Handel-Hasse: Caio Fabriccio / Cunningham, London Early Opera

Regular price $20.99
Label
Signum Classics
Release Date
July 15, 2022
Format
Added to Cart! View cart or continue shopping.


    Featuring
    • COMPOSER
      George Frideric Handel
    • PERFORMER
      Fleur Barron, Helen Charlston, Morgan Pearse, Miriam Allan, Hannah Poulsom, Anna Gorbachyova-Ogilvie
    Product Details
    • RELEASE DATE
      July 15, 2022
    • UPC
      635212071328
    • CATALOG NUMBER
      SIGCD713
    • LABEL
      Signum Classics
    • NUMBER OF DISCS
      2
    • GENRE
    Works
    1. 6 Concertos, Op. 4: No. 2 in D Major

      Composer: Johann Adolf Hasse

      Ensemble: London Early Opera

      Conductor: Bridget Cunningham

    2. Act I Scene 1: Recitative: Popolo tarentino, qual'è cotesta (Pirro, Turio)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Fleur Barron, Helen Charlston

      Conductor: Bridget Cunningham

    3. Act I Scene 1: Aria: In così lieto giorno (Turio)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Helen Charlston

      Conductor: Bridget Cunningham

    4. Act I Scene 1: Recitative: Quanto profondo il lusso, e quanto salde (Pirro, Turio, Cinea)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Fleur Barron, Helen Charlston, Jess Dandy

      Conductor: Bridget Cunningham

    5. Act I Scene 2: Aria: Fissa ne' sguardi miei (Pirro) (from Hasse's Ulderica)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Fleur Barron

      Conductor: Bridget Cunningham

    6. Act I Scene 3: Recitative: Figlia, Volusio (Fabbricio, Sestia, Turio, Bircenna)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Morgan Pearse, Miriam Allan, Helen Charlston, Hannah Poulsom

      Conductor: Bridget Cunningham

    7. Act I Scene 4: Aria: Il trono, il regno (Sestia)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Miriam Allan

      Conductor: Bridget Cunningham

    8. Act I Scene 5: Recitative: Tutte ella dunque (Bircenna, Turio) - Aria: Vezzi, lusinghe e sguardi (Bircenna) (from Hasse's Tigrane)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Hannah Poulsom, Helen Charlston

      Conductor: Bridget Cunningham

    9. Act I Scene 6: Recitative: Io vivo ancora, o Dèi Quirini, e vivo (Volusio)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Anna Gorbachyova-Ogilvie

      Conductor: Bridget Cunningham

    10. Act I Scene 6: Aria: Per amor se il cor sospira (Volusio) (from Vinci's Astianatte)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Anna Gorbachyova-Ogilvie

      Conductor: Bridget Cunningham

    11. Act I Scene 6: Recitative: Vien' Pirro, e seco il padre (Volusio, Pirro, Fabbricio)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Anna Gorbachyova-Ogilvie, Fleur Barron, Morgan Pearse

      Conductor: Bridget Cunningham

    12. Act I Scene 7: Aria: Quando verrà quel giorno (Pirro) (from Pollarolo's Sulpizia fedele)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Fleur Barron

      Conductor: Bridget Cunningham

    13. Act I Scene 8: Recitative: Pirro amante di Sestia! (Fabbricio, Sestia, Volusio)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Morgan Pearse, Miriam Allan, Anna Gorbachyova-Ogilvie

      Conductor: Bridget Cunningham

    14. Act I Scene 9: Aria: Caro sposo, amato oggetto (Sestia)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Miriam Allan

      Conductor: Bridget Cunningham

    15. Act II Scene 1: Recitative: Io Bircenna, io di Glaucia (Bircenna, Pirro, Fabbricio)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Hannah Poulsom, Fleur Barron, Morgan Pearse

      Conductor: Bridget Cunningham

    16. Act II Scene 1: Aria: Amore a lei giurasti (Bircenna)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Hannah Poulsom

