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COMPOSERBRAHMS HERZOGENBERG
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ORCHESTRA / ENSEMBLEMinguet Quartett
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PERFORMERMINGUET QUARTETT
Herzogenberg & Brahms: String Quartets / Minguet Quartet
- CPO
- July 8, 2016
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RELEASE DATEJuly 08, 2016
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UPC761203708420
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CATALOG NUMBER777084-2
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LABELCPO
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NUMBER OF DISCS2
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GENRE
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I. Allegro energico
Composer: Heinrich von Herzogenberg
Ensemble: Minguet Quartett
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II. Andantino
Composer: Heinrich von Herzogenberg
Ensemble: Minguet Quartett
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III. Allegro molto
Composer: Heinrich von Herzogenberg
Ensemble: Minguet Quartett
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IV. Allegro
Composer: Heinrich von Herzogenberg
Ensemble: Minguet Quartett
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I. Allegro
Composer: Heinrich von Herzogenberg
Ensemble: Minguet Quartett
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II. Andante
Composer: Heinrich von Herzogenberg
Ensemble: Minguet Quartett
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III. Allegro
Composer: Heinrich von Herzogenberg
Ensemble: Minguet Quartett
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IV. Allegro con brio
Composer: Heinrich von Herzogenberg
Ensemble: Minguet Quartett
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I. Allegro
Composer: Heinrich von Herzogenberg
Ensemble: Minguet Quartett
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II. Andantino
Composer: Heinrich von Herzogenberg
Ensemble: Minguet Quartett
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III. Allegro moderato
Composer: Heinrich von Herzogenberg
Ensemble: Minguet Quartett
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IV. Vivace
Composer: Heinrich von Herzogenberg
Ensemble: Minguet Quartett
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I. Allegro
Composer: Johannes Brahms
Ensemble: Minguet Quartett
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II. Romanze: Poco adagio
Composer: Johannes Brahms
Ensemble: Minguet Quartett
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III. Allegretto molto moderato e comodo
Composer: Johannes Brahms
Ensemble: Minguet Quartett
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IV. Allegro
Composer: Johannes Brahms
Ensemble: Minguet Quartett
Featuring ⌄
Product Details ⌄
Works ⌄
The first quartet in G minor is by far the most satisfying. There’s a delightful air of lilting melancholy wafting through the first movement, and although the formal structure is daringly expansive, Herzogenberg manages to mold his wealth of ideas into a reasonably coherent whole. The slow movement is a series of variations on a theme that seems dully predictable at first but is relieved by an accretion of increasingly inventive detail. A tuneful and metrically playful scherzo is followed by a high-spirited, folk-inflected finale that’s only slightly blemished by an overlong coda.
There are charming moments in the two other quartets of the set, though these come fewer and farther between. But just when your patience could begin to wear thin, there’s a delicious dab of instrumental color, or a demonstration of contrapuntal legerdemain that reminds you of Herzogenberg’s worth.
– Gramophone
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