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COMPOSERVARIOUS
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PERFORMERHoward Wall
Horn Monologues / Wall
- Affetto Records
- March 6, 2020
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RELEASE DATEMarch 06, 2020
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UPC888295977456
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CATALOG NUMBERAF2002
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LABELAffetto Records
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NUMBER OF DISCS1
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GENRE
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Piece for Solo Horn, Op. 218bis
Composer: Charles Koechlin
Performer: Howard Wall
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Blues and Variations for Monk
Composer: David Amram
Performer: Howard Wall
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La Calavera
Composer: Alice Gomez
Performer: Howard Wall
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Kaddish
Composer: Lev Kogan
Performer: Howard Wall
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Appalachia
Composer: Lydia Lowery Busler
Performer: Howard Wall
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No. 1. Andante cantabile
Composer: Georges Barboteu
Performer: Howard Wall
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No. 2. Mouvement trés libre
Composer: Georges Barboteu
Performer: Howard Wall
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No. 4. Allegro vivo
Composer: Georges Barboteu
Performer: Howard Wall
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Idiom
Composer: Elizabeth Raum
Performer: Howard Wall
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Happy Blues
Composer: Zsolt Nagy
Performer: Howard Wall
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Retracing II
Composer: Elliott Carter
Performer: Howard Wall
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6 Études tanguistiques: No. 4. Lento - Meditativo (arr. H. Wall for horn)
Composer: Astor Piazzolla
Performer: Howard Wall
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Blast
Composer: Laura Kaminsky
Performer: Howard Wall
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3 Preludes: No. 3. —
Composer: Phillip Ramey
Performer: Howard Wall
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Pastorale
Composer: Stoyan Karaivanov
Performer: Howard Wall
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Vagabundo
Composer: Pascal Proust
Performer: Howard Wall
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The Confessions of St. Augustine
Composer: Erika Raum
Performer: Howard Wall
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Tonada y Joropo
Composer: Dante Yenque
Performer: Howard Wall
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Polegnala e Todora - Gankino Horo (arr. H. Wall for horn)
Composer: Traditional
Performer: Howard Wall
Featuring ⌄
Product Details ⌄
Works ⌄
A longtime member of two of the world’s most renowned orchestras - The New York Philharmonic and The Philadelphia Orchestra, hornist Howard Wall also performs and records with the All-Star Orchestra, and is an avid chamber music proponent. Among the 19 tracks in his solo album “Horn Monologues”, 10 are world-premiere recordings. This is a kaleidoscopic collection of eclectic styles and genres ranging from Charles Koechlin’s refined impressionism and Elliott Carter’s sophisticated modernism, to Phillip Ramey’s Bartokian reflections, Erika Raum’s virtuosic tone poem, Astor Piazzolla’s melancholic tango mood, David Amram’s blues dedicated to Thelonious Monk, the unabashedly jazzy tunes of Zsolt Nagy, the poetic inspirations of Georges Barboteu, the otherworldly mysticism of Alice Gomez, the profound emotion of Lev Kogan’s Kaddish prayer, the stunning beauty and unique rhythms of Bulgarian folk music and Venezuelan joropo.
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