      Conductor: Bridget Cunningham

    17. Act II Scene 2: Recitative: Inopportuno incontro! (Pirro, Fabbricio) - Scene 3: Aria: Non ha più pace l’amor geloso (Pirro)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Fleur Barron, Morgan Pearse

      Conductor: Bridget Cunningham

    18. Act II Scene 4: Recitative: Numidico lione, ircana tigre - Aria: Giovani cori amanti (Cinea)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Jess Dandy

      Conductor: Bridget Cunningham

    19. Act II Scene 4: Recitative: Caro Volusio, o tu dei voti miei (Sestia)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Miriam Allan

      Conductor: Bridget Cunningham

    20. Act II Scene 5: Recitative: Al legato roman Turio (Turio, Fabbricio, Sestia)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Helen Charlston, Morgan Pearse, Miriam Allan

      Conductor: Bridget Cunningham

    21. Act II Scene 7: Recitative: Tanto, Volusio, temi l'aspetto mio? (Sestia, Volusio)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Miriam Allan, Anna Gorbachyova-Ogilvie

      Conductor: Bridget Cunningham

    22. Act II Scene 7: Aria: Troppo fiere, disdegnose (Volusio) (from Corselli's Venere placate)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Anna Gorbachyova-Ogilvie

      Conductor: Bridget Cunningham

    23. Act II Scene 8: Recitative: Che Volusio sia estinto (Pirro, Sestia, Volusio, Turio, Bircenna)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Fleur Barron, Miriam Allan, Anna Gorbachyova-Ogilvie, Helen Charlston, Hannah Poulsom

      Conductor: Bridget Cunningham

    24. Act II Scene 10: Aria: Al foco del mio amore (Pirro) (from Albinoni's La fortezza al cimento)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Fleur Barron

      Conductor: Bridget Cunningham

    25. Act II Scene 11: Recitative: Se in vani contrasti anco indugiate (Turio, Volusio, Sestia)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Helen Charlston, Anna Gorbachyova-Ogilvie, Miriam Allan

      Conductor: Bridget Cunningham

    26. Act II Scene 11: Aria: Non mi chiamar crudele (Sestia)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Miriam Allan

      Conductor: Bridget Cunningham

    27. Act II Scene 12: Recitative: Torna la speme in seno - Aria: Nocchier che teme assorto (Volusio)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Anna Gorbachyova-Ogilvie

      Conductor: Bridget Cunningham

    28. Act III Scene 1: Recitative: Quanto ti deggio! (Bircenna, Turio)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Hannah Poulsom, Helen Charlston

      Conductor: Bridget Cunningham

    29. Act III Scene 1: Aria: È grande e bella quella mercede (Turio) (from Sellitto's Nitocri)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Helen Charlston

      Conductor: Bridget Cunningham

    30. Act III Scene 2: Recitative: Principessa, nel tuo giusto dolor veggo il mio torto (Pirro, Bircenna)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Fleur Barron, Hannah Poulsom

      Conductor: Bridget Cunningham

    31. Act III Scene 2: Aria: Volgi a me gl'affetti tuoi (Bircenna)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Hannah Poulsom

      Conductor: Bridget Cunningham

    32. Act III Scene 3: Recitative: Sestia manca a la fede (Pirro, Fabbricio)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Fleur Barron, Morgan Pearse

      Conductor: Bridget Cunningham

    33. Act III Scene 4: Aria: Quella è mia figlia e'l mio (Fabbricio)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Morgan Pearse

      Conductor: Bridget Cunningham

    34. Act III Scene 5: Recitative: Poiché lunge è'l mio bene, nulla si tema (Sestia, Pirro, Cinea, Volusio)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Miriam Allan, Fleur Barron, Jess Dandy, Anna Gorbachyova-Ogilvie

      Conductor: Bridget Cunningham

    35. Act III Scene 7: Aria: Vedrai morir costante (Pirro)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Fleur Barron

