Handel's Queens: Cuzzoni & Faustina / Cunningham, Crowe, Bevan, London Early Opera

Regular price $20.99
Label
Signum Classics
Release Date
July 19, 2019
Format
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    Featuring
    • COMPOSER
      VARIOUS
    • PERFORMER
      Bevan, Crowe, London Early Opera, Cunningham
    Product Details
    • RELEASE DATE
      July 19, 2019
    • UPC
      635212057926
    • CATALOG NUMBER
      SIGCD579
    • LABEL
      Signum Classics
    • NUMBER OF DISCS
      2
    • GENRE
    Works
    1. Ariodante: Sinfonia

      Composer: Carlo Francesco Pollarolo

      Ensemble: London Early Opera

      Conductor: Bridget Cunningham

    2. Giulio Cesare in Egitto, HWV 17, Act III: Aria: Da tempeste il legno infranto

      Composer: George Frideric Handel

      Ensemble: London Early Opera

      Performer: Lucy Crowe

      Conductor: Bridget Cunningham

    3. Dalisa, Act I: Se fosse il mio diletto

      Composer: Johann Adolf Hasse

      Ensemble: London Early Opera

      Performer: Mary Bevan

      Conductor: Bridget Cunningham

    4. Ottone, re di Germania, HWV 15, Act I: Recitative: È tale Otton? - Aria: Falsa immagine, m'ingannasti

      Composer: George Frideric Handel

      Ensemble: London Early Opera

      Performer: Lucy Crowe

      Conductor: Bridget Cunningham

    5. Poro: Aria: Son prigioniera d'amore

      Composer: Nicola Porpora

      Ensemble: London Early Opera

      Performer: Mary Bevan

      Conductor: Bridget Cunningham

    6. Nerone, Act II: Aria: Stelle, tiranne stelle

      Composer: Giuseppe Maria Orlandini

      Ensemble: London Early Opera

      Performer: Mary Bevan

      Conductor: Bridget Cunningham

    7. Alessandro, HWV 21, Act II: Accompagnato: Solitudini amate

      Composer: George Frideric Handel

      Ensemble: London Early Opera

      Performer: Mary Bevan

      Conductor: Bridget Cunningham

    8. Ariodante: Aria: Serba le belle lagrime

      Composer: Carlo Francesco Pollarolo

      Ensemble: London Early Opera

      Performer: Lucy Crowe

      Conductor: Bridget Cunningham

    9. Tolomeo, HWV 25, Act III: Recitative: Elisa, che ricerchi da un infelice omai - Aria: Voglio amore o pur vendetta

      Composer: George Frideric Handel

      Ensemble: London Early Opera

      Performer: Mary Bevan

      Conductor: Bridget Cunningham

    10. Act I: Aria: Fra catene ognor penando

      Composer: Antonio Vivaldi

      Ensemble: London Early Opera

      Performer: Lucy Crowe

      Conductor: Bridget Cunningham

    11. Act II: Aria: Nelle mie selve natìe

      Composer: Antonio Vivaldi

      Ensemble: London Early Opera

      Performer: Lucy Crowe

      Conductor: Bridget Cunningham

    12. Alessandro, HWV 21, Act I: Duet: Placa l'alma

      Composer: George Frideric Handel

      Ensemble: London Early Opera

      Performer: Lucy Crowe, Mary Bevan

      Conductor: Bridget Cunningham

    13. Scipione, HWV 20, Act II: Aria: Scoglio d'immota fronte

      Composer: George Frideric Handel

      Ensemble: London Early Opera

      Performer: Lucy Crowe

      Conductor: Bridget Cunningham

    14. Amadis di Grecia: Recitative: La sua disperazione - Aria: Se a ammollire il crudo amante

      Composer: Pietro Torri

      Ensemble: London Early Opera

      Performer: Mary Bevan

      Conductor: Bridget Cunningham

    15. Admeto, HWV 22, Act II: Aria: Gelosia, spietata Aletto

      Composer: George Frideric Handel

      Ensemble: London Early Opera

      Performer: Mary Bevan

      Conductor: Bridget Cunningham

    16. Il Ciro riconosciuto, Act II: Aria: Quel nome se ascolto (original version, 1739)

      Composer: Leonardo Leo

      Ensemble: London Early Opera

      Performer: Lucy Crowe

      Conductor: Bridget Cunningham

    17. Riccardo Primo, HWV 23, Act III: Aria: Il volo così fido

      Composer: George Frideric Handel

      Ensemble: London Early Opera

      Performer: Lucy Crowe

      Conductor: Bridget Cunningham

    18. Alessandro, HWV 21, Act II: Aria: Alla sua gabbia d'oro

      Composer: George Frideric Handel

      Ensemble: London Early Opera

      Performer: Mary Bevan

      Conductor: Bridget Cunningham

    19. Aria: Sento che già il pensier

      Composer: Giovanni Bononcini

      Ensemble: London Early Opera

      Performer: Mary Bevan

      Conductor: Bridget Cunningham

    20. Aria: Deh! Lascia o core

      Composer: Giovanni Bononcini

      Ensemble: London Early Opera

      Performer: Lucy Crowe

      Conductor: Bridget Cunningham

    21. Menuet

      Composer: Giovanni Bononcini

      Ensemble: London Early Opera

      Conductor: Bridget Cunningham

    22. Aria: Ascolta o figlio

      Composer: Giovanni Bononcini

      Ensemble: London Early Opera

      Performer: Lucy Crowe

      Conductor: Bridget Cunningham

    23. Elpidia, HWV A1: Aria: Dea triforme, astro fecondo

      Composer: George Frideric Handel

      Ensemble: London Early Opera

      Performer: Lucy Crowe

      Conductor: Bridget Cunningham

    24. Artaserse, Act III: Aria: Mi credi spietata? (revised version, 1740)

      Composer: Johann Adolf Hasse

      Ensemble: London Early Opera

      Performer: Mary Bevan

      Conductor: Bridget Cunningham

    25. Caio Marzio Coriolano: Aria: Rendi al padre in me la figlia

      Composer: Attilio Ariosti

      Ensemble: London Early Opera

      Performer: Lucy Crowe

      Conductor: Bridget Cunningham

    26. La Libertà

      Composer: Maurice Greene

      Ensemble: London Early Opera

      Performer: Mary Bevan

      Conductor: Bridget Cunningham


Handel’s Queens features some of the most exquisite pieces of music written by G.F. Handel and his contemporaries for the two finest singers of the eighteenth century, Faustina Bordoni and Francesca Cuzzoni. Often wrongfully framed as rivals, these dazzling new recordings with Mary Bevan and Lucy Crowe reveal the distinctive yet versatile talent of the Italian vocalists. Led by London Early Opera Director, Bridget Cunningham, Handel’s Queens serves an example of the group’s dedication to imaginative programming and outstanding period performance, placing them at the forefront of baroque research.

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REVIEW:

The choice of singers in Handel’s Queens seems perfect, for the two excellent and appropriate voices are neatly contrasted while displaying the required virtuosity. Cunningham’s contribution is adroit, with pace and style aplenty and she conducts from the harpsichord.

– Opera Now