J.S. Bach: Goldberg Variations

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Label
Alpha
Release Date
March 14, 2025
Format
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    Featuring
    • COMPOSER
      Johann Sebastian Bach
    • PERFORMER
      Nevermind
    Product Details
    • RELEASE DATE
      March 14, 2025
    • UPC
      3701624511169
    • CATALOG NUMBER
      ALPHA1116
    • LABEL
      Alpha
    • NUMBER OF DISCS
      2
    • GENRE
    Works
    1. Aria

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    2. Variatio 1. a 1 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    3. Variatio 2. a 1 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    4. Variatio 3. Canone all'Unisuono. a 1 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    5. Variatio 4. a 1 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    6. Variatio 5. a 1 ô vero 2 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    7. Variatio 6. Canone alla Seconda. a 1 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    8. Variatio 7. a 1 ô vero 2 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    9. Variatio 8. a 2 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    10. Variatio 9. Canone alla Terza. a 1 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    11. Variatio 10. Fughetta. a 1 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    12. Variatio 11. a 2 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    13. Variatio 12. Canone alla Quarta. a 1 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    14. Variatio 13. a 2 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    15. Variatio 14. a 2 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    16. Variatio 15. Canone alla Quinta. a 1 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    17. Variatio 16. Ouverture. a 1 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    18. Variatio 17. a 2 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    19. Variatio 18. Canone alla Sexta. a 1 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    20. Variatio 19. a 1 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    21. Variatio 20. a 2 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    22. Variatio 21. Canone alla Settima. a 1 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    23. Variatio 22. Alla breve. a 1 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    24. Variatio 23. a 2 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    25. Variatio 24. Canone all'Ottava. a 1 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    26. Variatio 25. a 2 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    27. Variatio 26. a 2 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    28. Variatio 27. Canone alla Nona. a 2 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    29. Variatio 28. a 2 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    30. Variatio 29. a 1 ô vero 2 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    31. Variatio 30. Quodlibet. a 1 Clav.

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind

    32. Aria da capo

      Composer: Johann Sebastian Bach

      Ensemble: Nevermind


A genuine masterpiece inspires musicians to adopt, adapt, or transcribe it without losing any of it's greatness. Nevermind's four baroque aces, Anna Besson, Louis Creac'h, Robin Pharo and Jean Rondeau, have taken a creative look at Bach's famous Goldberg Variations and have made their own stylishly insightful 'variations' on the work. As they themselves explain: 'We needed only an informal rehearsal to grasp the incredible potential of a transcription for our ensemble. There have been other arrangements, but nobody has ever attempted this one before now, even though our instruments are among those most typically used in J.S. Bach's chamber music, in his many solo sonatas for flute, violin or gamba with bass continuo and obbligato harpsichord - and they also frequently feature in the arias of his cantatas and Passions.'