La Muse Oubliee II

$17.99
Label
IBS Classical
Release Date
May 3, 2024
Format
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    Featuring ⌄
    • COMPOSER
      Marion Bauer, Henriette Bosmans, Nadia Boulanger, Emma Chacon, Cecile Chaminade, Meri Davitashvili
    • PERFORMER
      Antonio Oyarzabal
    Product Details ⌄
    • RELEASE DATE
      May 03, 2024
    • UPC
      8436597700733
    • CATALOG NUMBER
      IBS-32024
    • LABEL
      IBS Classical
    • NUMBER OF DISCS
      1
    • GENRE
      Orchestral & Symphonic
    Works ⌄

    1. Wet Night on the Highway

      Composer: Miriam Hyde

      Performer: Antonio Oyarzábal

    2. I. Moderato

      Composer: Marianne Martínez

      Performer: Antonio Oyarzábal

    3. II. Adagio

      Composer: Marianne Martínez

      Performer: Antonio Oyarzábal

    4. III. Tempo di minuetto

      Composer: Marianne Martínez

      Performer: Antonio Oyarzábal

    5. 8 Klavierstücke: No. 2. Allegretto

      Composer: Elisabeth von Herzogenberg

      Performer: Antonio Oyarzábal

    6. I. White Birches

      Composer: Marion Eugénie Bauer

      Performer: Antonio Oyarzábal

    7. II. Indian Pipes

      Composer: Marion Eugénie Bauer

      Performer: Antonio Oyarzábal

    8. III. Pine Trees

      Composer: Marion Eugénie Bauer

      Performer: Antonio Oyarzábal

    9. American Nocturne

      Composer: Dana Suesse

      Performer: Antonio Oyarzábal

    10. No. 1. —

      Composer: Nadia Boulanger

      Performer: Antonio Oyarzábal

    11. No. 2. —

      Composer: Nadia Boulanger

      Performer: Antonio Oyarzábal

    12. No. 3. —

      Composer: Nadia Boulanger

      Performer: Antonio Oyarzábal

    13. 6 Études de concert, Op. 35: No. 2. Automne

      Composer: Cécile Chaminade

      Performer: Antonio Oyarzábal

    14. 3 Etude: No. 2. Grazioso

      Composer: Marie Wieck

      Performer: Antonio Oyarzábal

    15. Blumenleben (Life of Flowers), Op. 19: No. 5. Rose

      Composer: Dora Pejačević

      Performer: Antonio Oyarzábal

    16. Pesma

      Composer: Ljubica Marić

      Performer: Antonio Oyarzábal

    17. Igra

      Composer: Ljubica Marić

      Performer: Antonio Oyarzábal

    18. Ukolébavka (Lullaby)

      Composer: Otílie Suková-Dvořáková

      Performer: Antonio Oyarzábal

    19. No. 11. Fanitullen (Møllargutten)

      Composer: Agathe Backer-Grøndahl

      Performer: Antonio Oyarzábal

    20. No. 8. Springdans

      Composer: Agathe Backer-Grøndahl

      Performer: Antonio Oyarzábal

    21. No. 4. Baadn-Laat (Vuggevise)

      Composer: Agathe Backer-Grøndahl

      Performer: Antonio Oyarzábal

    22. 8 Norske folkeviser og folkedanse, Op. 33: No. 6. Springdans (Vinje)

      Composer: Agathe Backer-Grøndahl

      Performer: Antonio Oyarzábal

    23. Piano Sonatina

      Composer: Matilde Salvador

      Performer: Antonio Oyarzábal

    24. Alborada, Op. 91

      Composer: Emma Chacón

      Performer: Antonio Oyarzábal

    25. No. 3. Agitato

      Composer: Henriëtte Bosmans

      Performer: Antonio Oyarzábal

    26. No. 5. Cantando e dolente

      Composer: Henriëtte Bosmans

      Performer: Antonio Oyarzábal

    27. Sketches in Sepia

      Composer: Florence Beatrice Price

      Performer: Antonio Oyarzábal

    28. Khorumi

      Composer: Meri Davitashvili

      Performer: Antonio Oyarzábal

    29. Mélodie in A-Flat Major

      Composer: Louise Farrenc

      Performer: Antonio Oyarzábal


Pianist Antonio Oyarzabal continues to show us in this album that a multitude of female composers, who deserve to be known and recognized, still remain forgotten. On this occasion, he offers us a selection of pieces by 18 unique authors, most of them pianists, from different periods and geographical origins. In all cases, their professional development was hindered by their status as women and by the social pressure of the historical period in which they lived. Oyarzabal finds intense and authentic artistic stimulation in the process of researching their career paths and in the enthusiastic interpretation of their music. This second part of “La Muse Oubliée” does not intend to bring any sort of closure. On the contrary, it represents the continuation of a project as large as the number of female composers who have yet to be included…