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COMPOSERJohann Sebastian Bach
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PERFORMERStefano Molardi
Bach: Transcriptions / Stefano Molardi
- Brilliant Classics
- July 22, 2022
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RELEASE DATEJuly 22, 2022
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UPC5028421964133
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CATALOG NUMBERBRI96413
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LABELBrilliant Classics
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NUMBER OF DISCS2
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GENRE
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Wir danken dir, Gott, BWV 29: Sinfonia (arr. A Guilmant for organ)
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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Bleibt, ihr Engel, bleibt bei mir!
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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Ehre sei Gott in der Hohe
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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Wer bist du? frage dein Gewissen
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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Christi Glieder, ach bedenket
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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Meine Seel erhebt den Herren, BWV 10: Herr, der du stark und machtig bist (arr. for organ)
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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Part II: Komm, süsses Kreuz
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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Part I: O Mensch, bewein dein Sünde gross
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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St. John Passion, BWV 245: Part I: Von den Stricken meiner Sünden (arr. for organ)
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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Prelude and Fugue in D Minor, BWV 539: Fugue
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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I. Adagio
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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III. Andante
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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IV. Allegro moderato
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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Wachet auf, ruft uns die Stimme, BWV 645
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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Wo soll ich fliehen hin (Auf meinen lieben Gott), BWV 646
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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Wer nur den lieben Gott lässt walten, BWV 647
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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Meine Seele erhebet den Herren, BWV 648
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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Ach bleib' bei uns, Herr Jesu Christ, BWV 649
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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Kommst du nun, Jesu, vom Himmel herunter, BWV 650
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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I. —
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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II. Adagio
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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III. Allegro
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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Sonata No. 1 for Violin and Keyboard in B Minor, BWV 1014: III. Andante (arr. for organ)
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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Trio No. 1 in C Minor
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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I. Adagio - Vivace
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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II. Andante
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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III. Un poco allegro
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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I. Prelude
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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II. Adagio
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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III. Trio
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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IV. Tutti
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
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V. Fugue
Composer: Johann Sebastian Bach
Performer: Stefano Molardi
Featuring ⌄
Product Details ⌄
Works ⌄
Transcription has always been a widespread musical practice, following the desire to arrange pieces originally written for an instrumental and/or vocal ensemble for an instrument like the organ or harpsichord or, later, the piano. The eighteenth century was a very fertile period for transcriptions, reaching its pinnacle among Johann Sebastian Bach’s circle. The transcriptions Bach (1685-1750) made during his time in Weimar both for organ (three concertos by Vivaldi and two by Johann Ernst of Saxe-Weimar) and an astonishing 14 for harpsichord (by various Italian composers) are of great artistic value. However, Bach also adapted his own works originally written for instruments or voices, ‘appropriating’ them for the keyboard. These included the first movement of his Trio Sonata No. 4, taken from the sinfonia from the cantata Die Himmel erzählen die Ehre Gottes BWV 76 (for oboe d’amore, viola da gamba and basso continuo) and the Schübler chorales, which started off life as arias in various cantatas.
The aim of this recording is to offer a series of transcriptions that were originally written for instruments other than the organ. The transcribers include Bach himself, contemporaries of him, two 19th century composers: Alexandre Guilmant and Robert Schaab, a pupil of Mendelssohn, ending with the present organist, Stefano Molardi himself.
Stefano Molardi is a “renaissance man”, organist, harpsichordist, scholar, historian and writer. He recorded extensively: the complete organ works by J.S. Bach, organ works by Bach family members, complete organ works by Kuhnau and other repertoire. His playing is clear, crisp, free and rhythmically vibrant. His recordings received 5 star reviews in the international classical magazines. Played on the Johann Nepomuk Holzhey (1797) organ at the Neresheim Abbey, Baden-Württemberg, Germany, the specifications of which are included in the booklet.
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