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COMPOSERICHMOURATOV, AIRAT
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ORCHESTRA / ENSEMBLEBelarusian State Chamber Orchestra
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PERFORMERMisbakhova, Bushkov
Ichmouratov: Letter from an Unknown Woman / Bushkov, Belarusian State Chamber Orchestra
- Chandos
- August 23, 2019
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RELEASE DATEAugust 23, 2019
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UPC095115214121
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CATALOG NUMBERCHAN 20141
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LABELChandos
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NUMBER OF DISCS1
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GENRE
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I. Allegro - Poco meno mosso - Tempo I - Poco meno mosso -
Composer: Airat Ichmouratov
Performer: Airat Ichmouratov, Pavel Batsian, Elvira Misbakhova, Alexander Serdiukov, Marina Romeyko, Igor Avdeyev, Roman Zhdanovich
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II. Adagio - Con molta espressione, doloroso - Poco meno mosso - Tempo precedente -
Composer: Airat Ichmouratov
Performer: Airat Ichmouratov, Pavel Batsian, Elvira Misbakhova, Alexander Serdiukov, Marina Romeyko, Igor Avdeyev, Roman Zhdanovich
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III. Allegro con brio - Poco a poco crescendo - Poco più mosso, frenetico - Tempo precedente
Composer: Airat Ichmouratov
Performer: Airat Ichmouratov, Pavel Batsian, Elvira Misbakhova, Alexander Serdiukov, Marina Romeyko, Igor Avdeyev, Roman Zhdanovich
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I. Moderato - Andante - Adagio
Composer: Airat Ichmouratov
Ensemble: Belarusian State Chamber Orchestra
Performer: Elvira Misbakhova, Oksana Sushkova
Conductor: Evgeny Bushkov
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II. Adagio
Composer: Airat Ichmouratov
Ensemble: Belarusian State Chamber Orchestra
Performer: Elvira Misbakhova, Oksana Sushkova
Conductor: Evgeny Bushkov
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III. Largo
Composer: Airat Ichmouratov
Ensemble: Belarusian State Chamber Orchestra
Performer: Elvira Misbakhova, Oksana Sushkova
Conductor: Evgeny Bushkov
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I. Largo - Adagio - Meno mosso - Poco più mosso -
Composer: Airat Ichmouratov
Ensemble: Belarusian State Chamber Orchestra
Conductor: Evgeny Bushkov
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II. Allegro - Moderato - Allegro -
Composer: Airat Ichmouratov
Ensemble: Belarusian State Chamber Orchestra
Conductor: Evgeny Bushkov
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III. Largo - Adagio - Meno mosso
Composer: Airat Ichmouratov
Ensemble: Belarusian State Chamber Orchestra
Conductor: Evgeny Bushkov
Featuring ⌄
Product Details ⌄
Works ⌄
Montreal-based since 1998, Airat Ichmouratov (b. 1973) traces his musical roots back to the dominant culture in his native Tatarstan in Soviet times: ‘It was definitely the Russian school of composers’, he says, without rancour. ‘I’m influenced to this day by Shostakovich, Prokofiev, Mussorgsky, Rachmaninoff, and Tchaikovsky. My own musical style has evolved out of this rich heritage.’ There’s more. The Volga Tatar-born Russian-Canadian composer learned to play klezmer music while busking, together with his viola-playing wife, as new immigrants on the streets and Métro of Montreal. ‘I’ve been touring the world for twenty years as a clarinettist with the Montreal band Kleztory and find myself, a Muslim-born musician, playing klezmer. This, too, is now a distinctive part of my musical language.’
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