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COMPOSERSTROZZI POLLAROLO STRADELLA
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PERFORMERCharivari Agreable
Harmonia Caelestis / Charivari Agreable
- Signum Classics
- January 1, 2005
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RELEASE DATEJanuary 01, 2005
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UPC635212004920
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CATALOG NUMBERSIGCD049
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LABELSignum Classics
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NUMBER OF DISCS1
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GENRE
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Mascara sonata e ballata
Composer: Gregorio Strozzi
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Ciaccona mosaica
Composer: Kah-Ming Ng
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Toccata in G Minor
Composer: Carlo Francesco Pollarolo
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Sinfonia No. 22 in D Minor
Composer: Alessandro Stradella
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Balletto primo a 3
Composer: Carlo Farina
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Sonata No. 3
Composer: Giovanni Paolo Cima
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Chiaccona Cappona alla vera Spagnola
Composer: Alessandro Piccinini
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Canzon No. 3 in A Minor
Composer: Francesco Cavalli
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Canzona l'Amaltea
Composer: Giulio Mussi
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Sinfonia
Composer: Carlo Farina
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Contraponto
Composer: Giovanni Antonio Terzi
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Balla all Polacha
Composer: Giovanni Picchi
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Diminuzioni
Composer: Giovanni Bassano
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Bergamasa mosaica
Composer: Kah-Ming Ng
Featuring ⌄
Product Details ⌄
Works ⌄
Signum Records prsents a new recording by Charivari Agréable. This CD explores instrumental music for the cornett from 16th century Italy. The cornett's appeal, according to Girolamo Dall Casa (1584), lies in its tonal similarity to the human voice. As such it was an instrument particuarly suited to supporting a choir, or to double a voice. Charivari Agréable explore the pairing of the cornett (a wind instrument) and strings, in various configurations through the imaginative performance practice first suggested by Bernandino Borlasca in 1616, Venice. By the end of the 16th century, the solistic use of the cornett was approaching its demise, however, Charivari's response has been to expand its repertory by discovering rarely heard works for the cornett which have surfaced from libraries baring a later date. Another response has been to revel in the creative historical performance practice of pastiche - by adapting and arranging the music of Siecento, Italy, with adventure and innovation. This creative process has benefited from an intimate knowledge of the compositional practice of the period, while allowing the group to share the essence of their ensemble philosophy.
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