J. S. Bach: Cello Suites

$29.99
Label
Fuga Libera
Release Date
February 27, 2026
Format
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    Featuring ⌄
    • COMPOSER
      Johann Sebastian Bach
    • PERFORMER
      Miriam Prandi
    Product Details ⌄
    • RELEASE DATE
      February 27, 2026
    • UPC
      5400439008588
    • CATALOG NUMBER
      FUG858
    • LABEL
      Fuga Libera
    • NUMBER OF DISCS
      2
    • GENRE
      Classical
    Works ⌄

    1. I. Prelude

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    2. II. Allemande

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    3. III. Courante

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    4. IV. Sarabande

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    5. V. Menuet I-II

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    6. VI. Gigue

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    7. I. Prélude

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    8. II. Allemande

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    9. III. Courante

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    10. IV. Sarabande

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    11. V. Menuet I-II

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    12. VI. Gigue

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    13. I. Prélude

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    14. II. Allemande

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    15. III. Courante

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    16. IV. Sarabande

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    17. V. Gavotte I-II

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    18. VI. Gigue

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    19. I. Prelude

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    20. II. Allemande

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    21. III. Courante

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    22. IV. Sarabande

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    23. V. Gavotte I-II

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    24. VI. Gigue

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    25. I. Prélude

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    26. II. Allemande

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    27. III. Courante

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    28. IV. Sarabande

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    29. V. Bourree I-II

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    30. VI. Gigue

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    31. I. Prelude

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    32. II. Allemande

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    33. III. Courante

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    34. IV. Sarabande

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    35. V. Bourrée I-II

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi

    36. VI. Gigue

      Composer: Johann Sebastian Bach

      Performer: Miriam Prandi


Miriam Prandi's deeply personal interpretation of Bach's suites for solo cello reveals a musical personality shaped by freedom and reverence for the work; her phrasing recalls not only the elegance of line in Bach's arias and recitatives but also the intricate figuration of his keyboard works. She naturally embraces certain elements of historically informed performance practice, although she refuses to be confined by it's prescriptions. She allows the music to speak in a way that all today can understand: a way that transcends stylistic labels and so-called modernity and speaks with clarity, conviction, and from the heart.