Iconic Ballet Music for Piano

Regular price $21.99
Label
Piano Classics
Release Date
November 28, 2025
Format
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    Featuring
    • COMPOSER
      Sergei Prokofiev, Igor Stravinsky, Piotr Ilyich Tchaikovsky
    • PERFORMER
      Ekaterina Litvintseva
    Product Details
    • RELEASE DATE
      November 28, 2025
    • UPC
      5029365103381
    • CATALOG NUMBER
      PCL10338
    • LABEL
      Piano Classics
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. No. 1. Folk Dance

      Composer: Sergei Prokofiev

      Performer: Ekaterina Litvintseva

    2. No. 2. Scene: The Street Awakens

      Composer: Sergei Prokofiev

      Performer: Ekaterina Litvintseva

    3. No. 3. Minuet: Arrival of the Guests

      Composer: Sergei Prokofiev

      Performer: Ekaterina Litvintseva

    4. No. 4. Juliet as a Young Girl

      Composer: Sergei Prokofiev

      Performer: Ekaterina Litvintseva

    5. No. 5. Masquers

      Composer: Sergei Prokofiev

      Performer: Ekaterina Litvintseva

    6. No. 6. Montagues and Capulets

      Composer: Sergei Prokofiev

      Performer: Ekaterina Litvintseva

    7. No. 7. Friar Laurence

      Composer: Sergei Prokofiev

      Performer: Ekaterina Litvintseva

    8. No. 8. Mercutio

      Composer: Sergei Prokofiev

      Performer: Ekaterina Litvintseva

    9. No. 9. Dance of the Girls with Lilies

      Composer: Sergei Prokofiev

      Performer: Ekaterina Litvintseva

    10. No. 10. Romeo and Juliet before Parting

      Composer: Sergei Prokofiev

      Performer: Ekaterina Litvintseva

    11. Coppélia, Act I: Waltz (arr. E. Dohnányi for piano)

      Composer: Léo Delibes

      Performer: Ekaterina Litvintseva

    12. I. March: Tempo di marcia viva

      Composer: Pyotr Ilyich Tchaikovsky

      Performer: Ekaterina Litvintseva

    13. II. Dance of the Sugar Plum Fairy: Andante ma non troppo

      Composer: Pyotr Ilyich Tchaikovsky

      Performer: Ekaterina Litvintseva

    14. III. Tarantella

      Composer: Pyotr Ilyich Tchaikovsky

      Performer: Ekaterina Litvintseva

    15. IV. Intermezzo: Andante

      Composer: Pyotr Ilyich Tchaikovsky

      Performer: Ekaterina Litvintseva

    16. V. Trepak - Russian Dance: Molto vivace

      Composer: Pyotr Ilyich Tchaikovsky

      Performer: Ekaterina Litvintseva

    17. VI. Tea - Chinese Dance: Allegro moderato

      Composer: Pyotr Ilyich Tchaikovsky

      Performer: Ekaterina Litvintseva

    18. VII. Andante maestoso

      Composer: Pyotr Ilyich Tchaikovsky

      Performer: Ekaterina Litvintseva

    19. Les Indes galantes: Les sauvages (arr. for piano)

      Composer: Jean-Philippe Rameau

      Performer: Ekaterina Litvintseva

    20. Infernal Dance

      Composer: Igor Stravinsky

      Performer: Ekaterina Litvintseva

    21. Berceuse

      Composer: Igor Stravinsky

      Performer: Ekaterina Litvintseva

    22. Finale

      Composer: Igor Stravinsky

      Performer: Ekaterina Litvintseva

    23. The Flames of Paris: Gavotte - Rondeau (arr. for piano)

      Composer: Jean-Baptiste Lully

      Performer: Ekaterina Litvintseva


The piano dances: new recordings of ballet classics in sparkling keyboard arrangements. Born in Russia, living and working in Germany, Ekaterina Litvintseva has made a string of critically acclaimed recordings for Piano Classics, featuring the music of Chopin, Rachmaninoff and more. On her latest album, she turns to a trio of ballet scores which have always captivated audiences for the particular genius of their marriage between story and music. She opens with Prokofiev's own arrangement of 10 pieces from Romeo and Juliet, followed by Guido Agosti's arrangement of the Suite from Stravinsky's Firebird, and Mikhail Pletnev's virtuoso transcription of dances from Tchaikovsky's Nutcracker. As in any popular recital, there are three encores: a waltz from Delibes' Coppelia (arranged by Erno Dohnanyi), Les Sauvages by Rameau, and finally another foot-tapping dance from the French Baroque, extracted from an opera by Lully. In these transcriptions, the pianist becomes more than just a substitute for the orchestra; she takes the role of a storyteller and a conduit for the expression of the ballet. The reduction of forces brings a more intense focus on the melodic lines, the harmonic progressions and the rhythmic subtleties of the music. Prokofiev chose to recompose and distil the essence of pivotal moments in Romeo and Juliet rather than making straightforward arrangements. In their own ways, Agosti and Pletnev also demonstrate that the essence of ballet can be captured and reimagined in the hands of a skilled pianist. While their versions of Stravinsky and Tchaikovsky have become crowd-pleasing pianistic tours de force in their own right, they also retain the elegance and the fundamental pulse of the original dances. 'The 30-something Ekaterina Litvintseva has been amassing a distinguished discography, and this... is a fine addition, exhibiting the combination of sensitivity and self-assurance that have marked her playing up until now... you owe it to yourself to make the acquaintance of Dora Pejacevic.' (Fanfare, reviewing PCL10226)