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COMPOSERClara Schumann, Robert Schumann
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PERFORMERAlberto Martos, Myriam Sotelo
Schumann: Works for Cello & Piano
- IBS Classical
- May 3, 2024
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RELEASE DATEMay 03, 2024
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UPC8436597700719
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CATALOG NUMBERIBS-12024
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LABELIBS Classical
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NUMBER OF DISCS1
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GENRE
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I. Andante molto
Composer: Clara Schumann
Performer: Alberto Martos, Myriam Sotelo
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II. Allegretto
Composer: Clara Schumann
Performer: Alberto Martos, Myriam Sotelo
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III. Leidenschaftlich schnell
Composer: Clara Schumann
Performer: Alberto Martos, Myriam Sotelo
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I. Langsam, mit innigem Ausdruck
Composer: Robert Schumann
Performer: Alberto Martos, Myriam Sotelo
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II. Rasch und feurig
Composer: Robert Schumann
Performer: Alberto Martos, Myriam Sotelo
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I. Zart und mit Ausdruck
Composer: Robert Schumann
Performer: Alberto Martos, Myriam Sotelo
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II. Lebhaft, leicht
Composer: Robert Schumann
Performer: Alberto Martos, Myriam Sotelo
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III. Rasch und mit Feuer
Composer: Robert Schumann
Performer: Alberto Martos, Myriam Sotelo
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I. Nicht schnell
Composer: Robert Schumann
Performer: Alberto Martos, Myriam Sotelo
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II. Einfach, innig
Composer: Robert Schumann
Performer: Alberto Martos, Myriam Sotelo
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III. Nicht schnell
Composer: Robert Schumann
Performer: Alberto Martos, Myriam Sotelo
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No. 1. Mit Humor
Composer: Robert Schumann
Performer: Alberto Martos, Myriam Sotelo
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No. 2. Langsam
Composer: Robert Schumann
Performer: Alberto Martos, Myriam Sotelo
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No. 3. Nicht schnell, mit viel Ton zu spielen
Composer: Robert Schumann
Performer: Alberto Martos, Myriam Sotelo
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No. 4. Nicht zu rasch
Composer: Robert Schumann
Performer: Alberto Martos, Myriam Sotelo
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No. 5. Stark und markiert
Composer: Robert Schumann
Performer: Alberto Martos, Myriam Sotelo
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I. Nicht schnell
Composer: Robert Schumann
Performer: Alberto Martos, Myriam Sotelo
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II. Lebhaft
Composer: Robert Schumann
Performer: Alberto Martos, Myriam Sotelo
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III. Rasch
Composer: Robert Schumann
Performer: Alberto Martos, Myriam Sotelo
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IV. Langsam, mit melancholischem Ausdruck
Composer: Robert Schumann
Performer: Alberto Martos, Myriam Sotelo
Featuring ⌄
Product Details ⌄
Works ⌄
We find ourselves in a crucial year, 1849. At that time, the Schumanns opted for a rural retreat due to the tension in Dresden, where they resided at that moment—a city that was the center of notable revolutionary episodes during the uprising that occurred there, with its epicenter in May of that year. Precisely in that fruitful year, Robert Schumann tackled several chamber works that seem to be written in a relaxed atmosphere, in a very short time, without excessive formal nor constructive ambition, but with the stamp of his high melodic and harmonic inspiration. There is a certain common denominator among them, which we could call a certain lack of instrumental definition - pieces for oboe and piano, or for horn and piano, or for clarinet and piano - but in which the “melodic” role, as indicated in the score, can be transferred to other instruments with similar “singable” capacity, either to the same woodwind family or even to the string family (violin, cello). In short, it’s about “singing without text”; they are authentic “songs without words.”
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