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COMPOSERMENDELSSOHN, FELIX
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PERFORMERSiranossian, Anima Eterna Brugge, Lehmann
In Time / Siranossian, Lehmann, Anima Eterna Brugge
- Alpha
- August 24, 2018
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RELEASE DATEAugust 24, 2018
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UPC3760014194108
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CATALOG NUMBERALPHA410
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LABELAlpha
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NUMBER OF DISCS1
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GENRE
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I. Allegro molto appassionato -
Composer: Felix Mendelssohn
Ensemble: Anima Eterna Brugge
Performer: Chouchane Siranossian
Conductor: Jakob Lehmann
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II. Andante -
Composer: Felix Mendelssohn
Ensemble: Anima Eterna Brugge
Performer: Chouchane Siranossian
Conductor: Jakob Lehmann
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III. Allegro molto vivace
Composer: Felix Mendelssohn
Ensemble: Anima Eterna Brugge
Performer: Chouchane Siranossian
Conductor: Jakob Lehmann
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I. Allegro molto e vivace
Composer: Felix Mendelssohn
Performer: Chouchane Siranossian, Jakob Lehmann, Balázs Bozzai, Nicolas Mazzoleni, Bernadette Verhagen, Katya Polin, Davit Melkonyan, Astrig Siranossian
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II. Andante
Composer: Felix Mendelssohn
Performer: Chouchane Siranossian, Jakob Lehmann, Balázs Bozzai, Nicolas Mazzoleni, Bernadette Verhagen, Katya Polin, Davit Melkonyan, Astrig Siranossian
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III. Scherzo
Composer: Felix Mendelssohn
Performer: Chouchane Siranossian, Jakob Lehmann, Balázs Bozzai, Nicolas Mazzoleni, Bernadette Verhagen, Katya Polin, Davit Melkonyan, Astrig Siranossian
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IV. Molto allegro e vivace
Composer: Felix Mendelssohn
Performer: Chouchane Siranossian, Jakob Lehmann, Balázs Bozzai, Nicolas Mazzoleni, Bernadette Verhagen, Katya Polin, Davit Melkonyan, Astrig Siranossian
Featuring ⌄
Product Details ⌄
Works ⌄
Chouchane Siranossian is a rising star of the baroque and classical violin, Jakob Lehmann a virtuoso violinist and orchestral director who frequently conducts Anima Eterna. Together, they embody what the Bruges orchestra and its founder, Jos van Immerseel, have decided to call the ‘Next Generation Anima Eterna’… Today they are presenting Mendelssohn’s Violin Concerto in its original version. "We wanted to take a look into Mendelssohn’s workshop. He struggled with his self-diagnosed ‘revision disease’ and always strove to work hard on himself and his creations" says Jakob Lehmann. Chouchane Siranossian continues, "It was a fascinating experience for me to discover historical research and its implementation on period instruments in collaboration with Anima Eterna Brugge. In my interpretation, I used exclusively the fingerings, bowings and other performance markings of Ferdinand David and Joseph Joachim, both of whom rehearsed the work with the composer." This recording is rounded off with the Octet, also in its original version, which is longer and has many alterations in instrumentation, harmony and articulation.
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