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COMPOSERMICHAEL NYMAN HENRY PURCELL
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PERFORMERIestyn Davies, Fretwork
If / Davies, Fretwork
- Signum Classics
- April 19, 2019
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RELEASE DATEApril 19, 2019
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UPC635212058626
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CATALOG NUMBERSIGCD586
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LABELSignum Classics
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NUMBER OF DISCS1
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GENRE
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No. 1. To Music I
Composer: Michael Nyman
Ensemble: Fretwork
Performer: Iestyn Davies
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No. 2. No Time in Eternity
Composer: Michael Nyman
Ensemble: Fretwork
Performer: Iestyn Davies
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No. 3. Fortune
Composer: Michael Nyman
Ensemble: Fretwork
Performer: Iestyn Davies
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No. 4. The Definition of Beauty
Composer: Michael Nyman
Ensemble: Fretwork
Performer: Iestyn Davies
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No. 5. Things Mortal Still Mutable
Composer: Michael Nyman
Ensemble: Fretwork
Performer: Iestyn Davies
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No. 6. The Watch
Composer: Michael Nyman
Ensemble: Fretwork
Performer: Iestyn Davies
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No. 7. To Music II
Composer: Michael Nyman
Ensemble: Fretwork
Performer: Iestyn Davies
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Balancing the Books (arr. R. Boothby)
Composer: Michael Nyman
Ensemble: Fretwork
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If
Composer: Michael Nyman
Ensemble: Fretwork
Performer: Iestyn Davies
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Why
Composer: Michael Nyman
Ensemble: Fretwork
Performer: Iestyn Davies
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Oedipus, King of Thebes, Z. 583: Music for a while (arr. R. Boothby)
Composer: Henry Purcell
Ensemble: Fretwork
Performer: Iestyn Davies
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Music after a While
Composer: Michael Nyman
Ensemble: Fretwork
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Now that the sun hath veiled his light, Z. 193, "An Evening Hymn on a Ground" (arr. S. Wolston)
Composer: Henry Purcell
Ensemble: Fretwork
Performer: Iestyn Davies
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Self-laudatory Hymn of Inanna and Her Omnipotence
Composer: Michael Nyman
Ensemble: Fretwork
Performer: Iestyn Davies
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O solitude, my sweetest choice, Z. 406 (arr. R. Boothby)
Composer: Henry Purcell
Ensemble: Fretwork
Performer: Iestyn Davies
Featuring ⌄
Product Details ⌄
Works ⌄
When Michael Nyman started reinventing the English baroque back in the 1980s, one critic described the result as “pump- action Purcell”. This recording combines these two singular musical styles through the stunning voice of countertenor Iestyn Davies and viol consort Fretwork, serving as the bridge across three centuries. The programme combines bold harmonies, wondrous inventions, and melodies that will haunt your dreams – whether from the 17th century or the 21st. Recorded following a concert tour of the programme, the release includes the premiere recording of a new commission from Michael Nyman, Music after a While – based upon Purcell’s song, or more particularly upon its strikingly original bass-line, with its insidious rising chromatics. This was a near-perfect concert, contrasting two composers whose links are stronger than many people might think and performed by musicians at the top of their profession.” Early Music Reviews, following a concert of the programme.
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