Heinichen: Two Passion Oratorios / Willens, Kölner Akademie

$13.99
Label
CPO
Release Date
June 3, 2022
Format
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    Featuring ⌄
    • COMPOSER
      Johann David Heinichen
    • PERFORMER
      Elena Harsanyi, Elvira Bill, Mirko Ludwig, Andreas Wolf, Kolner Akademie
    Product Details ⌄
    • RELEASE DATE
      June 03, 2022
    • UPC
      761203550722
    • CATALOG NUMBER
      555507-2
    • LABEL
      CPO
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. Come? S'imbrune il ciel! (Chorus)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Elena Harsányi, Elvira Bill, Mirko Ludwig

      Conductor: Michael Alexander Willens

    2. E lumi e cor non ha chi lagrimar (Chorus)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Elena Harsányi, Elvira Bill, Mirko Ludwig, Andreas Wolf

      Conductor: Michael Alexander Willens

    3. Recitative: Ben ha cor di Giudeo (Maria Maddalena)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Elena Harsányi

      Conductor: Michael Alexander Willens

    4. Aria: Mio Gesù, dolce adorato (Maria Maddalena)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Elena Harsányi

      Conductor: Michael Alexander Willens

    5. Recitative: Che miro? (Giovanni, Maria Maddalena)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Mirko Ludwig, Elena Harsányi

      Conductor: Michael Alexander Willens

    6. Accompanied recitative: O qual duro penar! (Maria vergine)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Elvira Bill

      Conductor: Michael Alexander Willens

    7. Aria: Genti, genti (Maria vergine)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Elvira Bill

      Conductor: Michael Alexander Willens

    8. Recitative: Addolorata ed adorate Madre (Giovanni)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Mirko Ludwig

      Conductor: Michael Alexander Willens

    9. Aria: Madre, non isdegnar (Giovanni)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Mirko Ludwig

      Conductor: Michael Alexander Willens

    10. Recitative: Madre in Amor (Maria vergine, Giovanni)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Elvira Bill, Mirko Ludwig

      Conductor: Michael Alexander Willens

    11. Aria: Lato, mani, piè forati (Maria vergine)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Elvira Bill

      Conductor: Michael Alexander Willens

    12. Recitative: O cieli? (Maria Maddalena)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Elena Harsányi

      Conductor: Michael Alexander Willens

    13. Duet: Croce mal nata (Maria Maddalena, Giovanni)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Elena Harsányi, Mirko Ludwig

      Conductor: Michael Alexander Willens

    14. Recitative: Qual rigore di padre! (Maria Maddalena, Giovanni, Maria vergine)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Elena Harsányi, Mirko Ludwig, Elvira Bill

      Conductor: Michael Alexander Willens

    15. Recitative: Miseri ch'habbiam fatto? (Centurione)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Andreas Wolf

      Conductor: Michael Alexander Willens

    16. Aria: Mia Sion, che facesti? (Centurione)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Andreas Wolf

      Conductor: Michael Alexander Willens

    17. Recitative: Piani popolo mio (Centurione)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Andreas Wolf

      Conductor: Michael Alexander Willens

    18. Alla croce alme redente (Chorus)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Elena Harsányi, Elvira Bill, Mirko Ludwig, Andreas Wolf

      Conductor: Michael Alexander Willens

    19. Sinfonia

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Conductor: Michael Alexander Willens

    20. Recitative: L'aride tempie ignude (Morte)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Andreas Wolf

      Conductor: Michael Alexander Willens

    21. Aria: Di mia vittoria su questa tomba (Morte)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Andreas Wolf

      Conductor: Michael Alexander Willens

    22. Recitative: Non dir superba Gloria dell'armi tue d'un dio la morte (Amor divino)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Elvira Bill

      Conductor: Michael Alexander Willens

    23. Aria: Di Giesù tenere viscere (Amor divino)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Elvira Bill

      Conductor: Michael Alexander Willens

    24. Aria: E non ti sfacci cuor dispietato (Poenitenza)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Mirko Ludwig

      Conductor: Michael Alexander Willens

    25. Accompanied recitative: Marmi, ch'estino il sommo ben chiudete (Poenitenza)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Mirko Ludwig

      Conductor: Michael Alexander Willens

    26. Recitative: Lagrime avventurose (Amor divino)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Elvira Bill

      Conductor: Michael Alexander Willens

    27. Aria: Qual pianta (Speranza)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Elena Harsányi

      Conductor: Michael Alexander Willens

    28. Accompanied recitative: Erger ti ardisci al favellar di spene (Speranza)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Elena Harsányi

      Conductor: Michael Alexander Willens

    29. Recitative: Per accendere altrui del vivo zelo (Amor divino, Poenitenza)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Elvira Bill, Mirko Ludwig

      Conductor: Michael Alexander Willens

    30. Quel core sincere sol giunge (Chorus)

      Composer: Johann David Heinichen

      Ensemble: Orchester der Kölner Akademie

      Performer: Elena Harsányi, Elvira Bill, Mirko Ludwig

      Conductor: Michael Alexander Willens


Affecting Passions by Heinichen. The Passion music Johann David Heinichen wrote for the Dresden court is a document of cultural and confessional openness of the Saxon residence, and his two Italian oratorios heard here are surrogates of large-scale Passion music. "Come? S'imbruna il ciel" - composed in 1728 - is the latest of the sepolcri, his other Passion "L'aride tempie ignude" the first of the sepolcri to survive from Heinichen in Dresden. Both texts are by Stefano Pallavicino, who had been active at the Dresden court since 1719. In the first-mentioned Passion, the meditation on the Passion event recurs to the experience of the earthquake that, according to biblical accounts, occurred immediately after the death of Jesus. The description of the violent natural events gives Mary the Mother of God, John (Jesus' favorite disciple), and Mary Magdalene an opportunity to reflect on their relationship to the Crucified. Different aspects of affection and love are thematized. The meditation on the Passion event in the second-named Passion is designed as an allegorical play of death (Morte) and hope (Speranza), divine love (Amor divino) and penance (Poenitenza), and follows an easily comprehensible dramaturgy. The affinity to opera seria is evident in both passions not only in the arrangement of the pieces. The keys, gestures and instrumentation also correspond to the models familiar from baroque musical theater. Full of affect!