Hardouin: Complete Four-Part A Cappella Masses, Vol. 2 / Krueger, St. Martin's Chamber Choir

$10.49
Label
Toccata
Release Date
March 31, 2023
Format
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    Featuring ⌄
    • COMPOSER
      HARDOUIN, HENRI
    • ORCHESTRA / ENSEMBLE
      St. Martin?S Chamber Choir
    • PERFORMER
      Krueger
    Product Details ⌄
    • RELEASE DATE
      March 31, 2023
    • UPC
      5060113444233
    • CATALOG NUMBER
      TOCC0423
    • LABEL
      Toccata
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. Kyrie

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    2. Gloria

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    3. Credo

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    4. Sanctus

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    5. O salutaris hostia

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    6. Benedictus

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    7. Agnus Dei

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    8. Domine salvum fac

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    9. Kyrie

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    10. Gloria

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    11. Credo

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    12. Sanctus

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    13. O salutaris hostia

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    14. Benedictus

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    15. Agnus Dei

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    16. Domine salvum fac

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    17. Kyrie

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    18. Gloria

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    19. Credo

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    20. Sanctus

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    21. O salutaris hostia

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    22. Benedictus

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    23. Agnus Dei

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger

    24. Domine salvum fac

      Composer: Henri Hardouin

      Ensemble: St. Martin's Chamber Choir

      Conductor: Timothy J. Krueger


Henri Hardouin (1727–1808) was a chorister in Rheims Cathedral, rising swiftly through the ranks to become maître de chapelle – until the French Revolution disbanded religious establishments. As a priest he was in potential danger and seems to have gone into hiding until, in 1794, the death of Robespierre allowed him to resume his duties. Hardouin’s six four-part masses, published in 1772, are unusual for their time in being a cappella, and they enjoyed wide circulation in pre-Revolutionary France. Since then they have been roundly neglected – an omission this first complete recording intends to rectify.