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COMPOSERJohann Sebastian Bach
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PERFORMERAapo Hakkinen
Bach: Die Kunst der Fuge / Aapo Häkkinen
- Ondine
- April 19, 2024
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RELEASE DATEApril 19, 2024
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UPC761195143728
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CATALOG NUMBERODE 1437-2
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LABELOndine
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NUMBER OF DISCS1
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GENRE
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Contrapunctus I
Composer: Johann Sebastian Bach
Performer: Aapo Häkkinen
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Contrapunctus III
Composer: Johann Sebastian Bach
Performer: Aapo Häkkinen
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Contrapunctus II
Composer: Johann Sebastian Bach
Performer: Aapo Häkkinen
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Contrapunctus IV
Composer: Johann Sebastian Bach
Performer: Aapo Häkkinen
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Contrapunctus V
Composer: Johann Sebastian Bach
Performer: Aapo Häkkinen
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Contrapunctus IX a 4 alla Duodecima
Composer: Johann Sebastian Bach
Performer: Aapo Häkkinen
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Contrapunctus X a 4 alla Decima
Composer: Johann Sebastian Bach
Performer: Aapo Häkkinen
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Contrapunctus VI a 4 in Stylo Francese
Composer: Johann Sebastian Bach
Performer: Aapo Häkkinen
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Contrapunctus VII a 4 per Augmentationem et Diminutionem
Composer: Johann Sebastian Bach
Performer: Aapo Häkkinen
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Contrapunctus VIII a 3
Composer: Johann Sebastian Bach
Performer: Aapo Häkkinen
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Contrapunctus XI
Composer: Johann Sebastian Bach
Performer: Aapo Häkkinen
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Die Kunst der Fuge (The Art of Fugue), BWV 1080: Contrapunctus XII a 4, inversus (arr. M. Little and S. Napper for viol ensemble)
Composer: Johann Sebastian Bach
Ensemble: Les Voix Humaines
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Contrapunctus XIII a 3, inversus
Composer: Johann Sebastian Bach
Performer: Anna Gebert, Aapo Häkkinen
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Canon II, alla Ottava
Composer: Johann Sebastian Bach
Performer: Aapo Häkkinen
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Canon III, alla Decima in Contrapunto alla Terza
Composer: Johann Sebastian Bach
Performer: Aapo Häkkinen
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Canon IV, alla Duodecima in Contrapunto alla Quinta
Composer: Johann Sebastian Bach
Performer: Aapo Häkkinen
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Canon I, per Augmentationem in Contrario Motu
Composer: Johann Sebastian Bach
Performer: Aapo Häkkinen
Featuring ⌄
Product Details ⌄
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“[Bach] speaks to us in his work in such clear terms that we may quite well call these fugues poems. (…) These have warmth, quiet joy, love. And running through all the poems, dressed in different guises, is the main theme, creating order, binding the work as a whole together: it is a safe bond in all its diversity. Over all lies the proximity of death.” (Enzio Forsblom)
In this new recording, Bach’s final magnum opus is played by Aapo Häkkinen on a harpsichord built in 1614 by Andreas Ruckers the Elder (1579–?1652) and which belonged to the composer John Blow (1649–1708), organist of Westminster Abbey and former teacher of Henry Purcell. A tradition exists that G.F. Handel had also played this harpsichord.
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