Horn6

$15.99
Label
Ars Produktion
Release Date
March 31, 2015
Format
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    Featuring ⌄
    • COMPOSER
      DAUPRAT HOELTZEL BACH
    • PERFORMER
      Joachim Bänsch
    Product Details ⌄
    • RELEASE DATE
      March 31, 2015
    • UPC
      4260052385319
    • CATALOG NUMBER
      ARS38531
    • LABEL
      Ars Produktion
    • NUMBER OF DISCS
      1
    • GENRE
      Chamber Music & Recitals
    Works ⌄

    1. I. Introduction: Lento - Allegro risoluto

      Composer: Louis-Francois Dauprat

      Performer: Joachim Bänsch

    2. II. Minuetto: Allegro moderato

      Composer: Louis-Francois Dauprat

      Performer: Joachim Bänsch

    3. III. Andante

      Composer: Louis-Francois Dauprat

      Performer: Joachim Bänsch

    4. IV. Minuetto: Allegro

      Composer: Louis-Francois Dauprat

      Performer: Joachim Bänsch

    5. V. Adagio

      Composer: Louis-Francois Dauprat

      Performer: Joachim Bänsch

    6. VI. Finale: Allegro moderato

      Composer: Louis-Francois Dauprat

      Performer: Joachim Bänsch

    7. I. Poco adagio

      Composer: Carl Philipp Emanuel Bach

      Performer: Joachim Bänsch

    8. II. Allegro

      Composer: Carl Philipp Emanuel Bach

      Performer: Joachim Bänsch

    9. III. Allegro

      Composer: Carl Philipp Emanuel Bach

      Performer: Joachim Bänsch

    10. I. Larghetto

      Composer: Michael Holtzel

      Performer: Joachim Bänsch

    11. II. Passacaglia and Fugue

      Composer: Michael Holtzel

      Performer: Joachim Bänsch

    12. Herz und Mund und Tat und Leben, BWV 147: Jesus bleibet meine Freude (arr. for horn and organ)

      Composer: Johann Sebastian Bach

      Performer: Joachim Bänsch, Dietrich Schlender


With Horn6, Joachim Ba?nsch presents the sound world of his instrument to the listener in all it's variety, ranging from solo works and original compositions to six-part arrangements. The recording was completed with the help of multi-track equipment. Ba?nsch notes: 'Dauprat's Sextet has fascinated me since my student days. Again and again, our concert performances of the sextet have come to grief, and even today we consider it barely playable on account of it's enormous technical challenges. I hired a sound engineer and spent two weeks recording it at a church in the Provence region of France.'