
Conductor: Will Humburg
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Caro! Fuori il danaro!
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Jonathan Welch, Ivan Urbas, Boaz Senator, Carmen Gonzales
Conductor: Will Humburg
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ACT III: Ohe, la, le guardie! Aprite!
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Conductor: Will Humburg
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Mimi! - Speravo di trovarvi qui
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Fabio Previati, Luba Orgonášová
Conductor: Will Humburg
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Marcello, finalmente!
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Jonathan Welch, Luba Orgonášová, Fabio Previati
Conductor: Will Humburg
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Donde lieta usci
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Luba Orgonášová
Conductor: Will Humburg
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Dunque e proprio finita!
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Jonathan Welch, Luba Orgonášová, Fabio Previati, Carmen Gonzales
Conductor: Will Humburg
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ACT IV: In un coupe... O Mimi, tu più non torni
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Fabio Previati, Jonathan Welch
Conductor: Will Humburg
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Vecchia zimarra, senti
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Ivan Urbas, Boaz Senator
Conductor: Will Humburg
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Sono andati?
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Luba Orgonášová, Jonathan Welch
Conductor: Will Humburg
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Che ha detto il medico?
Composer: Giacomo Puccini
Ensemble: Slovak Radio Symphony Orchestra
Performer: Jonathan Welch, Fabio Previati, Carmen Gonzales, Ivan Urbas
Conductor: Will Humburg
Featuring ⌄
Product Details ⌄
Works ⌄
The very first operas were performed in Florence in the mid-1590s. Since then, musical styles have blossomed and evolved out of all recognition, yet opera continues to be heavily influenced by the political, social and cultural contexts surrounding its genesis. A collaborative enterprise, an opera brings together the works of composers, librettists, singers and designers alike, generating rich veins of public response and resulting in what is surely the most dramatic of all musical media. In this collection, we have brought together some of the most-loved operas, ranging from the elegance of Mozart’s Don Giovanni to the raw emotion of Mascagni’s Cavalleria Rusticana. The lighthearted japes of Rossini’s Barber of Seville contrast royally with the pomp and spectacle of Verdi’s Aida, whilst the sultry allure of Bizet’s Carmen is the perfect foil to the lachrymose tragedy of Puccini’s La Bohème. This box is sure to entice any listener further into the magical world of opera.
Reviews of some of the original recordings that make up this set:
Don Giovanni
"Stanley Sadie once remarked that all Don GiOV117111iS should have an Italian somewhere in the cast, and it certainly helps this one to get off to a good start when Renato Girolami voices his 'None e giorno faticar' with an authentic accent and good Italianate resonance. Skovhus's Giovanni has lost something in vocal quality since the Mackerras recording, but he lives the role with conviction. A firm and sonorous Commendatore and a Masetto due for promotion strengthen the cast, while the Ottavio adds to its interest: a capable singer, who in his determination to make something positive out of this generally ineffectual character produces a charmless, rather hectoring champion brought in from some other opera, and not one by Mozart. Of the women, Adrianne Pieczonka, the Anna, is best, with clear, bright tones that just occasionally want hoisting a fraction higher to take those high As right in the centre. The Elvira is sympathetic and meets many of the technical challenges. The Zerlina, no soubrette but more a lyrical mezzo, has the knack of singing 'visibly'."
-- Gramophone [12/2011]
II barbiere di Siviglia
"Naxos's spirited new recording of II barbiere di Siviglia seems for all the world to have the crackling spontaneity of a live performance, replete with clever sound effects: creaking doors, rattling keys, tuning of instruments. But this is, in fact, an expertly mastered studio recording without the drawbacks of a noisy live audience. In other words, the best of both worlds.
The cast is bursting with future stars. It would not surprise me if the Almaviva, Ramon Vargas, were eventually to emerge as the superstar lyric tenor to follow the fading Luciano Pavarotti. Vargas can already do many things that Pavarotti never fully mastered, such as singing a true mezza voce tone, executing a messa di voce, and spinning out a genuine pianissimo. In fact, I think Vargas is the most thrilling lyric tenor to appear since the recordings of one Nino Florio were issued in 1944. (The world discovered Florio as Giuseppe di Stefano just a few years later!)
Ramon Vargas's recorded recital debut was reviewed in Fanfare 16:1 by Ralph V. Lucano, who admired his “bright, steady, ringing voice, seamlessly produced from bottom to top“ but found him “a bit monotonous in timbre“ and “a rather dour fellow.“ That isn't the case in this Naxos II barbiere di Siviglia, and Vargas emerges as the most seductively charming Almaviva on records, as well as one of the most vocally accomplished, vividly articulate in Rossini's divisions...Roberto Servile displays a fine cantante baritone as Figaro, exploding with energy and vigor in “Largo al factotum“...His bright idiomatic Figaro recalls those of Tito Gobbi and Gino Bechi. Another star in the making.
Of the three lead singers, Sonia Ganassi, an authentic contralto Rosina, is a true rarity in II barbiere recordings. The original Rosina, Geltrude Righetti-Giorgi ( was a contralto, and now for the first time in a complete II barbiere recording, modern audiences can hear the duets and ensembles weighted as Rossini conceived them. Though several mezzo Rosinas have produced good low notes in these ensembles (the brilliant Jennifer Larmore being the most recent), it is a revelation to hear Ganassi's rich contralto. The excellence of the cast continues with the veteran Angelo Romero's delightful buffo Dr. Bartolo, and Franco de Grandis's booming Don Basilio. The conductor, Will Humburg, expertly and judiciously paces the fine Failoni Chamber Orchestra."
-- James Camner, Fanfare [7/1994]
La boheme
"Orgonasova's Mimi is impressive, indeed, her only real flaw is a slight reluctance to use her words expressively; perhaps (she has worked mainly in Czechoslovakia and at smaller houses in Germany) she has sung the role rather seldom in Italian? She sings expressively, with touching characterization and a real knowledge, which makes her death scene moving, of what can be achieved by quietness and purity of tone. In fact there is a good deal of intimacy to this reading, which helps the light-voiced, not really Rodolfo-size tenor to make his mark; a pity that he won't always allow himself to be helped, and that a touch of strain occasionally shows. The Iviarcello is light-voiced, too, but vividly alive, the Colline sounds a bit plummy but the small-scale Musetta is much more than serviceable. Humburg's direction is very alert, but he rarely seems as hasty and never plods. A decent recording, too, with a good sense of space. Well worth consideration by the hard-up collector, or by someone hoping to convert a young relative to opera, or simply by the collector of promising voices: we shall hear more of Orgonasova."
-- M.E.O., Gramophone [4/1991]
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