      Conductor: Bridget Cunningham

    36. Act III Scene 8: Recitative: Giovane incauto (Fabbricio, Sestia, Pirro)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Morgan Pearse, Miriam Allan, Fleur Barron

      Conductor: Bridget Cunningham

    37. Act III Scene 12: Recitative: Volusio avverti che il giudice di Pirro in me ti ascolta (Fabbricio, Volusio, Sestia)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Morgan Pearse, Anna Gorbachyova-Ogilvie, Miriam Allan

      Conductor: Bridget Cunningham

    38. Act III Scene 12: Aria: Lo sposo va a morte (Sestia)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Miriam Allan

      Conductor: Bridget Cunningham

    39. Act III Scene 13: Recitative: Qualche a l'amor, qualche fiacchezza al sesso (Fabbricio, Volusio) - Aria: Varcherò le flebil onde (Volusio)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Morgan Pearse, Anna Gorbachyova-Ogilvie

      Conductor: Bridget Cunningham

    40. Act III Scene 14: Recitative: Nel da me condannato Volusio (Fabbricio, Pirro, Turio)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Morgan Pearse, Fleur Barron, Helen Charlston

      Conductor: Bridget Cunningham

    41. Act III Scene 15: Recitative: Teco morir vo' anch'io (Sestia, Volusio, Pirro, Bircenna)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Miriam Allan, Anna Gorbachyova-Ogilvie, Fleur Barron, Hannah Poulsom

      Conductor: Bridget Cunningham

    42. Act III Scene 15: Aria: Vorrei da lacci sciogliere (Pirro) (from Leo's Demetrio)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Fleur Barron

      Conductor: Bridget Cunningham

    43. Act III Scene 15: Con la Pace, le Grazie e il Piacere (Chorus) (from Ciampi's Lucio Vero)

      Composer: George Frideric Handel, Johann Adolf Hasse, Leonardo Leo, Tomaso Giovanni Albinoni, Leonardo Vinci, Giuseppe Sellitto, Antonio Giovanni Pollarolo, Francisco Courcelle, Francesco Ciampi

      Ensemble: London Early Opera

      Performer: Fleur Barron, Morgan Pearse, Miriam Allan, Anna Gorbachyova-Ogilvie, Hannah Poulsom, Helen Charlston, Jess Dandy

      Conductor: Bridget Cunningham


The conductor and harpsichordist Bridget Cunningham brings back to life Handel’s pasticcio opera, Caio Fabbricio first performed in London in 1733 and based on an earlier opera by Johann Adolf Hasse (1732).

Caio Fabbricio is London Early Opera’s eighth album in the prestigious Handel Series with Signum Records and is a pasticcio opera, a brilliant and well-considered collection of some of the finest 18th-century Neapolitan arias by different composers, including Leonardo Vinci and Leonardo Leo, selected and arranged by Handel who composed his own dramatic recitatives. London Early Opera (LEO) is a vibrant, baroque group of instrumentalists, singers, music teachers, re- searchers, historians and musicologists on a voyage of rediscovery making glorious baroque music and op- era relevant today.

As Artistic Director of London Early Opera, Bridget Cunningham is a leading exponent of baroque music and continues to create these outstanding recordings with Signum Records exploring Handel’s colorful life, influences and experiences which inspired his magnificent musical legacy.

REVIEW

Bridget Cunningham directs Caio Fabbricio brilliantly, leading from the harpsichord to energise the other players, and to give them space to exploit juicy passages. The singers’ virtuosity and rich characterisations are delightful; particularly good are rising stars  sopranos Miriam Allan and Anna Gorbachyova-Ogilvie and mezzo-soprano Fleur Barron. Each of the three has a vocal quality optimally suited to her character: Allan’s luminous core for the heroine Sestia, Gorbachyova-Ogilvie’s velvety textures for the lover Velusio, and Barron’s dark hues for the brutish ruler Pirro.

-- BBC Music Magazine