J.S. Bach, J.C. Bach, Praetorius & Schutz: Musikalische Exequien / Concentus König

$17.99
Label
IBS Classical
Release Date
February 2, 2024
Format
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    Featuring ⌄
    • COMPOSER
      Johann Sebastian Bach, Johann Christoph Bach, Michael Praetorius, Heinrich Schutz
    • PERFORMER
      Concentus Konig
    Product Details ⌄
    • RELEASE DATE
      February 02, 2024
    • UPC
      8436597700641
    • CATALOG NUMBER
      IBS-172023
    • LABEL
      IBS Classical
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. Geistliche Chormusik, Op. 11, SWV 369-397: No. 23. Selig sind die Toten, die in dem Herren sterben, SWV 391

      Composer: Heinrich Schütz

      Ensemble: Concentus König Coro

      Performer: Daniel Oyarzabal

      Conductor: Jorge Suárez-Muñoz

    2. Musae Sioniae, Vol. 8: Mit Fried und Freud ich fahr dahin

      Composer: Michael Praetorius

      Performer: María Alejandra Saturno Pérez, Daniel Oyarzabal

    3. Sonatina

      Composer: Johann Sebastian Bach

      Ensemble: Concentus König Ensemble

      Conductor: Jorge Suárez-Muñoz

    4. Gottes Zeit ist die allerbeste Zeit (Soprano, Alto, Tenor, Bass)

      Composer: Johann Sebastian Bach

      Ensemble: Concentus König Ensemble

      Performer: Manon Chauvin, Gabriel Diaz, Diego Blázquez, Manuel Quintana

      Conductor: Jorge Suárez-Muñoz

    5. Aria: Ach Herr, lehre uns bedenken (Tenor)

      Composer: Johann Sebastian Bach

      Ensemble: Concentus König Ensemble

      Performer: Diego Blázquez

      Conductor: Jorge Suárez-Muñoz

    6. Aria: Bestelle dein Haus (Bass)

      Composer: Johann Sebastian Bach

      Ensemble: Concentus König Ensemble

      Performer: Manuel Quintana

      Conductor: Jorge Suárez-Muñoz

    7. Es ist der alte Bund (Soprano, Alto, Tenor, Bass)

      Composer: Johann Sebastian Bach

      Ensemble: Concentus König Ensemble

      Performer: Manon Chauvin, Gabriel Diaz, Diego Blázquez, Manuel Quintana

      Conductor: Jorge Suárez-Muñoz

    8. Aria: In deine Hande befehl ich meinen Geist (Alto)

      Composer: Johann Sebastian Bach

      Ensemble: Concentus König Ensemble

      Performer: Gabriel Diaz

      Conductor: Jorge Suárez-Muñoz

    9. Aria: Heute wirst du mit mir im Paradies sein (Bass, Alto)

      Composer: Johann Sebastian Bach

      Ensemble: Concentus König Ensemble

      Performer: Manuel Quintana, Gabriel Diaz

      Conductor: Jorge Suárez-Muñoz

    10. Glorie, Lob, Ehr und Herrlichkeit (Soprano, Alto, Tenor, Bass)

      Composer: Johann Sebastian Bach

      Ensemble: Concentus König Ensemble

      Performer: Manon Chauvin, Gabriel Diaz, Diego Blázquez, Manuel Quintana

      Conductor: Jorge Suárez-Muñoz

    11. Kleine geistliche Concerte, Part I, Op. 8, SWV 282-305: No. 6. O lieber Herre Gott, SWV 287

      Composer: Heinrich Schütz

      Performer: Manon Chauvin, Victoria Cassano, Daniel Oyarzabal

    12. Mit Weinen hebt sichs an (arr. for viola da gamba and organ)

      Composer: Johann Christoph Bach

      Performer: María Alejandra Saturno Pérez, Daniel Oyarzabal

    13. Nacket bin ich vom Mutterleibe kommen, SWV 279, "Concert … in Form einer teutschen Missa"

      Composer: Heinrich Schütz

      Ensemble: Concentus König Coro, Concentus König Ensemble

      Conductor: Jorge Suárez-Muñoz

    14. Herr, wenn ich nur dich habe, SWV 280

      Composer: Heinrich Schütz

      Ensemble: Concentus König Coro, Concentus König Ensemble

      Conductor: Jorge Suárez-Muñoz

    15. Herr nun lassest du deinen Diener, SWV 281, "Canticum B. Simeonis"

      Composer: Heinrich Schütz

      Ensemble: Concentus König Coro, Concentus König Ensemble

      Conductor: Jorge Suárez-Muñoz


In this recording, you will find a dialogue between two of the most essential funerary musical works of the German Baroque.

In 2022, we celebrated Heinrich Schütz, a central figure of the album, on the 350th anniversary of his death. As a culmination of a series of projects around his person and work, this recording wants to serve as a tribute to an extraordinary musical legacy that found in Johann Sebastian Bach, its greatest supporter. The manifest bond between both composers here is seen in the way in which death is shaken and beaten for later, collected from within our soul, be restored and sublimated by two artistic personalities capable of transcending a rich amalgamation of religious, cultural, and musical aspects around the ars moriendi of his time. Schütz’s Musikalische Exequien and Bach’s Actus Tragicus stem from a creative attitude toward death that is very close to home one from the other. Thus, it is not by chance that with their listening, both works fill us with peace and the deep sense of rest with which they do it.