Harmonia Caelestis / Charivari Agreable

Regular price $14.99
Label
Signum Classics
Release Date
January 1, 2005
Format
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    Featuring
    • COMPOSER
      STROZZI POLLAROLO STRADELLA
    • PERFORMER
      Charivari Agreable
    Product Details
    • RELEASE DATE
      January 01, 2005
    • UPC
      635212004920
    • CATALOG NUMBER
      SIGCD049
    • LABEL
      Signum Classics
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. Mascara sonata e ballata

      Composer: Gregorio Strozzi

    2. Ciaccona mosaica

      Composer: Kah-Ming Ng

    3. Toccata in G Minor

      Composer: Carlo Francesco Pollarolo

    4. Sinfonia No. 22 in D Minor

      Composer: Alessandro Stradella

    5. Balletto primo a 3

      Composer: Carlo Farina

    6. Sonata No. 3

      Composer: Giovanni Paolo Cima

    7. Chiaccona Cappona alla vera Spagnola

      Composer: Alessandro Piccinini

    8. Canzon No. 3 in A Minor

      Composer: Francesco Cavalli

    9. Canzona l'Amaltea

      Composer: Giulio Mussi

    10. Sinfonia

      Composer: Carlo Farina

    11. Contraponto

      Composer: Giovanni Antonio Terzi

    12. Balla all Polacha

      Composer: Giovanni Picchi

    13. Diminuzioni

      Composer: Giovanni Bassano

    14. Bergamasa mosaica

      Composer: Kah-Ming Ng


Signum Records prsents a new recording by Charivari Agréable. This CD explores instrumental music for the cornett from 16th century Italy. The cornett's appeal, according to Girolamo Dall Casa (1584), lies in its tonal similarity to the human voice. As such it was an instrument particuarly suited to supporting a choir, or to double a voice. Charivari Agréable explore the pairing of the cornett (a wind instrument) and strings, in various configurations through the imaginative performance practice first suggested by Bernandino Borlasca in 1616, Venice. By the end of the 16th century, the solistic use of the cornett was approaching its demise, however, Charivari's response has been to expand its repertory by discovering rarely heard works for the cornett which have surfaced from libraries baring a later date. Another response has been to revel in the creative historical performance practice of pastiche - by adapting and arranging the music of Siecento, Italy, with adventure and innovation. This creative process has benefited from an intimate knowledge of the compositional practice of the period, while allowing the group to share the essence of their ensemble philosophy.