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COMPOSERFranz Joseph Haydn
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PERFORMERGiovanni Antonini, Kammerorchester Basel
L'imperiale - Haydn 2032, Vol. 14 / Antonini, Basel Chamber Orchestra
- Alpha
- September 8, 2023
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RELEASE DATESeptember 08, 2023
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UPC3760014196942
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CATALOG NUMBERALPHA694
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LABELAlpha
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NUMBER OF DISCS1
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GENRE
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I. Largo maestoso - Vivace
Composer: Franz Joseph Haydn
Ensemble: Kammerorchester Basel
Conductor: Giovanni Antonini
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II. Andante
Composer: Franz Joseph Haydn
Ensemble: Kammerorchester Basel
Conductor: Giovanni Antonini
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III. Menuetto
Composer: Franz Joseph Haydn
Ensemble: Kammerorchester Basel
Conductor: Giovanni Antonini
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IVa. Finale: Capriccio moderato
Composer: Franz Joseph Haydn
Ensemble: Kammerorchester Basel
Conductor: Giovanni Antonini
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I. Adagio maestoso - Presto
Composer: Franz Joseph Haydn
Ensemble: Kammerorchester Basel
Conductor: Giovanni Antonini
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II. Adagio assai
Composer: Franz Joseph Haydn
Ensemble: Kammerorchester Basel
Conductor: Giovanni Antonini
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III. Menuett: Allegretto
Composer: Franz Joseph Haydn
Ensemble: Kammerorchester Basel
Conductor: Giovanni Antonini
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IV. Finale: Presto
Composer: Franz Joseph Haydn
Ensemble: Kammerorchester Basel
Conductor: Giovanni Antonini
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I. Vivace
Composer: Franz Joseph Haydn
Ensemble: Kammerorchester Basel
Conductor: Giovanni Antonini
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II. Andante
Composer: Franz Joseph Haydn
Ensemble: Kammerorchester Basel
Conductor: Giovanni Antonini
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III. Menuetto - Trio
Composer: Franz Joseph Haydn
Ensemble: Kammerorchester Basel
Conductor: Giovanni Antonini
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IV. Finale: Allegro
Composer: Franz Joseph Haydn
Ensemble: Kammerorchester Basel
Conductor: Giovanni Antonini
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Symphony in D Major, Hob.Ia:7 (alternative Finale of Symphony No. 53)
Composer: Franz Joseph Haydn
Ensemble: Kammerorchester Basel
Conductor: Giovanni Antonini
Featuring ⌄
Product Details ⌄
Works ⌄
The fourteenth volume of the Haydn 2032 edition is entitled L'Imperiale, after the nickname given to Symphony no.53 in the nineteenth century. This was perhaps Haydn's most famous symphony during his lifetime. Premiered in the theatre at Eszterháza Palace in 1778, it was published in London around 1781, and its melodious Andante was arranged more than thirty times for various instruments between 1783 and 1820. It made a decisive contribution to Haydn’s success, opening the way for him to perform in England. Symphony no.54, whose entertaining, theatrical style is a perfectly match for the atmosphere of the legendary court festivities given at Eszterháza around 1775, completes this programme along with no.33, one of his first festive works with trumpets, composed c.1761. In his introductory text, Giovanni Antonini revels in the ‘capricious’, whimsical character of certain passages in the last movement of Symphony No. 53; he also offers an alternative finale of the work at the end of the album.
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